Union Casts a Spell of VFX Magic on Amazon’s ‘The Wheel of Time’
DFX Supervisor Dean Koonjul at Union VFX talks about building the mystical landscapes and cityscapes of this fantasy TV series, digital doubles and FX animation of the Shadow Monster.
Feature stories
May 03, 2023
In Depth
NVIZ ARENA Delivers High-Wire, High-Performance Previs for ‘Matilda’
Head of Visualisation Janek Lender and the NVIZ team talk about using their proprietary virtual cinematography tool ARENA to create previs for a thrilling sequence in ‘Matilda the Musical’.
April 10, 2023
In Depth
MPC Creates VFX and Surreal Dreams for Alejandro Iñárritu’s ‘Bardo’
MPC’s VFX Supervisor Olaf Wendt talks about working with Iñárritu on the surreal and unexpectedly beautiful visualisations his team created for the Oscar-nominated film ‘Bardo’.
March 13, 2023
In Depth
Axis Studios Creates Photoreal Environments and FX for ‘A Man Called Otto’
Nick Drew and Simon Carr from Axis Studios talk about creating invisible VFX for environments, trains, cars and weather, all designed to keep audiences immersed in Otto’s unfolding story.
March 03, 2023
In Depth
BlueBolt Delivers Authentic VFX for Period Drama ‘My Policeman’
Working as sole vendor, BlueBolt delivered 152 invisible effects shots for this movie that needed to look and feel completely authentic to tell its dramatic story across two timelines.
February 22, 2023
In Depth
ReDefine Builds Crowds with Heart for ‘I Wanna Dance with Somebody’
VFX Supervisor Andrew Simmonds talks about leading the team at ReDefine, using volumetrically captured human assets to digitally create the massive crowds at Whitney Houston’s performances.
January 28, 2023
In Depth
DNEG Goes from Dreams to Nightmares for ‘Slumberland’
CG Supervisor Eve Levasseur-Marineau at DNEG talks about bringing a young girl’s dream world to life with simulations – dancing particles, fluids, violent smoke and even destruction.
January 15, 2023
In Depth
FuseFX Extends a Stop-Motion Universe for ‘Wendell and Wild’
VFX Supervisor Paul Santagada talks about the 3D environmental and FX work at FuseFX to support the hand-built sets and stop-motion animated performances in ‘Wendell and Wild’.
November 27, 2022
In Depth
MPC Takes to the Sky, Building Clouds and Transforming an Alien for ‘Nope’
MPC delivered 675 VFX shots for ‘Nope’, working with the filmmakers on alien creature design, art directing CG cloudscapes and a new approach to converting daylight plates into night shots.
November 19, 2022
In Depth
Preymaker Creates a Real-Time Animated Story without Boundaries
A global team built assets for a film produced in Unreal Engine entirely without compositing. Its world and characters are now ready to re-purpose for games, VR and the metaverse.
November 05, 2022
In Depth
DNEG Animation Animates Life and Love in NYC for 'Entergalactic'
DNEG Animation’s Archie Donato and Kapil Sharma talk about animating the visual spectacle of ‘Entergalactic’, tying together the world and characters with colour, light, design and motion.
October 03, 2022
In Depth
Wild Capture Brings the Human Touch to Virtual Worlds and the Metaverse
Will Driscoll talks about the volumetric video tools and services his company Wild Capture develop to make web content more relevant for users and, ultimately, populate the metaverse.
September 06, 2022
In Depth
DNEG Takes ‘Bullet Train’ Through Immersive Environments to an Explosive End
DNEG’s Stephen James talks about building an immersive world for this virtual production of a high-speed train journey, and making exploding trains both fun and incredibly violent.
August 24, 2022
In Depth
FOLKS Blends Physics and Magic for ‘The Umbrella Academy’ VFX
VFX supervisor Laurent Spillemaecker of FOLKS talks about the team’s VFX for season 3 of The Umbrella Academy, bringing the world to the brink of destruction – and back again.
July 29, 2022
In Depth
Pixomondo Explores the World of ‘Halo’ from Inside Out
Pixomondo’s Phil Prates, Johny Berbsov and Asad Manzoor take an inside look at the environments, characters, FX and interactive previs they created for ‘Halo’ Season 1.
July 08, 2022
In Depth
Digital Domain’s Masquerade Finds the Vampire Within for ‘Morbius’
The Digital Human Group at Digital Domain talks about using new developments in their Masquerade software, from machine learning to a streamlined workflow, to transform actors to vampires.
