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Post Production News

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Light Iron Powers New OTT Workflows with Creativity and Collaboration

Light Iron Powers New OTT Workflows with Creativity and Collaboration ‘The Marvelous Mrs Maisel’ Light Iron dailies, DI and data services has been making an impact on the looks and production and post workflows of many of the best-known episodic series now…
July 13, 2019
Marquise
Post Editor

Arte Video Upgrades OTT and IMF Deliverables Processing with Marquise

Arte Video Upgrades OTT and IMF Deliverables Processing with Marquise Arte Video, a video services company located near Venice, Italy, is taking measures within its studio to manage the complexity and challenges many media facilities now face as they try to…
July 10, 2019
Filmlight atlantique
Post Editor

Cannes Prize Winners Get the Look with FilmLight Grading and Finishing

Cannes Prize Winners Get the Look with FilmLight Grading and Finishing 'Atlantique' Two of the top prizes at this year’s Cannes Film Festival were won by movies that were finished using FilmLight colour science to help give them distinctive looks. ‘Parasite’…
June 23, 2019
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DI Colourist Sam Chynoweth Takes a Colour Trip to Bollywood

DI Colourist Sam Chynoweth Takes a Colour Trip to Bollywood 2.0 Colourist Sam Chynoweth joined the London colour team at Technicolor in July 2018. Before that, he had been working in his native Australia on several feature film projects and gaining particular…
June 14, 2019
Mistika workflows boutique
Post Editor

Mistika Workflows Automates Media Processing for Smarter QC and Delivery

Mistika Workflows Automates Media Processing for Smarter QC and Delivery To help users handle demands for new and multiple delivery standards, due partly to the growing number of on-demand video providers, SGO has developed a media management, transcoding and…
June 11, 2019
Filmlight baselight captain marvel4
Post Editor

Finishing Captain Marvel - from VFX to Colour to Deliverables

Finishing Captain Marvel - from VFX to Colour to Deliverables Recent superhero movie ‘Captain Marvel’ was finished at Technicolor in Los Angeles, where colourist Doug Delaney led the team. He was a good match for the project, which he describes as “a huge…
May 27, 2019
FilmLight adam dolniak Africa Music
Post Editor

Adam Dolniak Mixes Up Technical with Creative for Finishing and Colour

Adam Dolniak Mixes Up Technical with Creative for Finishing and Colour 'Africa - A Journey into Music' Adam Dolniak has been working at Splice post production in London since 2007, when he started as an online editor. Now, as Head of Picture, he is also a…
May 21, 2019
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Post Editor

Blackmagic Cintel Helps TBS SPARKLE Archive Japan’s Broadcast History

Blackmagic Cintel Helps TBS SPARKLE Archive Japan’s Broadcast History TBS SPARKLE in Tokyo has undertaken the digitisation of an impressive quantity of 16mm footage dating from 1955 to the 1980s, representing more than 3,000 Japanese films, documentaries and…
May 13, 2019
Filmlight Kyle Stroebel FlatlandA
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Kyle Stroebel Brings the Colours of South Africa to the World

Kyle Stroebel Brings the Colours of South Africa to the World Kyle Stroebel is a colourist at Refinery post studio in Cape Town, South Africa. His most recent project was an independent South African film called ‘Flatland’, directed by a local filmmaker Jenna…
May 05, 2019
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Post Editor

'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve

'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve Director Tim Burton, director of photography Ben Davis BSC, VFX supervisor Richard Stammers from MPC and DI Colourist Adam Glasman decided early on, before the shoot, that producing the story of…
April 25, 2019
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Post Editor

CineCert, Marquise and Venera Create and QC DCP/IMF Packages in a Single Workflow

CineCert, Marquise and Venera Create and QC DCP/IMF Packages in a Single Workflow Marquise Technologies MIST CineCert, Marquise Technologies and Venera Technologies have collaborated to develop a ready-to-use, integrated system able to natively read, author,…
April 22, 2019
Editshare dolby monitor
Post Editor

EditShare QScan Updates Simplify IMF and Dolby HDR Compliance

EditShare QScan Updates Simplify IMF and Dolby HDR Compliance QScan Dolby Vision monitor EditShare’s automated quality control (AQC) application Qscan now has two new facilities for compliance testing of media prior to delivery – an IMF dashboard that…
April 18, 2019
AJA FS HDR Looks
Post Editor

AJA FS-HDR v3.0 Firmware Evolves HDR Standards Support

AJA FS-HDR v3.0 Firmware Evolves HDR Standards Support Colorfront Engine Film Mode LOOK selection Users of the AJA FS-HDR real-time HDR/WCG converter and frame synchroniser will soon have v3.0 firmware that improves the device’s colouring tools and support…

Colorfront Shows 8K HDR and Dolby Atmos Support at NAB 2019

Apr 17, 2019 644
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Colorfront Shows 8K HDR and Dolby Atmos Support at NAB 2019 Colorfront Transkoder 2019…

FilmLight at NAB: Control and Consistency in Finishing and Delivery

Apr 06, 2019 777
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FilmLight at NAB: Control and Consistency in Finishing and Delivery According to…

The Mill Merges VFX and Colour with FilmLight BLG for Flame

Mar 25, 2019 919
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The Mill Merges VFX and Colour with FilmLight BLG for Flame The Mill VFX and content…

Jin Young Park Builds a Cold World of Colour for 'The Fortress'

Mar 18, 2019 887
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Jin Young Park Builds a Cold World of Colour for 'The Fortress' Jin Young Park is one of…

DaVinci Resolve Unifies Editing, Colour and VFX in IMAGICA’s New Suite

Mar 15, 2019 758
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DaVinci Resolve Unifies Editing, Colour and VFX in IMAGICA’s New Suite IMAGICA’s DaVinci…

Ka-boom Colours Period Dramas with Modern Baselight Workflows

Feb 25, 2019 676
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Ka-boom Colours Period Dramas with Modern Baselight Workflows Ka-boom post studio in…

Nevion Virtuoso Keeps Colours True for Remote Grading at a52 Color

Feb 13, 2019 928
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Nevion Virtuoso Keeps Colours True for Remote Grading at a52 Color First Bank commercial,…

nhb studios Get on Track with NIM for Creative Commercials

Feb 05, 2019 898
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nhb studios Get on Track with NIM for Creative Commercials Volkswagen - Kinderträume nhb…

EditShare QScan 3.3 Automates QC with Better Visibility, More Speed

Jan 30, 2019 1056
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EditShare QScan 3.3 Automates QC with Better Visibility, More Speed EditShare’s automated…

ArsenalFX Color Optimises HDR Deliverables with AJA HDR Image Analyzer

Jan 29, 2019 916
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ArsenalFX Color Optimises HDR Deliverables with AJA HDR Analyzer ArsenalFX Color in Santa…

Company 3 Welcomes Steven J Scott and Expands in Hollywood

Jan 26, 2019 988
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Company 3 Welcomes Steven J Scott and Expands in Hollywood Company 3 is completing work…

Mystery Box Refines HDR Production and Post with AJA HDR Image Analyzer

Dec 29, 2018 1458
AJA HDR Image Analyzer mysterybox
Mystery Box Refines HDR Production and Post with AJA HDR Image Analyzer AJA HDR Image…