Post Production News

Adobe Photoshop Integrates Generative AI to Support Design Workflows

Adobe integrated generative AI capabilities from Firefly engine into Photoshop as Generative Fill, a rapid, non-destructive approach to adding, extending or removing content from images.

May 29, 2023

Post Editor

Jennifer Mendes Takes a Chance on Colour at Loudness Films

Colourist Jennifer Mendes talks about the world of post in Portugal, making a career change from motion design to colour, and working on some of the country’s top films and TV series.

May 22, 2023

Post Editor

Alex Gascoigne Joins Harbor UK as Senior Colourist

Alex Gascoigne has spent the past 15 years building a reputation as a highly collaborative, creative colourist with a strong artistic eye and an in-depth technical understanding.

May 22, 2023

Post Editor

FilmLight FLUX Store Tunes Up Windmill Lane’s Colour Pipeline and Network

Ireland’s Windmill Lane studio upgraded their Baselight TWO systems, adding FLUX Store networked storage to update workflows, optimise performance and strengthen security.

May 15, 2023

Post Editor

Marquise Technologies Advances HDR Workflows and MPEG-H Audio Content

Marquise Technologies’ image processing software for mastering and QC for Digital Cinema and UHDTV has received major updates including new HDR workflows and MPEG-H audio support.

May 11, 2023

Post Editor

Studio Goose Brings Outback Campaign to the Screen via Blackmagic Cloud

Sydney’s Studio Goose and NT’s Global Headquarters, using a team dispersed across Australia, delivered a 10-package campaign highlighting the remarkable world of the Northern Territory.

May 10, 2023

Post Editor

Tim Wreyford Builds Remote Grading Workflows on Colorfront Streaming

Tim Wreyford talks about shifting his freelance colour grading business to a remote operation using Colorfront Streaming Server Mini on a grading computer and home internet connection.

May 08, 2023

Post Editor

Creative Directors Nate Cali and Alex Candlish Join Harbor

Harbor has hired editor Nate Cali and creative director and on-set VFX supervisor Alex Candlish as new creative directors at their Los Angeles studio.

May 08, 2023

Post Editor

Jay Walker Joins Impossible Objects for US Representation

Creative lab Impossible Objects has signed short film, music video, and commercial director Jay Walker to its roster of talent.

May 07, 2023

Post Editor

Autodesk Flame Centralises Cloud-Enabled Finishing and VFX Workflows

Flame’s new updates work together to build a centralised hub for conform, timeline, VFX, publishing, colour and delivery with new metadata and collaboration tools for post.

May 01, 2023

Post Editor

AJA Updates FS-HDR with New Colorfront Engine TV Mode Colour Science

AJA’s v4.2 free firmware for the FS-HDR real-time HDR/WCG converter/frame synchroniser, incorporating Colorfront Engine video processing, introduces the new Colorfront TV Mode.

May 01, 2023

Post Editor

Blackmagic Resolve 18.5 Gathers Speed with AI, Speech-to-Text and Automation

Resolve 18.5 adds new AI tools and AI audio classification. Speech-to-text automates subtitles and text-based editing; new Cut page menus and USD in Fusion support faster workflows.

April 27, 2023

Post Editor

FilmLight Opens Entries for 2023 FilmLight Colour Awards

FilmLight will open entries for the 2023 FilmLight Colour Awards on 1 May 2023, to be presented at the International Film Festival EnergaCAMERIMAGE in November.

