DigitalFilm Tree uses DaVinci Resolve for remote colour correction within
their post workflow, which connects users via cloud storage and integrates
their file-based workflows into one hub.
DigitalFilm Tree's Cloud Workflows Add Remote Grading with DaVinci Resolve |
DigitalFilm Treepost production studio usesDaVinci Resolvefor remote colour correction within their post workflow, which connects users via cloud storage and integrates their file-based workflows into one hub. An example of a broadcast project using these services is the ABC drama series‘Mistresses’, now in its third season, that reveals the lives of a group of four girlfriends. DigitalFilm Tree in Los Angeles has handled all post production services, including remote final colour correction, since the show was first launched. |
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“Doing remote colour correction for dailies with DaVinci Resolve contributes to the efficiency and cost effectiveness of our workflow, because we also use it at different stages across the process,” saidRamy Katrib, CEO of DigitalFilm Tree. As well as colour correction, DigitalFilm Tree uses DaVinci Resolve for online editing, last minute changes and VFX drop-ins. |
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“Remote dailies, using DaVinci Resolve, makes it possible to reduce a two-day turn-around for remote productions to less than six hours, allowing post to reclaim over half of its time,” saidGuillaume Aubuchon, CTO at DigitalFilm Tree. |
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ProStack has enough capacity and bandwidth to manage each post process in a scalable manner, connecting users via cloud storage and integrating various file-based workflows into one hub. Fromproduction, acquired media is ingested intocloud storage.Dailiesproduction includes data verification and proxy generation. Asmetadatais recorded, association with elements occurs automatically.Cloud accessis established for certain people and other systems involved in the post production – dailies, editorial files and VFX pulls are stored online, in the cloud. |
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“For ‘Mistresses’ in Vancouver, we use DaVinci Resolve every day to transcode dailies, apply LUTS and real-time dailies colour, no matter where our dailies colourist is located in the world. Consequently we do not have to deal with shippers, drivers, overnight delivery or customs. Using ProStack, we are able to transport, store and make all the show’s RAW files accessible to our clients.” www.blackmagicdesign.com |