Post Production News
Baselight Colourist Gareth Spensley at Co3 Grades The French Dispatch
Gareth Spensley is a colourist at Company3 in London, who recently enjoyed one of the highlights of his career working with director Wes Anderson on the colour grade of the new film ‘The French Dispatch’. After nearly 14 years as head of colour grading at…
August 02, 2021
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Greyscalegorilla Helps Navigate the Future of Motion Design
Greyscalegorilla develops software for everyday workflows in motion design studio environments that use Cinema 4D and After Effects, with Redshift, Octane and Arnold render engines, to create titles, commercials, broadcast graphics and experiential displays.…
July 26, 2021
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Preymaker Welcomes Senior Creative Rob Petrie to its Lineup
Creative studio Preymaker has signed Rob Petrie to its team, bringing experience in Creative Direction from The Mill, MPC and many recognised advertising campaigns.
July 19, 2021
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MTI Film’s CORTEX v5.4 Updates DCP Packaging, Dolby Vision Mastering
MTI Film has released an updated version of CORTEX, its software suite for managing media from the set to the screen. CORTEX v5.4 includes new and enhanced features designed to improve the handling of camera media, dailies production, post-production…
July 18, 2021
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NIM 5.0 Helps Studios Track Performance as the Industry Goes Remote
Sequence shot in NIM 5.0 NIM 5.0 updates NIM Labs’ studio management platform, developed to help post production houses as they take on new business, track projects and manage remote and in-house artists. For NIM 5.0, NIM Labs recognises the globalised nature…
July 15, 2021
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‘Peter Rabbit 2’ Gets a Dolby Atmos Sound Mix at Sony Pictures Post
‘Peter Rabbit 2: The Runaway’ is the sequel to the 2018 movie about a loveable rabbit with a talent for mischief, and is now released in cinemas. Much of the creative team from the first film reunited for the new movie, including its sound team led by…
July 09, 2021
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Projective Skies Pushes the Limits on Post-Production Workflows
Post-production companies have been managing remote work challenges in various ways, including shipping external hard drives to remote desktop systems and file-transfer services. These approaches solved problems in the short term but were not an integrated…
July 05, 2021
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Cintel Scanner Takes on Film Archiving and Restoration at Athénée Français
Athénée Français Cultural Centre in Tokyo originated from a French language school with more than 100 years of history. The Cultural Centre was launched as the International Exchange division of the school in the 1970s, with the purpose of an international…
July 05, 2021
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Doug Delaney Grades the Divergent looks of Love, Death + Robots, Volume 2
Launched in March of 2019 on Netflix, the first series of Love, Death + Robots brought together a variety of animation styles and stories, crossing the genres of science fiction, fantasy, comedy, horror and others. Created by producer/director Tim Miller with…
June 18, 2021
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FilmLight to Recognise Colourists in the Colour Awards
FilmLight has announced a new awards programme to honour colourists and the art of colour worldwide. The awards are being organised in association with professional bodies and are open to colourists using any grading technology, with the winners announced at…
June 14, 2021
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FotoKem Builds on Creative Services with New Hire Andre Trejo
Andre Trejo, VP of Creative Services, FotoKem As production continues to ramp up and content creation for a multitude of platforms increases, industry veteran Andre Trejo has joined FotoKem as vice president of Creative Services, the theatrical dailies and…
June 09, 2021
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Qumulo Studio Q Builds Post Production Platforms in the Cloud on AWS
Qumulo Studio Q is a post production platform for creative teams that replicates collaborative editorial production in the cloud. Using AWS CloudFormation for simple deployment, studios, broadcasters and corporate video production teams can use Studio Q as a…
May 31, 2021
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Colourist Aidan Stanford Joins Arsenal FX Color
Film and television colourist Aidan Stanford, with 25 years of experience, joins ArsenalFX Color with recent credits including the movie ‘Knives Out’ and TV series ‘Better Call Saul’.
