Post

Post Production News

DaVinci Resolve Studio Keeps the Story Together on ‘Red Notice’

Shooting a film with an international storyline under pandemic restrictions created interesting continuity, VFX and grading challenges, efficiently solved with liberal use of Resolve Studio.

January 24, 2022

Post Editor

Leader LV5600 Reference Leads Film and TV Colour Management at Cromorama

Cromorama adopted Leader’s LV5600 reference instrument for precise simultaneous HDR and SDR shading management for sports events in a unified HDR/SDR production workflow.

January 17, 2022

Post Editor

Picture Shop to Open New Dailies Facility at Pinewood Studios

Picture Shop will open a new dailies facility at Pinewood with four grading rooms, collaboration with teams from theatres and fast, secure connections to cloud-based content management.

January 10, 2022

Post Editor

Leader's Video Monitoring Blooms in 2021 for Broadcast and Digital Film

As digital film and TV producers spent 2021 producing quantities of high quality video, adoption of Leader Electronic’s test instruments by DITs and service providers has grown rapidly.

December 27, 2021

Post Adriene Hurst

Light Iron Looks Ahead with New Post Services, Workflows and Staff

Cofounder Katie Fellion, now a Senior VP, talks about what it takes to keep Light Iron at the edge of innovation, combining strong management, a culture that embraces change, and a passion for film and TV.

December 06, 2021

Post Editor

Sohonet’s New Multiport Supports Flexible Bandwidth Scaling

Sohonet Multiport is a new flexible, scalable network access service that combines the Sohonet Media Network (SMN), Internet Access, Fastlane and WAN services into one system.

November 29, 2021

Post Editor

Pomfort Livegrade Studio Integrates with FilmLight’s BLG Colour Workflow

FilmLight and Pomfort created a bridge between production and post via an integration and exchange of looks supporting consistent colour management from on-set grading to finishing.

November 22, 2021

Post Editor

FilmLight Announces Winners of First Colour Awards

The winners of the first FilmLight Colour Awards were announced at a special ceremony as part of the 2021 EnergaCAMERIMAGE at Toruń, Poland on 14 November.

November 15, 2021

Post Editor

Interra’s QC and Monitoring Software Now Available on Google Cloud

Interra has joined the Google Cloud Partner Advantage Program and made their QC and monitoring software, including BATON and ORION-OTT, available on Google Cloud.

November 15, 2021

Post Editor

The Rebel Fleet Names Stephen Ceci Managing Director in Australia

The Rebel Fleet, a media and entertainment production workflow developer, has appointed Stephen Ceci to the new role of managing director in Australia.

November 08, 2021

Post Editor

Filmhouse Upgrades to New R&S CLIPSTER for 2021 Edinburgh Film Festival

Edinburgh International Film Festival host Filmhouse upgraded their R&S CLIPSTER mastering system to the latest version, to output DCPs, film scans and marketing stings during the festival.

November 05, 2021

Post Editor

Arcadian Designs 4K Streaming Content Workflows on MTI Cortex

Arcadian’s expertise in transcoding and IMF packaging, handled with MTI Film Cortex, prepares client’s content for delivery to consumers according to streaming service requirements.

October 25, 2021

Post Editor

DaVinci Resolve 17.4 Gets Apple M1 Acceleration, Automates Colour Management

Blackmagic Design’s version 17.4 of DaVinci Resolve accelerates the software’s performance on the new Apple Mac models with the M1 Pro and M1 Max chips. With a speed increase of up to 5 times, according to Blackmagic, users can play back, edit and grade 8K…