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ARTONE FILM Integrates Baselight M to Elevate Mac-based Colour Workflow

ARTONE post-house in Tokyo is the first facility in Japan to integrate Baselight M, choosing its precise look development controls to help create natural-looking images in a visual way.

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ARTONE FILM Integrates Baselight M to Elevate Mac-based Colour Workflow

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Nara’s Real-Time Media Access and Collaboration Unifies Harbor’s Global Studios

Harbor post integrated Nara across global facilities to enhance infrastructure, support real-time collaboration and give producers, artists and engineers fast access to media across locations.

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Maxon One Opens Creative Options For VFX, Motion Graphics and 3D Modelling

Maxon One 2025 accelerates and simplifies workflows by easing technical barriers, opening new creative options for VFX, motion graphics and 3D modelling artists. It addresses new trends in sculpting, rendering, editing and animation.

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Colourist Sam Chynoweth Walks the Line from Memory to Life for Black Mirror

In the last of a 3-part series, senior colourist Sam Chynoweth at The Farm talks about grading the most recent season of ‘Black Mirror’, delivering an independent look for each episode.

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Colourist Sam Chynoweth Recreates Looks from the Past for Black Mirror Series 7

In this 3-part series, senior colourist Sam Chynoweth at The Farm talks about grading the most recent season of ‘Black Mirror’, delivering an independent look for each episode.

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EngineLab and AWS Support Studios on the Way to Cloud-Based Production

EngineLab works with Amazon Web Services (AWS) to help creative teams manage the time and resources needed to build cloud workflows for projects.

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Colourist Sam Chynoweth Creates a Look in the Mirror for Black Mirror Season 7

In the first of a 3-part series, senior colourist Sam Chynoweth at The Farm talks about grading the most recent season of ‘Black Mirror’, delivering an independent look for each episode.

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FilmLight Looks Back on 2024 Award Winners

The FilmLight Colour Awards draw attention to the artistry and technical precision of colourists who bring the magic of colour to projects from independent features to stylish commercials

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FilmLight’s Daniele Siragusano Looks into the Future of Colour in Filmmaking

Image engineer Daniele Siragusano talks about integrating ML and AI into Baselight, aiming to improve control and efficiency for colourists, without losing their artistry and creativity.

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Molinare Chooses Nara to Enhance Efficiency in Post-Production Pipelines

Nara gives fast, secure access to media in any format at any of Molinare’s locations – for both staff and clients – and will soon be used to work efficiently across the Molinare Creative Group.

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Founder Rob Harvey on Taking Risks, VFX and Life at Lola Post

Rob Harvey, founder, Creative Director and award-winning VFX Supervisor at Lola Post Production, talks about building, growing and nurturing his studio over the last 25 years.

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Colorfront Shows HDR Cinema Mastering Tools at CineEurope 2025

Colorfront demonstrated mastering workflows with its own HDR Cinema Tools alongside HDR projection systems from Christie and Barco, advancing viewing quality and preserving creative intent

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Squid Game Season 2 Takes Another Chance at Colour, Drama and Life

DoP Kim Ji-yong and Colourist Park Jin Young talk about working together on season 2 of ‘Squid Game’, shot on ALEXA 35, using light, colour and a grade in Baselight to tell a darker story.