Raúl Lavado on Dedicating a Career to Colour, Art and Technology

Apr 26, 2023 1122

Colourist Raúl Lavado Verdú talks about becoming a colourist, why he likes grading on the…

Colorfront Develops 8K/HDR Streaming Tools, Updates Mastering Workflows

Apr 22, 2023 1957

At NAB 2023 Colorfront demonstrated new capabilities for streaming and working remotely…

Adobe Premiere Pro and After Effects Gain Speed and Intelligence for Video Post

Apr 15, 2023 910

Adobe’s Creative Cloud applications, showing at NAB 2023, focus on AI-powered text-based…

Sohonet Acquires 5th Kind to Create a Remote Workflow Collaboration Hub

Mar 27, 2023 1076

Sohonet’s real-time cloud media network combined with 5th Kind’s near-time dailies review…

Adam Dolniak Finds the Colour of Amazing for ‘The Amazing Maurice’ 

Mar 20, 2023 1237

Adam Dolniak, a Baselight colourist experienced in live action work, here talks about his…

DaVinci Resolve Brings Indian Spectacle ‘Kantara’ to Worldwide Audience

Mar 13, 2023 1027

‘Kantara’ draws India’s vibrant cinematic style to international attention, using colour…

Time in Pixels and AJA Push Ahead with Video Analysis for Post

Mar 06, 2023 1028

Time in Pixels and AJA are working on software products that help filmmakers, colourists…

Damien Vandercruyssen Defines the Colour of Dreams for 'Bardo'

Mar 06, 2023 1098

Colourist Damien Vandercruyssen at Harbor in LA worked on Baselight with cinematographer…

Heckler Introduces a New VFX Supervisor, Two Studios and a New Website

Feb 27, 2023 1164

Heckler post-production studio in Sydney reveal their new VFX Supervisor Julian Ford in a…

InSync Enhances FrameFormer Conversion Quality and Viewer Experience

Feb 26, 2023 1079

FrameFormer now achieves higher real time conversion quality using CPU only, while…

Union VFX Moves its CG Pipeline to USD Format

Feb 13, 2023 1595

VFX studio Union has made a significant investment in their facility’s CG department with…

Cinegy Capture CAPTURES ENVY’s New Remote Workflow Service

Feb 13, 2023 2028

ENVY's new division called CAPTURE specialises in remote post workflows, delivering…

The Finish Line Completes UHD / HDR Picture Post for ‘I Am a Killer’

Feb 12, 2023 1666

Finishing Artists Zeb Chadfield and Steve Alexander at The Finish Line set up a…

Racoon Adds Baselight TWO, Blackboard and a new Senior Colourist to the Team

Feb 10, 2023 1768

With senior colourist Enge Gray now on their staff and a number of UHD/HDR projects…

HIT Productions Deploys Flexible Dante AV Throughout New Post Studio

Jan 29, 2023 1043

HIT Productions implemented Dante AV video system to transport all audio and video…

Tashi Trieu Delivers on Post and Colour for ‘Avatar: The Way of Water’

Jan 26, 2023 1333

Colourist Tashi Trieu combined his understanding of VFX, motion picture imaging, colour…

Digital Film Technology Appoints Gunter Weidlich as Managing Director

Jan 26, 2023 944

DFT film scanning developers has a new Managing Director Gunter Weidlich, formerly a…

ARC EDIT and ARC FILM Stay on the Edge with Post and Mastering Workflows

Jan 21, 2023 1577

ARC’s Joseph Perkins talks about what it takes to keep producers, artists and technicians…

ETC Adopts FilmLight FLUX Store for Flexible Post Storage Management

Jan 18, 2023 1049

Electric Theatre Collective chose FLUX Store to support its move into longform post with…

Award-Winning Colourist Natasha Leonnet Joins Picture Shop

Jan 16, 2023 887

Picture Shop announced that artist Natasha Leonnet, HPA Award winner for her contribution…

PHABRIX Develops Waveform Monitoring for Qx and QxL Rasterizers

Jan 16, 2023 1335

PHABRIX’s new waveform instrumentation for Qx and QxL rasterizers delivers fine detail…

Aljoscha Hoffmann Tells the Story in Colour for ‘Dear Mr Führer’

Jan 05, 2023 1254

Colourist Aljoscha Hoffmann talks about recreating a historic film look in Baselight with…

John Daro Masters the Power of Colour from Science to Storytelling

Dec 22, 2022 1533

John Daro, Lead DI colourist at Warner Bros, talks about how his mastery over colour…

AJA Diskover Simplifies Data Processing, Search and Storage at IDC

Dec 21, 2022 1103

IDC develops automated data processing workflows aligned with today’s remote operations,…