June 13, 2022
In Depth
MPC Animates the New Sonic and Friends in 'Sonic the Hedgehog 2'
MPC’s VFX Supervisor Matt Jacobs and Animation Director Eric Guaglione talk about transforming Sonic to hero status and building new characters and worlds in the Sonic universe.
June 05, 2022
In Depth
NVIZ Delivers Previs, Techvis, Postvis for Marvel’s ‘Morbius’
Janek Lender and Georg Engebakken from NVIZ talk about helping the production visualise major action sequences on Marvel film ‘Morbius’, from stunt performance to camera moves.
May 24, 2022
In Depth
DNEG Speeds through Time and a Wormhole for 'The Adam Project'
VFX Supervisor Alexander Seaman talks about DNEG’s aerial and terrestrial chase sequences for ‘The Adam Project’ – Time Jets, a wormhole and animated flying robots.
April 28, 2022
In Depth
Pixomondo Opens a VFX Window on the World of ‘Goliath’ S4
Pixomondo's Michael Shelton, overall VFX Supervisor and 2nd Unit Director of Amazon’s ‘Goliath’, talks about building an authentic San Francisco and working alongside the DP to maintain his look and style.
April 04, 2022
In Depth
Digital Domain Brings the Villains Back for ‘Spider-Man: No Way Home’
The team from Digital Domain talk about building and destroying a complete 2.5 square mile chunk of New York City, and creating modern versions of Spider-Man’s favourite villains.
March 21, 2022
In Depth
REALTIME Casts a New Spell on ‘A Discovery of Witches’ Season 3
The team at REALTIME talks about working on season 3 of ‘A Discovery of Witches’, visualising the magic the show’s witches perform by combining simulation FX with textures and shaders.
March 14, 2022
In Depth
Twin Pines Stages a Naval Battle for Historic Series ‘La Fortuna’
Juanma Nogales and Javier M Pacin, VFX Supervisors at Twin Pines talk about recreating full-CG underwater environments, an historic naval battle and a road trip through the American South.
March 07, 2022
In Depth
FuseFX Tames Smoke Simulations and Force Fields for ‘Raising Dion’
VFX Supervisor Kevin Yuille at FuseFX talks about creating the VFX that drive Dion’s story through season 2, from a villain made of flowing smoke to teleportation and force fields.
February 18, 2022
In Depth
Pixomondo Visualises Dramatic Environments for ‘See’ Season 2
VFX Supervisor Tristan Zerafa talks about Pixomondo’s environment and crowd work for the show’s final episode, a VES Award nominee, from dramatic interiors to a never-ending forest.
February 14, 2022
In Depth
Freefolk Creates a Helpful CG Monkey for ebookers
VFX artists and animators at Freefolk talk about building, animating and integrating a charming CG monkey who helps travellers, into a series of new spots for online travel agent ebookers.
February 09, 2022
In Depth
DNEG Builds Brave New Worlds for ‘The Matrix: Resurrections’
VFX Supervisor Huw J Evans talks about DNEG’s work on the 4th Matrix film, building massively complex environments, simulating a character as particles and using Unreal Engine to create a full CG sequence.
January 13, 2022
In Depth
MPC Film Reveals Supernatural VFX in Ghostbusters: Afterlife
VFX Supervisor Pier Lefebvre at MPC Film talks about bringing new and familiar characters and creatures to the screen with work from the MPC Character Lab, FX artists and animation team.
December 08, 2021
In Depth
DNEG Animation Builds a Perfect Pipeline for ‘Ron’s Gone Wrong’
VFX supervisor Philippe Denis talks about DNEG Animation’s first feature film, following four years of hard work and the creation of a brand new animation pipeline.
November 16, 2021
In Depth
DNEG Gives the 007 Series an Explosive Finale in ‘No Time to Die’
DNEG’s VFX Supervisor Joel Green talks about the team’s work on ‘No Time to Die’, stretching from large-scale environments to a futuristic glider to dramatic, true 007-style explosions.
November 10, 2021
In Depth
Luma Pictures Takes ‘Shang-Chi’ on a Wild Ride
Luma’s VFX Supervisor Andrew Zink talks about working on Marvel’s latest film, building a 360 photoreal San Francisco environment surrounding a dynamic fight sequence on a speeding bus.
