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‘The Brutalist’ Under the Skin – Post Workflows with Signiant Media Shuttle

Editor David Jancso talks about the mechanics of major film productions like 'The Brutalist', when volumes of large file transfers and global collaboration were crucial to the film’s success.

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‘The Brutalist’ Under the Skin – Post Workflows with Signiant Media Shuttle

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Harbor to Join the Avant-garde with Colourist Karim El Katari from France

Harbor has signed Karim El Katari, a French colourist from Paris whose work is known for avant-garde vision and ability to elevate storytelling through colour.

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Innervision Selects Sony Projector for Cinema Colour Grading Suite

Innervision purchased Sony’s VPL-GTZ380 projector, making a complete a range of colour grading services available both for cinema screens and consumer viewing platforms.

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Light Iron Integrates Nara for Secure, Efficient Post Workflows

Light Iron uses Nara to handle file navigation, content streaming and information sharing workflow efficient through a single, secure interface, making workflows simpler and faster.

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Douglas Delaney Joins Light Iron as Supervising Colourist

Light Iron, the post-production creative-services division of Panavision, has hired Douglas Delaney to the company's artist roster as a Supervising Colourist.

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Creating a Supernatural Colour Grade for ‘Salt Along the Tongue’

Colourist Daniel Pardy talks about building a working LUT for this film with a distinctive 16mm film look, helping the production make creative decisions on set, leading to the ideal final grade

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FilmLight REMOTE Delivers High-Quality, Low-Latency Remote Grading

FilmLight REMOTE, dedicated software for remote colour grading gives post teams the infrastructure to work remotely without sacrificing the high-quality, low-latency monitoring needed for efficient workflows.

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Avid Brings Post and Collaboration to Life at Renegade Animation

At Renegade Animation studio, Avid’s Media Composer NLE and NEXIS production storage are a robust, reliable editing system for episodic animation, supporting media management and interactive collaboration.

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Adobe Saves Time with Updates in Premiere Pro, After Effects and Frame.io

Adobe Premiere Pro (beta), After Effects (beta) and Frame.io have a new set of updates that focus on saving time on everyday tasks – from searching for clips to managing HDR pipelines.

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RE:Vision Effects Twixtor Frame-Rate Conversion Plug-ins Are Now Standalone

RE:Vision Effects’ Twixtor time frame manipulation plug-ins, used to convert frame rates and add slow or fast motion effects to videos, are now released as standalone software.

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Defining the Real Gotham City in Colour and Light for ‘The Penguin’

Pankaj Bajpai talks about grading the HBO crime thriller series ‘The Penguin’ on Baselight, bringing the look and feel of the movie ‘The Batman’ into the broadcast environment.

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Leostream and CineSys Enable Hybrid Post at Republic Creative Studios

Republic studios deployed Leostream’s Remote Desktop Access Platform as a remote technical infrastructure supporting high-performance workloads for grading, sound design and finishing.

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Light Iron Chooses Nara to Unify Media Access, Streaming and Indexing

Light Iron uses Nara for file navigation, content streaming and information sharing through a single, secure interface to help them collaborate efficiently and speed up workflows.