Post

Post Production News

Adam Dolniak Finds the Colour of Amazing for ‘The Amazing Maurice’

Adam Dolniak, a Baselight colourist experienced in live action work, here talks about his first animated project, relying on the software’s colour management, isolation and tracking tools.

March 13, 2023

Post Editor

DaVinci Resolve Brings Indian Spectacle ‘Kantara’ to Worldwide Audience

‘Kantara’ draws India’s vibrant cinematic style to international attention, using colour tools in Resolve to highlight the story’s traditional dance sequences, buffalo festival and natural beauty.

March 06, 2023

Post Editor

Time in Pixels and AJA Push Ahead with Video Analysis for Post

Time in Pixels and AJA are working on software products that help filmmakers, colourists and post teams analyse video sources and imagery with standard post production tools.

March 06, 2023

Post Editor

Damien Vandercruyssen Defines the Colour of Dreams for 'Bardo'

Colourist Damien Vandercruyssen at Harbor in LA worked on Baselight with cinematographer Darius Khondji to create elusive but memorable looks for this dream-like movie.

February 27, 2023

Post Editor

Heckler Introduces a New VFX Supervisor, Two Studios and a New Website

Heckler post-production studio in Sydney reveal their new VFX Supervisor Julian Ford in a special conversation, plus news of their new sound and Singapore studios, and new website.

February 26, 2023

Post Editor

InSync Enhances FrameFormer Conversion Quality and Viewer Experience

FrameFormer now achieves higher real time conversion quality using CPU only, while reducing demands on processors, and is also available on ARM processors, including cloud services.

February 13, 2023

Post Editor

Union VFX Moves its CG Pipeline to USD Format

VFX studio Union has made a significant investment in their facility’s CG department with a new USD-based pipeline and two key hires.

February 13, 2023

Post Editor

Cinegy Capture CAPTURES ENVY’s New Remote Workflow Service

ENVY's new division called CAPTURE specialises in remote post workflows, delivering record and media management on location, tailored to meet the challenges of fixed rig production.

February 12, 2023

Post Editor

The Finish Line Completes UHD / HDR Picture Post for ‘I Am a Killer’

Finishing Artists Zeb Chadfield and Steve Alexander at The Finish Line set up a distributed full post workflow for Netflix’s crime documentary, including a HDR grade with UHD delivery.

February 10, 2023

Post Editor

Racoon Adds Baselight TWO, Blackboard and a new Senior Colourist to the Team

With senior colourist Enge Gray now on their staff and a number of UHD/HDR projects coming in, Racoon purchased the Baselight TWO grading system for their Avid studio.

January 29, 2023

Post Editor

HIT Productions Deploys Flexible Dante AV Throughout New Post Studio

HIT Productions implemented Dante AV video system to transport all audio and video signals through their new studio, resulting in flexible, precisely synced AV-over-IP connectivity.

January 26, 2023

Post Editor

Tashi Trieu Delivers on Post and Colour for ‘Avatar: The Way of Water’

Colourist Tashi Trieu combined his understanding of VFX, motion picture imaging, colour science and digital post workflows with grading skills to give the new Avatar film its special look

January 26, 2023

Post Editor