October 29, 2021
In Depth
Digital Domain Builds a Fortress for a Villain’s Heart in ‘Shang-Chi’
While Marvel’s villains are each villainous in his or her own way, Wenwu from ‘Shang-Chi and the Legend of the Ten Rings’ stands out - an ancient character who operates from a remote fortress that has existed for centuries and continuously evolves as his…
September 12, 2021
In Depth
Cantina Creative Keeps ‘Loki’ on the Timeline for Marvel
Cantina Creative designed and animated many of the fascinating objects, graphics and devices that populate the worlds and screens of Marvel’s TV series ‘Loki’. The show continues the story of Loki, the God of Mischief, after the events of ‘Avengers: Endgame’.…
September 07, 2021
In Depth
Cinesite Brings Down-to-Earth Realism to ‘Black Widow’
Cinesite completed a neat line-up of VFX shots that add realism to brutal prison sequences and close-up exterior driving shots in ‘Black Widow’, the fourth Marvel film to which Cinesite has contributed visual effects in the past three years, including…
September 06, 2021
In Depth
RSP and DNEG Build an Amazon Adventure for ‘Jungle Cruise’
Two of the looks that define the adventure story in the new Disney film ‘Jungle Cruise’ are the Amazon Rainforest and the massive, magical Tree of Life. Here, the teams responsible from Rising Sun Pictures in Australia and DNEG in Canada and India talk about…
August 26, 2021
In Depth
Digital Domain Brings Down the Red Room for ‘Black Widow’
In ‘Black Widow’, Natasha Romanoff’s backstory is finally revealed to fans, including the time she spent in the Red Room, a training ground for assassins that she thought had been destroyed. After she discovers that it is still active, airborne and concealed…
August 18, 2021
In Depth
FuseFX Traverses Time, Space and Particles for Marvel’s ‘Loki’
FuseFX worked on over 200 shots for Marvel’s TV series ‘Loki’ across multiple episodes and creative effects, inside the mysterious Time Variance Authority and into the worlds beyond. Though the story is complex, winding through time as well as space, and…
August 11, 2021
In Depth
NVIZ and Ncam Create Supernatural Previs for ‘The Irregulars'
NVIZ talk about working on previs to support their VFX for TV series ‘The Irregulars’, taking advantage of their expertise in the use of Ncam camera tracking and augmented reality.
August 09, 2021
In Depth
Freefolk Welcomes Robots to the Family For New ŠKODA Campaign
Freefolk have brought up two robotic siblings for ŠKODA’s ‘PU-rrs electric, GR-rrs attitude’ UK TV spot, showing off the new, all-electric Enyaq iV SUV. Directed by Frederic Planchon through Academy Films, with Freefolk leading post-production and animation,…
July 21, 2021
In Depth
Stephen Anderson on Creating Animation, Emotions and Monsters
'Monsters at Work' Image Courtesy of Disney Television Animation Animation director and story artist Stephen Anderson has worked in animation for 30 years. Steve is one of the supervising directors on the new animated series ‘Monsters At Work’. Produced by…
July 14, 2021
In Depth
MPC’s VFX Team Gets First In, Best Dressed for Disney’s Cruella
The Disney movie ‘Cruella’ introduces the world to the vengeful young fashion designer Cruella de Vil, descending on 1970s London as the punk rock years rolled in. The VFX work on the movie began during pre-production, about three months before principle…
June 25, 2021
In Depth
FuseFX Strikes a Pose in Post with VFX for FX Series
FX television series ‘Pose’ dramatises the Black and Brown Queer and Trans culture, scene and community in New York City in the late 1980s and into the early 1990s. Family, the AIDS crisis and finding a home within a society that rejects them, are central…
April 21, 2021
In Depth
Alt.vfx Animate a Magpie with a Mission for ‘Penguin Bloom’
Alt.vfx worked on the film retelling of ‘Penguin Bloom’, Cameron Bloom's true story and book about his wife Sam, the tragic accident that changed their lives and a magpie named Penguin. The Bloom family’s story began when Sam suffered a near fatal fall that…
April 05, 2021
In Depth
Mr. X Stages a Battle of Witches for Marvel’s ‘WandaVision’
Mr. X was responsible for a special set of looks and effects for two episodes of the Marvel Disney+ series 'WandaVision', when the main antagonist of the show is revealed as her true self – a powerful, ruthless witch named Agatha Harkness. She lives in…
