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RTS Migrates Grading Suites to Resolve, Balancing Overhead with IT Innovation

RTS constantly balances innovation efforts with value for money, combined with IT requirements for standardisation and infrastructure for centralised updates

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RTS Migrates Grading Suites to Resolve, Balancing Overhead with IT Innovation

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Colorfront’s Reference-Grade Remote Reviews Perfect Colour Workflows

Head of colour Science at Harbor Matthew Tomlinson talks about using Colorfront Streaming Server to gain creative confidence. With extensive technical and creative expertise, Matthew Tomlinson is the head of colour science at Harbor, where he services projects by ensuring colour…

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Phantom Media Group Launches to Unite VFX and Animation Talent

Phantom Digital Eﬀects consolidated its studios into a global creative collective called Phantom Media Group, after the recent addition of Milk and Lola Post to the Group’s roster.

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ARTONE FILM Integrates Baselight M to Elevate Mac-based Colour Workflow

ARTONE post-house in Tokyo is the first facility in Japan to integrate Baselight M, choosing its precise look development controls to help create natural-looking images in a visual way.

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Nara’s Real-Time Media Access and Collaboration Unifies Harbor’s Global Studios

Harbor post integrated Nara across global facilities to enhance infrastructure, support real-time collaboration and give producers, artists and engineers fast access to media across locations.

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Maxon One Opens Creative Options For VFX, Motion Graphics and 3D Modelling

Maxon One 2025 accelerates and simplifies workflows by easing technical barriers, opening new creative options for VFX, motion graphics and 3D modelling artists. It addresses new trends in sculpting, rendering, editing and animation.

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Colourist Sam Chynoweth Walks the Line from Memory to Life for Black Mirror

In the last of a 3-part series, senior colourist Sam Chynoweth at The Farm talks about grading the most recent season of ‘Black Mirror’, delivering an independent look for each episode.

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Colourist Sam Chynoweth Recreates Looks from the Past for Black Mirror Series 7

In this 3-part series, senior colourist Sam Chynoweth at The Farm talks about grading the most recent season of ‘Black Mirror’, delivering an independent look for each episode.

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EngineLab and AWS Support Studios on the Way to Cloud-Based Production

EngineLab works with Amazon Web Services (AWS) to help creative teams manage the time and resources needed to build cloud workflows for projects.

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Colourist Sam Chynoweth Creates a Look in the Mirror for Black Mirror Season 7

In the first of a 3-part series, senior colourist Sam Chynoweth at The Farm talks about grading the most recent season of ‘Black Mirror’, delivering an independent look for each episode.

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FilmLight Looks Back on 2024 Award Winners

The FilmLight Colour Awards draw attention to the artistry and technical precision of colourists who bring the magic of colour to projects from independent features to stylish commercials

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FilmLight’s Daniele Siragusano Looks into the Future of Colour in Filmmaking

Image engineer Daniele Siragusano talks about integrating ML and AI into Baselight, aiming to improve control and efficiency for colourists, without losing their artistry and creativity.

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Molinare Chooses Nara to Enhance Efficiency in Post-Production Pipelines

Nara gives fast, secure access to media in any format at any of Molinare’s locations – for both staff and clients – and will soon be used to work efficiently across the Molinare Creative Group.