Evolutions Upgrades to 4K HDR Post and Colour with MTI, Sony, Calman
May 31, 2021
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Evolutions, one of the UK's largest independent post-production companies, is now…
Colorfront Collaborates with AWS on Cloud-Computing Platform
May 18, 2021
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Colorfront has collaborated for several years with Amazon Web Services supporting…
Carbon Welcomes Art Director Ian Bradley
May 18, 2021
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Ian Bradley has joined creative studio Carbon’s growing team of designers and directors.…
Color Finale Transcoder Speeds RAW Media Imports into FCP
May 13, 2021
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The new Color Finale Transcoder workflow imports camera media directly into the Final Cut…
Colourist Élodie Ichter Joins Picture Shop
May 12, 2021
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Colourist Élodie Ichter has joined the roster at Picture Shop, a Streamland Media company…
Germany’s Ku’damm 63 Tells a New Story in HDR with DaVinci Resolve
May 12, 2021
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The third instalment of Germany’s Ku’damm miniseries franchise is titled ‘Ku’damm 63’.…
CineSync Previews 360 Video, Supports Animation Ghosting
Apr 27, 2021
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cineSync media review system now supports 360 video content. The 360, or latlong…
Colourist John Daro Joins the Two Worlds of ‘Tom & Jerry’ in Baselight
Apr 27, 2021
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The colour grade for the new ‘Tom and Jerry’ movie, featuring animated characters Tom and…
Colorfront’s Streaming Server Supports Remote Colour-Accurate Post
Apr 25, 2021
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The new Colorfront Streaming Server is a live-streaming appliance built to carry out a…
R&S CLIPSTER and PRISMON Upgrade to Dolby, IMF and IP Standards
Apr 19, 2021
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R&S PRISMON Multiviewer Rohde & Schwarz has updated CLIPSTER mastering system for feature…
Flame 2022 Automates Camera Tracking, Adds NDI Remote Workflow
Apr 17, 2021
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Autodesk Flame’s recent 2022 update has a new camera tracker that performs very rapid…
Digistor Becomes Australia’s First Adobe Certified Service Partner
Apr 12, 2021
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Digistor has become Australia’s first Adobe Certified Service Partner for Video and…
Artyficial Builds Moscow’s Colour Community on FilmLight Pipeline
Apr 11, 2021
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Colourists Artem Leonov and Timofey Goloborodko launched Artyficial, one of Moscow’s top…
AFX Creative Expands Leadership and Production Team
Mar 22, 2021
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AFX Creative, an independent studio that specializes in VFX, design/motion, color and…
DP, Colourist and Mikros Image Catch the Look for ‘Lupin’ in Baselight
Mar 16, 2021
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The French series 'Lupin' has become a worldwide success for Netflix, ranking number one…
ZOO Digital Remote ADR Service Supports Dispersed Productions
Mar 14, 2021
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In response to the recent interest in remote and hybrid production and post production…
Baselight Colourist Makes the Grade from Istanbul to Mumbai and Beyond
Mar 07, 2021
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Ragib Metin Okutay is a colourist who studied, trained and started his career in…
DaVinci Resolve Studio Supports Remote Grading for Sundance Winner ‘Cusp’
Mar 01, 2021
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Freelance Senior Colourist Andrew Francis graded a new documentary titled ‘Cusp’, winner…
LWKS QScan 2021 Adds HDR Measurements for Media Compliance
Feb 27, 2021
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. QScan automated quality control software now includes High Dynamic Range (HDR)…
AJA 12G-SDI Upgrades Commercial Post to 4K/UHD at ADK Creative One
Feb 22, 2021
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As consumers’ demand for high quality video and audio content continues to grow, so do…
Gorilla Group Adopts Sony BVM-HX310 Master Monitor into 4K HDR Pipeline