March 30, 2021
In Depth
Vine FX Creates Future Motion Graphics FX for AMC’s ‘Soulmates’
Set in 2035, AMC’s six-part series ‘Soulmates’ revolves around a new test that becomes available in the near future. The story is based on the notion that, by taking this test, a person can be positively matched with his or her ‘soulmate’. The result is a…
March 18, 2021
In Depth
FuseFX Freezes Up the Harsh World of ‘Snowpiercer’
The episodic TV series ‘Snowpiercer’ is based on both the 2013 film with the same name, and the French graphic novel 'Le Transperceneige'. Before viewers join the story, an Ice Age has occurred, a six-year blizzard causing total destruction over the surface…
March 01, 2021
In Depth
Vine FX Shifts Time and Place with Authentic VFX for ‘The Serpent’
Vine FX delivered 500 shots for 'The Serpent', an eight-part mini series shown on BBC One and streamed on the iPlayer. Filmed in Thailand and the UK, the series story draws from real-life events surrounding infamous French thief, conman and serial killer…
February 22, 2021
In Depth
DP Mark Toia Takes Filmmaking to the Edge for ‘Monsters of Man’
Mark Toia has been working as a DP and filmmaker for over 25 years, shooting high-profile advertising campaigns for clients all over the world. In that time he has taken advantage of the rigorous nature of his projects to widen the scope of his expertise from…
February 15, 2021
In Depth
One of Us and Framestore Create Interplanetary VFX for The Midnight Sky
VFX supervisors from One of Us and Framestore talk about their work on Netflix science fiction feature ‘The Midnight Sky’, creating Jupiter’s moons, spaceships, a dying Earth and holograms.
January 13, 2021
In Depth
Ambience Entertainment Plays for Real on ‘The Gamers 2037’
3D Artist Alexei Hatherley talks about the automated animation techniques and streamlined character design his team used to keep to schedule at high quality for a new kids TV series.
January 01, 2021
In Depth
FuseFX Flies with ‘The Flight Attendant’
HBO Max series ‘The Flight Attendant’ is a thriller with a darkly humorous edge about Cassie Bowden, a flight attendant who wakes up in an unfamiliar hotel in bed with a dead man named Alex whom she scarcely knows, and no recollection of what has happened.…
December 21, 2020
In Depth
IMG VFX Weaves a Tale of Mystery and Danger for The Third Day
'The Third Day' is a six-part drama combined with a theatrical event created for Sky / HBO, set on Osea, a real island in the estuary of the River Blackwater recreated as a world that captivates visitors with its own interpretations of reality. The television…
November 29, 2020
In Depth
MR. X Unravels the World of ‘Raised by Wolves’
MR. X delivered 476 VFX shots for the recent science fiction series ‘Raised By Wolves’, directed by Ridley Scott and streamed on HBO Max. Working with overall VFX Supervisor Ray McIntyre Jr. and VFX Producer Ruth Hauer during post-production from June 2019…
November 22, 2020
In Depth
MPC and DICK’S Sporting Goods Get Animated for Christmas
MPC worked with Pacific Rim Films director Shawn Levy again this year to bring back the animated characters from their DICK’S Sporting Goods campaign made for Christmas 2019. This time, not only do the products come to life as characters after the shop closes…
November 13, 2020
In Depth
Johnny Derango Faces the Cold with ARRI LF and DNA Primes
Cinematographer Johnny Derango talks about his first experience with ARRI’s large format cameras, shooting an action comedy under freezing conditions in the Canadian countryside.
October 07, 2020
In Depth
Union VFX Launches the Sea Dragon ‘For All Mankind’
Union VFX were approached to create the season finale for the Apple TV+ dystopian drama ‘For All Mankind’. The series dramatises an alternate history for the 1960s in which the Russians achieved the first successful manned landing on the moon, ahead of the…
September 28, 2020
In Depth
Mavericks VFX Tells ‘The Handmaid’s Tale’ with Fire and Destruction
Mavericks VFX created vivid scenes of destruction in Washington DC and a burning house for ‘The Handmaid’s Tale’, earning the team a second Emmy nomination in 2020.
