Canon has introduced Auto Tracking and Auto Loop applications for its PTZ camera CR-N700 to make precise, creative content capture less time-consuming and labour-intensive.
FUJIFILM’s long term digital transformation now includes expanding the scope of its AI systems into medical applications in partnership with Australian medical imaging specialists annalise.ai.
The new SRG-A40 and SRG-A12 include high image quality, IP connectivity, extended zoom range, remote control and simple, flexible configuration and operation to suit many use cases.
Videocraft’s James Taylor talks about their decision to invest in FUJINON long focal length 4K lenses, including the UA125 with the highest zoom ratio in the 4K broadcast market today.
ARRI welcomes Dr. Raphael Kiesel as Head of Quality Management, focussed on converting customer requirements into products and services in a structured manner.
Panasonic’s new hybrid full-frame mirrorless cameras have a 24.2MP sensor and processor with Phase Hybrid AF and Active IS, extended 4:2:2 10-bit 4K recording and in-camera grading.
DP Eric Bader used Cooke Anamorphic/i S35 Special Flares and Sony VENICE full frame camera to bring continuity and stylised looks across a video series for new album ‘Viva Las Vengeance’.
The new DWT-P30 creates a complete Digital Wireless Microphone System alongside Sony’s slot-in receiver and bodypack transmitter for studio, ENG and location sound.
The EOS C70 has a firmware update with more functionality for filmmakers, including support for Canon’s XC Protocol, allowing integration into multi-camera systems with direct control.
The Canon EOS R6 Mark II full-frame mirrorless, RF mount camera records 40fps, low-light AF, 4K UHD video, and 6K RAW to external devices, for hybrid video and stills shooters.
Panasonic’s upcoming cameras, an integrated 4K PTZ and a 4K PL-mount studio camera, support new workflows such as IP-based live production and shooting for multiple destinations.
New FUJINON HZK25-1000mm box-type broadcast lens with 40x zoom and 1000mm focal length can be mounted on cameras with either a Super 35mm sensor, or larger 35mm full frame sensor.