Cameras

Camera Flash

Blackmagic In-Camera VFX and Resolve Workflow Bring Fantasy to Life on Set

Filmmaker Matt Drummond talks about using Blackmagic cameras with DaVinci Resolve to complete his recent film, with custom in-camera VFX and efficient, compressed post workflow.

September 30, 2022

Cameras Editor

Sony’s FX30 4K Super 35 Camera Focuses on Looks, Recording Options and Post

The new ILME-FX30 Cinema Line model, a 4K Super 35 compact with Dual Base ISO, Log recording and user-imported LUT support, has a back-illuminated APS-C Exmor R CMOS sensor.

September 15, 2022

Cameras Editor

Sony FR7 PTZ Combines Full-Frame Sensor, E-mount Lenses, Remote Workflows

The new ILME-FR7 interchangeable lens PTZ camera with a 35mm full-frame sensor includes remote control and cinematic tools, expanding options for studios, live events and filmmaking.

July 22, 2022

Cameras Editor

Sony FX6 Updates Looks, Production and Post for ‘The Bachelor’

Reality series ‘The Bachelor’ adopted Sony’s FX6 full frame sensor camera to give the show a more cinematic treatment with an updated on-set workflow and more creative options in post.

July 13, 2022

Cameras Editor

Canon’s New Compact, Wide-Angle Lenses Widen the View for RF Series

Canon launched two affordable full frame RF lenses, a lightweight f/1.8 prime lens featuring a 24mm focal length, and an ultra-wide angle zoom lens covering focal lengths from 15-30mm.

July 10, 2022

Cameras Editor

Blackmagic Compact Cameras Take Nokian Tyres on a Wild Ride

Shooting across the extreme environments of Utah, an intrepid crew used Blackmagic’s tough, versatile cameras and Resolve’s flexibility to produce a dramatic new spot for Nokian Tyres.

June 09, 2022

Cameras Editor

ARRI Orbiter Expands Lights and Applications with Fresnel Lens

A Fresnel lens now augments ARRI’s Orbiter optics and luminaire accessories delivering versatility through precise light and true Fresnel shadows with a large zoom range of 15 to 65°.

June 02, 2022

Cameras Editor

Pro-Cam Selects FUJINON for Broadcast, Corporate, Documentary Production

Pro-Cam’s Ian Bates talks about demand for high performance cine zooms and his company’s recent purchase of FUJINON HK Premier lenses, after using FUJINON lenses for over 30 years.

June 01, 2022

Cameras Editor

ARRI ALEXA 35 4K Camera Launches with New Sensor and Colour Science

The ARRI ALEXA 35 records native 4K at 120 fps with high ISO, ALEXA’s first new sensor, 17 stops of dynamic range, an updated colour science and new in-camera creative options.

May 17, 2022

Cameras Editor

Cooke Anamorphic/i Special Flares Take the Star Trek Universe Further

Cinematographer Glen Keenan gave Star Trek’s virtual production an anamorphic, special flare treatment to help him convince the audience that the action is occupying a real space.

May 07, 2022

Cameras Editor

Lemac Expands Inventory with FUJINON HK Premier Series Zooms

Lemac Film and Digital in Sydney, aiming to keep a diverse inventory, purchased two new FUJINON Premier zoom lenses, the HK 75-400mm and HK18-85mm, from FUJIFILM Australia.

April 25, 2022

Cameras Editor

Sony Launches New System Camera, Updates Cloud Production Workflows

At NAB Show 2022, Sony launched a new system camera in its HDC series, with two compatible large lens adaptors, and updated its Ci Media Cloud Services and camera-to-cloud portal.

April 18, 2022

Cameras Editor