Feb 19, 2021
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Sony Trimaster BVM-HX310 LCD monitor in use at Gorilla Group's Cardiff Bay headquarters.…
ATTO 360 Tuning Software Now Supports Avid NEXIS and Autodesk Flame
Feb 15, 2021
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ATTO Technology's 360 tuning, monitoring and analytics software version 2.1 now includes…
Homeboy Grows the Look for China’s Little Red Flower on DaVinci Resolve
Feb 11, 2021
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Chinese director Han Yan released ‘A Little Red Flower’ as the second instalment of his…
EIZO ColorEdge CG Monitors Receive Scientific and Technical Award
Feb 08, 2021
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EIZO is honoured to receive a Scientific and Technical Award from the Academy of Motion…
intoPIX JPEG XS Plugin for Premiere Pro Speeds Live Video Workflows
Jan 30, 2021
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intoPIX JPEG XS Plugin for Adobe Premiere Pro, developed for video editing and live…
Cintel Scanner Assures Restoration of Brazil’s Film History at Afinal Filmes
Jan 18, 2021
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Afinal Filmes was founded in 1998 by CEO Marcelo Pedrazzi, and has played an important…
Baselight 5.3 Upgrades Colour Control and Processing for Artists
Jan 16, 2021
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FilmLight’s new Baselight v5.3 updates artists’ control over the grading process…
MTI CORTEX v5.3.2 Upgrades IMF Mastering and Deliverables Workflows
Jan 10, 2021
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MTI Film’s CORTEX v5.3.2, software that manages workflows from the set through…
ArsenalCreative Welcomes Thomas J Connors as VFX Supervisor
Jan 06, 2021
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3D artist Thomas Connors has been named VFX Supervisor and CG Generalist at…
InSync PixFormer Engine Delivers Software-Based HDR/SDR Conversions
Jan 04, 2021
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InSync Technology’s PixFormer is an API-integrated software-based conversion module…
Arch Platform Scales Up VFX Studio Workflows in the AWS Cloud
Jan 04, 2021
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Arch Platform Technologies has developed secure, cloud-based infrastructure on AWS that…
Baselight X Recreates 1930s Hollywood in Black and White for ‘Mank’
Dec 22, 2020
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‘Mank’ is a biographical film made for Netflix and directed by David Fincher. Its…
ENVY Post and Signiant Integrate to Keep Productions Moving
Dec 10, 2020
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ENVY Post Production in London, like media facilities around the world, moved its entire…
DaVinci Resolve Finishes and Grades Environmental Docmentary for Netflix
Dec 07, 2020
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Josh and Rebessa Tickell talk about finishing and grading their feature length…
R&S CLIPSTER Masters ‘Parasite’ in Dexter Studios’ DI Workflows
Nov 30, 2020
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Within Korea’s film and TV production industry, Dexter Studios in Seoul is recognised as…
Japanese Colourist and Australian DoP Build a Drama in Baselight
Nov 30, 2020
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‘They Say Nothing Stays the Same’ is the second film that Japan’s Joe Odagiri, best known…
Pacific Post Rolls Out In-House Remote Editorial Collaboration to Studios
Nov 23, 2020
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Pacific Post editorial rentals and services provider originally developed their…
Aljoscha Hoffmann Charts New Territory in Colour on Baselight
Nov 16, 2020
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Aljoscha Hoffmann is a colourist at CinePostproduction in Munich. His launch into the…
Blackmagic Upgrades DaVinci Resolve 17 for Colour, Editorial, Audio Post
Nov 13, 2020
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Blackmagic Design DaVinci Resolve 17 includes HDR grading tools and upgraded primary…
Sohonet ClearView Flex Supports 10-bit Colour and 5.1 Surround Sound
Oct 05, 2020
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Sohonet ClearView Flex users will now see better colour quality in streaming sessions…
Frame.io 3.7 Supports High-Speed File Sharing and Accurate Reviews