July 05, 2020
In Depth
DNEG Builds Robots, Vehicles, Explosions in the World of Westworld 3
Riot Control bot DNEG worked on all eight episodes of ‘Westworld’ season 3, building and animating a range of photoreal robots and futuristic vehicles, and creating set extensions and other invisible effects work. DNEG teams at facilities in both Los Angeles…
June 18, 2020
In Depth
Framestore Climbs into the Driver’s Seat for a New LEGO Race
Framestore Climbs into the Driver’s Seat for a New LEGO Race The team at Framestore delivered environments, racing cars and effects for a new spot for LEGO titled ‘Drive What You Love’ that follows a LEGO builder’s imagination, taking off on a high speed race…
April 30, 2020
In Depth
Bending the Rules for ‘Tales from the Loop’
Bending the Rules for ‘Tales from the Loop’ The story of ‘Tales from the Loop’, an eight-episode series made for Amazon Prime, concerns people living in Mercer, Ohio where an underground research centre, the Mercer Center for Experimental Physics, known as…
March 13, 2020
In Depth
BLOCK & TACKLE Pulls Fans and Classic Comics into SYFY WIRE Rebrand
BLOCK & TACKLE Pulls Fans and Classic Comics into SYFY WIRE Rebrand New York studio BLOCK & TACKLE had the exciting job of handling the rebrand for SYFY WIRE, the official news website for SYFY channel that reaches fans of sci-fi, fantasy and horror. The team…
February 27, 2020
In Depth
DNEG Creates a Dog’s Life for ‘Togo’
DNEG Creates a Dog’s Life for ‘Togo’ ‘Togo’, an historical drama made for Disney+, is the story of Leonhard Seppala and his team of sled dogs, who completed the longest section of the Great Race of Mercy, the famous sled dog relay that brought diphtheria…
February 21, 2020
In Depth
Cinesite Battles Monsters and Magic with ‘The Witcher’
Cinesite Battles Monsters and Magic with ‘The Witcher’ Netflix series ‘The Witcher’ about a monster slayer not only needed vicious, photoreal 3D monsters, it also needed precise choreography between them and their live-action hunter Geralt of Rivia and the…
February 05, 2020
In Depth
Method Studios Takes to the Sky for ‘Jumanji: The Next Level’
Method Studios Takes to the Sky for ‘Jumanji: The Next Level’ The crew from Jumanji are back in the game, but in ‘Jumanji: The Next Level’, nothing is quite the same as before. As they return to rescue one of their players, they discover that their avatars…
February 01, 2020
In Depth
Union VFX Fills St Peter’s and Paints The Sistine Chapel in ‘The Two Popes’
Union VFX Fills St Peter’s and Paints The Sistine Chapel in ‘The Two Popes’ In 2012 Cardinal Bergoglio, the future Pope Francis, grew disillusioned with the Catholic Church and requested permission from Pope Benedict to retire. Instead, facing scandal and…
January 27, 2020
In Depth
Framestore Builds The Witcher’s World of Magic and Danger
Framestore Builds The Witcher’s World of Magic and Danger Netflix series 'The Witcher' is based on ‘The Witcher Saga’ series of books by Andrzej Sapkowski about witcher Geralt of Rivia and takes place in a fantasy world inhabited by sorcerers and a diverse…
December 10, 2019
In Depth
MPC Casts a New Spell on ‘Maleficent: Mistress of Evil’
MPC Casts a New Spell on ‘Maleficent: Mistress of Evil’ MPC designed and created all of the effects for ‘Maleficent: Mistress Of Evil’, continuing the magical story started in the preceding film ‘Maleficent’. Starting work in mid-2018, at about the same time…
November 29, 2019
In Depth
Cinesite Vancouver Animates a New World For ‘The Addams Family’
Cinesite Vancouver Animates a New World For ‘The Addams Family’ ‘The Addams Family’ is Cinesite Vancouver’s first full-length animated feature. The team of 240 artists served as sole vendor on the production, working over a two-year period to create the…
October 09, 2019
In Depth
Union VFX Rolls Back the Years for ‘Stan & Ollie’
Union VFX Rolls Back the Years for ‘Stan & Ollie’ In this shot, Union VFX needed to change the lighting, sky, signage and many period details. Laurel and Hardy was one of the world’s greatest comedy teams, but at the start of the 1950s with their Hollywood…
August 10, 2019
In Depth
DNEG Builds a Better Alien for ‘Men in Black: International’
DNEG Builds a Better Alien for ‘Men in Black: International’ DNEG was the lead VFX vendor on ‘Men in Black: International’ and worked on major sequences, looks and character development, including the MIB London HQ. This was a worldwide project for DNEG,…
