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3500 Kelvin Works with Brompton Processing for Dynamic LED Environments
Adam Dolniak Finds the Colour of Amazing for ‘The Amazing Maurice’
Adobe Premiere Pro and After Effects Gain Speed and Intelligence for Video Post
Adobe Visualises a New Audio Editing Workflow for Premiere Pro
AJA Diskover Simplifies Data Processing, Search and Storage at IDC
AJA Launches Io X3 Thunderbolt 3 Video I/O, Updates Desktop Software to v16.2
Alley Theatre Produces Remote Digital Performances with Resolve Studio
Alvin Cruz Joins JAMM Visual as New Creative Director
AMD’s Ryzen Desktop Processors Power AI PCs for Content Creation and Gaming
ARC EDIT and ARC FILM Stay on the Edge with Post and Mastering Workflows
Autodesk Acquires Moxion Cloud System for Digital Dailies
Autodesk Moxion Rooms Takes Cloud-Based Review On Set and into Post
Avid Maestro Jumps to Subscription Model for TV and Media Graphics
Avid Media Composer Updates Audio Editing with Pro Tools and MBOX Studio
Avid MediaCentral Updates Remote Ingest Workflows and Collaboration
Avid’s MediaCentral Builds More Efficient Workflows for Broadcast Teams
Avid’s Remote Workflows Keep Teams, Media and Tools Connected
Blackmagic Cameras and ATEM Keep Sarah Renae Clark’s Channels Streaming
Blackmagic Cameras Go Storm Chasing in China for Documentary ‘Soul of Storm’
Bluefish444 Adds KRONOS K8 I/O Support for Adobe Creative Cloud
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