Cinemateca Boliviana Restores Historical Cinema with Blackmagic Cintel Scanner

Dec 12, 2022 1036

Cinemateca Boliviana uses the Cintel scanner to restore film content that otherwise would…

Colorfront Supports AWS CDI to Build Live Cloud-Based Video Workflows

Dec 10, 2022 1321

Colorfront Streaming Server now supports AWS Cloud Digital Interface networking, opening…

Sydney Colourist Takes ‘Heartbreak High’ Back to School on DaVinci Resolve

Nov 23, 2022 1216

Colourist Fergus Rotherham used DaVinci Resolve Studio and DaVinci Resolve Advanced Panel…

DaVinci Resolve 18.1 Upgrades Social Media Output, Audio and Smart Tools

Nov 13, 2022 1226

DaVinci Resolve 18.1 has vertical resolutions for social media and DaVinci Neural Engine…

Mistika Workflows Updates Metadata and Automation with New Smart Features

Oct 31, 2022 1335

SGO’s Mistika Workflows for media management, transcoding and delivery now has smart…

Marquise Technologies ICE Prime Player Supports SMPTE VC-6 for Post and QC

Oct 20, 2022 1146

Marquise’s ICE Prime player now supports SMPTE VC-6 mezzanine codec, making lower…

Eric Whipp Brings Three Thousand Years of Colour to George Miller’s New Film

Oct 13, 2022 1813

Colourist Eric Whip at Alter Ego talks about working on Baselight to find looks defining…

Preymaker Welcomes New Talent Julian Fitzpatrick and Will Mok

Oct 03, 2022 1271

Creative studio Preymaker hired Julian Fitzpatrick and Will Mok to join its team bringing…

Marquise Technologies Designs Flexible Workflows for Mastering, Versioning, QC

Sep 28, 2022 1240

Marquise Technologies has an updated lineup of video processing software for OTT content…

Colorfront Extends NDI, IMF, AWS S3 Support for Video Production Workflows

Sep 13, 2022 1780

Colorfront’s Transkoder and dailies software now feature 16-bit NDI video output and…

LightBender Post Designs Colour Workflow for Netflix Series ‘Mo’ on Mistika

Sep 05, 2022 1346

Colourist Juan Cabrera talks about using Mistika’s tools to precisely define the…

Marquise Technologies ICE Prime Monitors All Standards from the Desktop

Sep 04, 2022 833

Marquise Technologies’ new version of ICE Player for the QC and real-time playback of…

Fuse Group Announces New Rising Sun Pictures President Jennie Zeiher

Sep 03, 2022 884

The Fuse Group has announced the appointment of long-term Rising Sun Pictures executive…

AJA ColorBox Assures Colour Accuracy Across Broadcast, Production and Post

Sep 02, 2022 974

AJA’s new device handles algorithmic and LUT processing using HDR/WCG transforms,…

NICE Shoes Colourist Polishes Florida’s Sunny Gulf Coast for ‘Life’s Rewards’

Aug 20, 2022 920

NICE Shoes’ Lenny Mastrandrea colour graded Amazon Prime dramatic comedy series ‘Life’s…

Conductor Enterprise Automates Render Scheduling and Monitoring

Aug 11, 2022 887

Conductor Enterprise adds virtual render wrangling and and reactive user management…

Digital Orchard Welcomes New Colourist Jo Barker

Jul 22, 2022 979

Film and digital services company Digital Orchard will be joined by colourist Jo Barker,…

ArsenalFX Color Promotes Joshua Baca to CTO

Jul 20, 2022 785

ArsenalFX Color announced that Joshua Baca, a company co-founder and partner, is taking…

Harbor’s Colourists Pump Up the Grade for ‘Super Pumped’ on Baselight

Jul 16, 2022 1071

Co-working colourists at Harbor in London shared ideas and skills on Baselight to develop…

FilmLight Colour Awards 2022 Celebrates the Art of Colour Grading

Jul 12, 2022 1282

The FilmLight Colour Awards celebrates the art of colour around the world, reflecting the…

