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Post Production News

Sydney Colourist Takes ‘Heartbreak High’ Back to School on DaVinci Resolve

Colourist Fergus Rotherham used DaVinci Resolve Studio and DaVinci Resolve Advanced Panel to grade the new 4K HDR series of ‘Heartbreak High’, giving the classic show a modern image.

November 13, 2022

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DaVinci Resolve 18.1 Upgrades Social Media Output, Audio and Smart Tools

DaVinci Resolve 18.1 has vertical resolutions for social media and DaVinci Neural Engine AI-enabled voice isolation, Fairlight vector keyframing and Fusion element detection and tracking.

October 31, 2022

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Mistika Workflows Updates Metadata and Automation with New Smart Features

SGO’s Mistika Workflows for media management, transcoding and delivery now has smart features to optimise content delivery processes and upgrade its metadata management.

October 20, 2022

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Marquise Technologies ICE Prime Player Supports SMPTE VC-6 for Post and QC

Marquise’s ICE Prime player now supports SMPTE VC-6 mezzanine codec, making lower resolution proxies accessible from a single MXF file for virtualised IP cloud-based workflows.

October 13, 2022

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Eric Whipp Brings Three Thousand Years of Colour to George Miller’s New Film

Colourist Eric Whip at Alter Ego talks about working on Baselight to find looks defining a story spanning 3,000 years, while handling a large portion of VFX and working with DP John Seale.

October 03, 2022

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Preymaker Welcomes New Talent Julian Fitzpatrick and Will Mok

Creative studio Preymaker hired Julian Fitzpatrick and Will Mok to join its team bringing experience from multiple disciplines, from visual effects to colour to live action production.

September 28, 2022

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Marquise Technologies Designs Flexible Workflows for Mastering, Versioning, QC

Marquise Technologies has an updated lineup of video processing software for OTT content providers focussed on greater flexibility for ACES, HDR, Dolby Vision and Dolby Atmos content.

September 13, 2022

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Colorfront Extends NDI, IMF, AWS S3 Support for Video Production Workflows

Colorfront’s Transkoder and dailies software now feature 16-bit NDI video output and Camera-to-Cloud support with expanded IMF component workflow integration and AWS cloud storage.

September 05, 2022

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LightBender Post Designs Colour Workflow for Netflix Series ‘Mo’ on Mistika

Colourist Juan Cabrera talks about using Mistika’s tools to precisely define the aesthetics and looks for the show, while controlling the colour pipeline to output all deliverables as and when required.

September 04, 2022

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Marquise Technologies ICE Prime Monitors All Standards from the Desktop

Marquise Technologies’ new version of ICE Player for the QC and real-time playback of broadcast, digital cinema and OTT industry standards now works on regular desktop systems.

September 03, 2022

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Fuse Group Announces New Rising Sun Pictures President Jennie Zeiher

The Fuse Group has announced the appointment of long-term Rising Sun Pictures executive member Jennie Zeiher to the role of President of RSP.

September 02, 2022

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AJA ColorBox Assures Colour Accuracy Across Broadcast, Production and Post

AJA’s new device handles algorithmic and LUT processing using HDR/WCG transforms, loading, modifying and saving looks, and creating reference images for dailies.

August 20, 2022

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