July 08, 2019
In Depth
Sydney Opera House Blooms with Animation at VIVID Sydney
Sydney Opera House Blooms with Animation at VIVID Sydney BEMO animation and VFX studio in Los Angeles created the animation for the annual ‘Lighting of the Sails’, a projection mapping production displayed on Sydney Opera House, situated at the centre of the…
July 06, 2019
In Depth
DNEG Flies the Final Mission for ‘Catch 22’
DNEG Flies the Final Mission for ‘Catch 22’ Images Courtesy of DNEG © 2019 Paramount TV DNEG in Vancouver and Montreal took the role of sole VFX vendor on OTT television series ‘Catch-22’, led by VFX supervisors Brian Connor and Dan Charbit, working with Matt…
June 21, 2019
In Depth
3D Studio Coffee & TV Gives Jack’s Beanstalk a New Twist
3D Studio Coffee & TV Gives Jack’s Beanstalk a New Twist Visual content studio Coffee & TV worked with agency McCann Velocity to produce a 3D animated short for the latest Vauxhall campaign. As the dedicated, specialist agency created for Vauxhall Motors by…
April 03, 2019
In Depth
DNEG Builds a Better Cyborg for ‘Alita’
DNEG Builds a Better Cyborg for ‘Alita’ Factory Gang DNEG created over 250 VFX shots in eight sequences for ‘Alita: Battle Angel’, focussing mainly on the art of cyborg building and animation, and on detailed environment work that helps define Alita’s world,…
March 05, 2019
In Depth
Nordin Rahhali and Method Studios Tame the Fantastic Beasts
Nordin Rahhali and Method Studios Tame the Fantastic Beasts VFX Supervisor Nordin Rahhali shared notes with Digital Media World about designing, building and animating 12 creatures for ‘Fantastic Beasts: The Crimes of Grindelwald’ with the team at Method…
February 18, 2019
In Depth
‘Mary Poppins Returns’ Sings, Dances and Swims with VFX Magic
‘Mary Poppins Returns’ Sings, Dances and Swims with VFX Magic Production VFX Supervisor Matt Johnson spent almost two years working on ‘Mary Poppins Returns’. Work started in early 2017 with tests and animation concepts and previs. “Pre-production was a…
February 08, 2019
In Depth
Atomic Fiction Takes a Trip to Marwen
Atomic Fiction Takes a Trip to Marwen Kevin Baillie, production VFX Supervisor, talks here about the effects and animation created for ‘Welcome to Marwen’, in which artists at Atomic Fiction (now Method Studios) realised the director’s vision of transporting…
January 31, 2019
In Depth
Marcus Taormina Opens Up on Visual Effects in ‘Bird Box’
Marcus Taormina Opens Up on Visual Effects in ‘Bird Box’ ‘Bird Box’ is a science fiction drama about an invasion of creatures that begin to destroy humanity by appearing suddenly to individuals and invoking their worst fears and greatest sadness, triggering a…
January 18, 2019
In Depth
Grumpy Sailor and Panasonic Stage a Mad Hatter's Tea Party at ACMI
Grumpy Sailor and Panasonic Stage a Mad Hatter's Tea Party at ACMI Australian Centre for the Moving Image (ACMI) in Melbourne turned Lewis Carroll’s book 'Alice in Wonderland' into an experiential exhibition titled 'Wonderland' that ran from April to October…
January 15, 2019
In Depth
Axis Studios Traverse the VR Universe to Create 'The bOnd'
Axis Studios Traverse the VR Universe to Create 'The bOnd' Axis Studios designed and built their first venture into virtual reality, titled 'The bOnd', as a dynamic fantasy experience in which viewers travel through and care for an alien planet, exploring it…
December 24, 2018
In Depth
Method Studios Stages an Uprising for 'Outlaw King'
Method Studios Stages an Uprising for 'Outlaw King' Dramatic film 'Outlaw King' is the story of 14th century Scottish king, warrior and hero Robert the Bruce, who leads his people in a passionate battle for independence against the much larger, more…
December 11, 2018
In Depth
Ncam's On-set Pre-vis Cracks into 'The Nutcracker and the Four Realms'
Ncam's On-set Pre-vis Cracks into 'The Nutcracker and the Four Realms' In 'The Nutcracker and the Four Realms', young Clara discovers an unexpected world of heroic mice, living toys and immense, snowy fantasy landscapes, hidden somewhere within her godfather…
October 05, 2018
In Depth
DNEG Makes a Bigger Splash for 'The Meg'