Light Iron Strengthens its Management Team with Two New Hires

Jul 05, 2022 905

Andy Kaplan joins as Senior Vice President of Operations, Peter Lin as Director of…

DNEG to Launch xSTUDIO as Open Source Playback and Review Application

Jun 18, 2022 1127

DNEG is planning the upcoming launch of xSTUDIO, a flexible playback and review…

Streambox and Blackmagic Integrate for Remote Post Workflows in the Cloud

Jun 18, 2022 1163

Streambox software works with Blackmagic UltraStudio and DeckLink devices and DaVinci…

Colorfront Express Dailies 2022 Supports New ACES AMF Workflows

Jun 09, 2022 1021

At Cine Gear Expo 2022, Colorfront shows Express Dailies 2022, ready to adapt to new…

DaVinci Resolve Brings Expressive Looks to Oscar winner ‘Drive My Car’

Jun 09, 2022 972

Colourist Yumeto Kitayama used DaVinci Resolve Studio to prepare working LUTs for the…

DaVinci Resolve Studio Handles Grade, Online, Conform for 'Writing With Fire'

May 24, 2022 984

Bridge PostWorks handled post for Oscar-nominated documentary ‘Writing With Fire’,…

MTI Film Develops AI-Assisted Frame-Rate Conversion, Camera Motion Analysis

May 21, 2022 1086

MTI developed an AI-assisted tool for frame-rate conversion for Cortex and camera motion…

The Finish Line Adds Colour and Emotion to Worldwide Motorcycle Treks

May 16, 2022 1812

The team at The Finish Line talk about working with video, captured around the world on…

Charles Bunnag Brings a Fresh Approach to Colour at Light Iron

May 14, 2022 1364

Colourist Charles Bunnag talks about his experiences of moving from the world of VFX, to…

The Hardy Boys S2 Gets a New Look on Mistika at Eggplant Picture & Sound

May 10, 2022 1423

The finishing team at Eggplant Picture & Sound in Toronto handled the conform, VFX pulls,…

Colorfront Dailies and Transkoder Gain ACES, Dolby, Apple M1, Frame.io Support

May 09, 2022 1474

Colorfront’s dailies and transcoding systems are updated with colour pipeline…

SMPTE’s New IMF App for Broadcast Will Soon Join IMF Family

May 06, 2022 1207

SMPTE developed an IMF App specifically for the many broadcasters using AVC compression,…

'Everest' Returns to Large-Screen Cinemas in a New 16K Restoration

May 04, 2022 2145

MacGillivrary Freeman Films completed a 16K restoration of classic large-screen…

FilmLight’s Colour Awards Return for 2022

May 03, 2022 1211

Nominations are now invited for the FilmLight Colour Awards 2022, to be presented at…

Colorfront Upgrades Colour-Accurate Live-Streaming for Remote Post

May 02, 2022 1247

At NAB 2022, Colorfront showed updates to their live-streaming systems supporting remote…

Interra Makes BATON Captions Available As SaaS on Interra Cloud Services

Apr 25, 2022 1153

SaaS-based BATON Captions enables captions management in the cloud, increased efficiency…

1. Adobe Photoshop Integrates Generative AI to Support Design Workflows
2. Jennifer Mendes Takes a Chance on Colour at Loudness Films
3. Alex Gascoigne Joins Harbor UK as Senior Colourist
4. FilmLight FLUX Store Tunes Up Windmill Lane’s Colour Pipeline and Network
5. Marquise Technologies Advances HDR Workflows and MPEG-H Audio Content
6. Studio Goose Brings Outback Campaign to the Screen via Blackmagic Cloud
7. Tim Wreyford Builds Remote Grading Workflows on Colorfront Streaming
8. Creative Directors Nate Cali and Alex Candlish Join Harbor
9. Jay Walker Joins Impossible Objects for US Representation
10. Autodesk Flame Centralises Cloud-Enabled Finishing and VFX Workflows

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