Cameras

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Sony FX9 Captures Cinema-quality Live Event Broadcasts for Spain's RTVE

RTVE’s programme is the first TV production in Spain to use large-format camera sensors, producing concerts with cinematic image quality and a reduced depth of field.

Cameras

Sony FX9 Captures Cinema-quality Live Event Broadcasts for Spain's RTVE

Cameras

DP Tim Hawkins Selects Sony BURANO for Versatility and Cinematic Looks

Tim Hawkins talks about his long career as a DP shooting TV series and documentaries. A long-term Sony camera user, he recently invested in the BURANO as his number one camera on set.

Cameras

Blackmagic G2 Multicam Workflow Takes TEDxGenova Outdoors

ADP Events managed the technical production of a special TEDxGenova outdoor event, choosing two URSA Broadcast G2 cameras and two Blackmagic Micro Studio Camera 4K G2s.

Cameras

ARRI 265 Delivers Large Sensor 65mm Cinematography in a Compact Design

ARRI’s new ALEXA 265 compact 65mm camera has a 15 stop dynamic range, high sensitivity and in-camera ND filter system, and uses the same REVEAL Color Science as the ALEXA 35.

Cameras

Sony Comes to EnergaCAMERIMAGE to Show New Cinema Line Updates

Sony is returning for the sixth time to EnergaCamerimage 2024 in Poland with plans to launch and show forthcoming updates to VENICE 2, FX6 and other Cinema Line cameras.

Cameras

Canon’s New RF Hybrid Lenses for EOS R Expand Options for Video and Stills

Built with functionality specifically for video, Canon’s hybrid RF lenses include a smooth operation iris ring, silent fast focus, low-light performance and minimal focus breathing.

Cameras

ARRI’s New Tuneable Ensō Prime Lenses Take ARRI Looks to a Wider Market

New ARRI Ensō Primes are designed for corporate and commercial productions and owner-operators. Portable and versatile, their looks can be adapted to most shooting conditions.

Cameras

'Beetlejuice Beetlejuice' Receives Special Treatment from Sony VENICE 2

DP Haris Zambarloukos, BSC, GSC shot the new Beetlejuice film on the Sony VENICE 2 camera, taking advantage of the camera’s colour rendering, dual ISO and 8.6K 3:2 open gate scan mode.

Cameras

EMG / Gravity Media Updates its Lens Stock with FUJINON Zooms

EMG / Gravity Media has upgraded its lens stock, aiming to keep their equipment in line with new broadcast innovations and ensure the flexibility needed for varied shooting scenarios.

Cameras

Grass Valley's LDX 135 Modernizes Camera Fleet at Mediaset in Italy

Mediaset replaced its cameras with a fleet of Grass Valley’s 4K native, ST 2110-compliant LDX 135 cameras, with UHD with HDR recording, creative grading control and selective upgrades.

Cameras

Canon’s New EOS C80 Compact Cinema Camera Features 6K Sensor and RF Mount

Canon’s new compact 6K cinema camera, the EOS C80, is the second EOS model with an RF mount. It integrates the Dual Pixel CMOS AF II system, now with autofocus, and triple base ISO.

Cameras

Sony’s CCU Camera and 4K Live Production Monitors Support ST 2110 IP Workflows

Sony’s compact HDC-P50 has a 4K sensor and licenses adapting it into diverse applications; the 16.5in 4K HX live production monitors combine deep blacks, HDR and 3,000 nit peak luminance

Cameras

Sony ILME-FR7 PTZ Cameras Support Remote Operated Studio at Nine Network

Nine Network’s new remotely operated broadcast news studio features Sony FR7 PTZ cameras, allowing both remote production from Sydney and local control in Canberra.