Aug 30, 2020
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Frame.io Final Cut Pro X Workflow Extension with new proxy media tools Frame.io has been…
OpenColorIO Version 2 Updates ACES Transforms and GPU Renderer
Aug 20, 2020
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The Academy Software Foundation (ASWF), dedicated to open source software development in…
Mosfilm and Codex Media Vault Keep Russia’s Film Industry Rolling
Aug 17, 2020
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A complete CODEX workflow system, including Media Vault shared storage, supports on-set…
Senior Colourist in Tokyo Embraces New Approaches to Colour with Baselight
Aug 12, 2020
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Naotaka Takahashi is a Senior Colourist at L’Espace Vision in Tokyo. Throughout his…
Cintel Scanner and Resolve Scan and Restore Classic Films in Mexico
Aug 09, 2020
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At Digital Sprockets in Mexico, founder Benjamin Fernández Rodriguez Maribona and his…
DaVinci Resolve Tells a Spectacular Colour Story for ‘Normal People’
Aug 03, 2020
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The BBC’s 12 part drama series ‘Normal People’ was post produced entirely at Outer Limits…
MPS Keeps R&S CLIPSTER Mastering on the Edge with SpycerNode Storage
Jul 27, 2020
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Motion Picture Solutions (MPS) international film services facility handles mastering,…
AWS Keeps Untold Studios’ Artists Creating in the Cloud
Jul 20, 2020
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At the time Untold Studios launched in late 2018, they sidestepped certain conventions of…
SGO Mistika Boutique Supports AJA T-TAP for Post Production Monitoring
Jul 09, 2020
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SGO and AJA have partnered to make the SGO finishing software Mistika Boutique compatible…
Colorfront Remote/Cloud Working Empowers Post Workflows
Jul 06, 2020
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Colorfront launched a high-performance, remote working/cloud service to help customers…
MTI Film CORTEX v5.3 Accelerates Set-to-Screen Workflow Management
Jun 29, 2020
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MTI Film CORTEX v5.3 Accelerates Set-to-Screen Workflow Management CORTEX v5.3 updates…
Adobe Creative Cloud Adds AI Tools, Stock Audio, UI/UX Refinements
Jun 23, 2020
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Adobe Creative Cloud Adds AI Tools, Stock Audio, UI/UX Refinements Roto Brush 2 in After…
ENVY Keeps Media Pipelines Moving on Media Shuttle Transfers
Jun 18, 2020
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ENVY Keeps Media Pipelines Moving on Media Shuttle Transfers Since its launch in 2006,…
ftrack Keeps Remote Teams Closer with Synchronised Media Review
Jun 13, 2020
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ftrack Keeps Remote Teams Closer with Synchronised Media Review ftrack real-time…
Blackmagic RAW Workflow Takes ‘Classmates’ from Set to Post
May 31, 2020
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Blackmagic RAW Workflow Takes ‘Classmates’ from Set to Post Echo Entertainment has shot…
G. Balaji Brings India’s Colour and Stories to Screens with Resolve Studio
May 18, 2020
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G. Balaji Brings India’s Colour and Stories to Screens with Resolve Studio Digital cinema…
DaVinci Resolve Colour and Fusion Stitching Take ‘Everest VR’ to the Top
May 11, 2020
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DaVinci Resolve Colour and Fusion Stitching Take ‘Everest VR’ to the Top In April of…
Colourist Yvan Lucas Grades through Three Decades of Cinema
Apr 26, 2020
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Colourist Yvan Lucas Grades through Three Decades of Cinema The City of Lost Children…
Films Graded on Baselight Win Top Honours at Berlin Film Festival
Apr 20, 2020
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Films Graded on Baselight Win Top Honours at Berlin Film Festival At the 70th Berlinale,…
Park Road Post Team Brings Soldiers’ Lives to Life for a New Generation
Apr 16, 2020
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Park Road Post Team Brings Soldiers’ Lives to Life for a New Generation Filmmaker Peter…