DNEG Makes a Bigger Splash for 'The Meg' One of the biggest monster movie splashes in cinemas this year was 'The Meg', a blend of sci-fi, adventure and action about the most massive shark that ever lived. You might argue that such a story could never happen…
August 06, 2018
In Depth
BangBang and RSP Bring VFX Magic to Chinese Adventure 'Animal World'
BangBang and RSP Bring VFX Magic to Chinese Adventure 'Animal World' 'Animal World' is a Chinese blockbuster movie that features roughly 1,000 complex VFX shots, ranging from creature effects and animation to fantasy environments. A fantasy adventure film…
July 01, 2018
In Depth
Framestore and Method Go to the Dark Side - and Back - for 'Deadpool 2'
Framestore and Method Go to the Dark Side - and Back - for 'Deadpool 2' When Marvel's mercenary superhero Deadpool must protect a young boy with supernatural powers from the dangerous, time-travelling cyborg Cable, he assembles a team of mutants to help. The…
June 26, 2018
In Depth
MPC LA Captures a World in a Raindrop for FIJI Water
MPC LA Captures a World in a Raindrop for FIJI Water To launch the new FIJI Water Sports Cap bottle, the Wonderful Agency developed the creative concept of closely following a drop of rain that descends from the clouds high above Fiji. As it makes its way…
June 24, 2018
In Depth
Producing VR-Native Stories to Drive Today's Immersive Media
Producing VR-Native Stories to Drive Today's Immersive Media Jessie Kim and Tim Lambert are co-founders of the virtual reality production company Prosper XR, and the creators of XR Alliance, a VR content competition intended to help overcome one of the main…
June 04, 2018
In Depth
MPC LA Turns Palms Casino from Dust into Gold
MPC LA Turns Palms Casino from Dust into Gold Palms Casino in Las Vegas has been undergoing a major renovation and upgrade. To share the news with the world, director Paul Hunter created a dramatic spot that helps the owners show off the transformation. The…
May 24, 2018
In Depth
Twin Pines Returns to 16th Century Seville for ‘The Plague’
Twin Pines Returns to 16th Century Seville for ‘The Plague’ Twin Pines VFX studio in Madrid created the visual effects for the historical drama series 'La Peste' (The Plague), a Spanish production from Telefonica's Movistar+ subscription platform for digital…
May 12, 2018
In Depth
Phosphene Traces History for 'The Looming Tower'
Phosphene Traces History for 'The Looming Tower' 'The Looming Tower' is a dramatic miniseries made for web television based on the book of the same name by Lawrence Wright. It was released on Hulu from February through April 2018. Digital Media World spoke to…
March 22, 2018
In Depth
Iloura Illuminates a Dark Urban Fantasy for Netflix’s 'Bright'
Iloura Illuminates a Dark Urban Fantasy for Netflix’s 'Bright' In the Netflix film 'Bright', directed by David Ayer, human beings live and work side-by-side with fantastical creatures – in close proximity perhaps, but not in harmony. The magical version of…
March 09, 2018
In Depth
axisVFX Delivers Animation and Compositing for SyFy's Series 'Happy!'
axisVFX Delivers Animation and Compositing for SyFy's Series 'Happy!' axisVFX, the visual effects branch of Axis Studios in the UK, has been working on 'Happy!', a television series showing on SyFy based on the graphic novels by Scottish writer Grant Morrison…
February 28, 2018
In Depth
Nik Hill Paints and Animates 'Pictures in my Head'
Nik Hill Paints and Animates 'Pictures in my Head' Director and motion designer Nik Hill visualised and created a 3D animated music video for the most recent single from DJ and producer MJ Cole, titled 'Pictures In My Head'. This video is a treasure trove of…
February 19, 2018
In Depth
Cinesite Rides a Mystery Train for 'The Commuter'
Cinesite Rides a Mystery Train for 'The Commuter' Cinesite was lead vendor and worked on over 800 shots for the recent high-action thriller 'The Commuter', directed by Jaume Collet-Serra. The film follows Michael, an insurance salesman on his regular train…
February 02, 2018
In Depth
Mr X Sets Love in Motion for 'The Shape of Water'
Mr X Sets Love in Motion for 'The Shape of Water' Anyone watching 'The Shape of Water' knows that somehow, it feels like a romantic musical, even though the two lead characters are both unable to speak, let alone sing, about their unlikely romance. The answer…
January 19, 2018
In Depth
MPC's Little Hero is Born Confident for Volkswagen
