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Adobe Saves Time with Updates in Premiere Pro, After Effects and Frame.io

Adobe Premiere Pro (beta), After Effects (beta) and Frame.io have a new set of updates that focus on saving time on everyday tasks – from searching for clips to managing HDR pipelines.

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Adobe Saves Time with Updates in Premiere Pro, After Effects and Frame.io

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RE:Vision Effects Twixtor Frame-Rate Conversion Plug-ins Are Now Standalone

RE:Vision Effects’ Twixtor time frame manipulation plug-ins, used to convert frame rates and add slow or fast motion effects to videos, are now released as standalone software.

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Defining the Real Gotham City in Colour and Light for ‘The Penguin’

Pankaj Bajpai talks about grading the HBO crime thriller series ‘The Penguin’ on Baselight, bringing the look and feel of the movie ‘The Batman’ into the broadcast environment.

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Leostream and CineSys Enable Hybrid Post at Republic Creative Studios

Republic studios deployed Leostream’s Remote Desktop Access Platform as a remote technical infrastructure supporting high-performance workloads for grading, sound design and finishing.

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Light Iron Chooses Nara to Unify Media Access, Streaming and Indexing

Light Iron uses Nara for file navigation, content streaming and information sharing through a single, secure interface to help them collaborate efficiently and speed up workflows.

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Aidan Stanford Brings Colour to 'Interior Chinatown' in DaVinci Resolve Studio

Colourist Aidan Stanford at ArsenalFX Color created and managed a complex grade with distinct looks, transitions and effects in Davinci Resolve to follow the series’ multiple storylines.

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Molinare’s Ross Baker Brings a Love of Colour to Television and Film

Ross Baker, senior colourist and head of grading at Molinare in London, talks about building his career from telecine departments to running a team working across multiple genres.

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ORION-CONVERT Pipeline and AJA ColorBox Simplify Colour for Live Productions

Cromorama’s ORION-CONVERT Pipeline for colour management and QC helps live video producers control looks and manage a diverse range of HDR and SDR cameras and equipment.

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Molinare Welcomes Carlotta Rio to its Colourist Team

Carlotta Rio joins Molinare as Senior Colourist, bringing extensive experience across high-end documentary and episodic scripted projects.

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Deidre McClelland Finishes and Grades Memoir of a Snail in DaVinci Resolve

Deidre McClelland, CSI, worked with animator Adam Elliot in Resolve Studio to produce the deliverables and develop looks capturing the distinctive world of this unusual story.

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Harbor Expands with Dedicated Dailies Facility at Shepperton Studios

Harbor has opened a new dedicated dailies facility at Shepperton Studios, purpose-built with a HDR grading and screening room, furthering its capabilities in post-services.

Light Iron Senior Colorist ANDREW GEARY 02

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Light Iron Welcomes Andrew Geary as Senior Colourist

Light Iron announces that Andrew Geary has joined the company as Senior Colourist, further strengthening the company's top-level team of final colourists.

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Framefloor Builds Creative Post Workflows on AJA Gear

Framefloor’s team uses AJA’s Io 4K Plus hardware to ingest, work with and output a huge range of formats over 12G-SDI and HDMI for their corporate, film, sports and broadcast clients.