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Vicki Matich on Colour Grading for Authenticity in TV and Film

A colourist of 20 years, Vicki Matich sees many trends influencing looks in film and TV. Today, she says, filmmakers favour subdued, restrained colour grading over bold, overtly stylised looks

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Vicki Matich on Colour Grading for Authenticity in TV and Film

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Park Jin-ho Pulls a Story from Colour and Contrast in 'No Other Choice'

Park Jin-ho talks about grading No Other Choice on Baselight with the director and DP, who wanted to convey the story and emotions not only through images, but by using colour itself.

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Baselight v7 Arrives with Smarter Mattes, Faster Workflows and Closer Control

Baselight v7 gives special attention to VFX- and detail-heavy productions with machine-learning tools, redesigned matte and channel workflows, and performance and pipeline improvements.

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Limecraft Cloud Platform Delivers Live Set Feedback and Multi-Cam AAF Export

Limecraft 2025.8 strengthens daily workflows across production and post of live shows by prioritising user control, real-time insight and efficiency in editorial handovers.

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BlueBolt Adds Ben White As VFX Supervisor

Independent visual effects studio BlueBolt announces the appointment of award-winning, veteran VFX Supervisor Ben White, further strengthening the studio's senior creative team.

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RTS Migrates Grading Suites to Resolve, Balancing Overhead with IT Innovation

RTS constantly balances innovation efforts with value for money, combined with IT requirements for standardisation and infrastructure for centralised updates

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Colorfront’s Reference-Grade Remote Reviews Perfect Colour Workflows

Head of colour Science at Harbor Matthew Tomlinson talks about using Colorfront Streaming Server to gain creative confidence. With extensive technical and creative expertise, Matthew Tomlinson is the head of colour science at Harbor, where he services projects by ensuring colour…

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Phantom Media Group Launches to Unite VFX and Animation Talent

Phantom Digital Eﬀects consolidated its studios into a global creative collective called Phantom Media Group, after the recent addition of Milk and Lola Post to the Group’s roster.

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ARTONE FILM Integrates Baselight M to Elevate Mac-based Colour Workflow

ARTONE post-house in Tokyo is the first facility in Japan to integrate Baselight M, choosing its precise look development controls to help create natural-looking images in a visual way.

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Nara’s Real-Time Media Access and Collaboration Unifies Harbor’s Global Studios

Harbor post integrated Nara across global facilities to enhance infrastructure, support real-time collaboration and give producers, artists and engineers fast access to media across locations.

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Maxon One Opens Creative Options For VFX, Motion Graphics and 3D Modelling

Maxon One 2025 accelerates and simplifies workflows by easing technical barriers, opening new creative options for VFX, motion graphics and 3D modelling artists. It addresses new trends in sculpting, rendering, editing and animation.

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Colourist Sam Chynoweth Walks the Line from Memory to Life for Black Mirror

In the last of a 3-part series, senior colourist Sam Chynoweth at The Farm talks about grading the most recent season of ‘Black Mirror’, delivering an independent look for each episode.

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Colourist Sam Chynoweth Recreates Looks from the Past for Black Mirror Series 7

In this 3-part series, senior colourist Sam Chynoweth at The Farm talks about grading the most recent season of ‘Black Mirror’, delivering an independent look for each episode.