MPC's Little Hero is Born Confident for Volkswagen Volkswagen’s ‘Born Confident’ campaign, a 60-second spot directed by Nick Gordon at Somesuch, with VFX by MPC, opens with the birth of a young ram, delivered by a shepherd and his son on a dark, rainy night.…
January 15, 2018
In Depth
Territory Studio Creates at the Crossroads – Story and Design in Motion
Territory Studio Creates at the Crossroads – Story and Design in Motion Screen graphics for 'Blade Runner 2049' trailer Territory Studio creates motion design, visual effects and digital experiences. They are based in London with a further studio in San…
December 12, 2017
In Depth
Union Brings Drama and Intrigue to ‘My Cousin Rachel’
Union Brings Drama and Intrigue to ‘My Cousin Rachel’ Director Roger Michell has directed the first adaptation of the famous novel ‘My Cousin Rachel’ by Daphne Du Maurier, since the early 1950s. He wanted the audience to continually question their judgement…
November 30, 2017
In Depth
VFX Artists Touch Heaven and Earth for 'Thor: Ragnarok'
VFX Artists Touch Heaven and Earth for 'Thor: Ragnarok' Teams at Rising Sun Pictures and Fin Design + Effects created exciting sequences, VFX and animation for Marvel's 'Thor: Ragnarok', spanning heaven and earth, distant planets and dream worlds. Rising Sun…
November 23, 2017
In Depth
Hangman's James Tonkin Captures Robbie Williams' Tour with URSA Mini Pro
Hangman's James Tonkin Captures Robbie Williams' Tour with URSA Mini Pro James Tonkin at Hangman in London captured and edited the backstage footage and live performance highlights on Robbie Williams’ 2017 European tour, recording the entire development of…
November 17, 2017
In Depth
Building the World of 'Blade Runner 2049'
Building the World of 'Blade Runner 2049' 'Blade Runner 2049' continues the story of the original 'Blade Runner' film from 1982. As it reveals the relationship between human beings and Replicants, it tells the story of one human and the Replicant he loves,…
September 20, 2017
In Depth
Double Negative Puts Pedal to the Metal for 'Baby Driver'
Double Negative Puts Pedal to the Metal for 'Baby Driver' 'Baby Driver' is the story of a talented young getaway driver with an unusual hearing impairment. However, his love of music turns this weakness into his greatest strength – when he has the right song…
August 24, 2017
In Depth
Cinesite Touches Heaven and Earth for 'American Gods'
Cinesite Touches Heaven and Earth for 'American Gods' Cinesite Montreal received an Emmy nomination in the category of Outstanding Special Visual Effects for its fantasy environmental work on the Starz television adaption of 'American Gods'. In five of the…
July 19, 2017
In Depth
Colourist Olivier Fontenay Tames Colour and Looks for ‘Lion’
Colourist Olivier Fontenay Tames Colour and Looks for ‘Lion’ DI Colourist Olivier Fontenay’s most recent feature film project is ‘Lion’, a romance in which the story unfolds in many different settings, environments and cultures. It begins with a five-year-old…
July 02, 2017
In Depth
Josh Van Zuylen Masters a Cyberpunk Universe from the Inside Out
Josh Van Zuylen Masters a Cyberpunk Universe from the Inside Out Josh Van Zuylen is a digital artist and designer specializing in environmental work. He currently works at Zero Latency, a developer of multiplayer virtual reality experiences in Melbourne,…
June 26, 2017
In Depth
Axis and Jumbla Drive Motion Design for Forza Motorsport
Axis and Jumbla Drive Motion Design for Forza Motorsport Axis Animation in Scotland, known for their striking and original work for video games, feature films, television and theme parks, has partnered with design and film production company Jumbla in…
June 12, 2017
In Depth
Gentleman Scholar Animates Canada’s Cheese with Creative Soul
Gentleman Scholar Animates Canada’s Cheese with Creative Soul Production company Gentleman Scholar produced a 3.5-minute animated short film on which DDB Canada and Dairy Farmers of Canada have based an integrated campaign to help raise the profile and public…
May 15, 2017
In Depth
Luma Pictures Sets the Pace on Final Fantasy XV Cinematic
Luma Pictures Sets the Pace on Final Fantasy XV Cinematic Luma Pictures is an Academy Award-nominated creative studio run by a group of artists with wide interests and talents, ranging from visual effects for movies, commercials and new media, to animated…
April 19, 2017
In Depth
MPC Looks Inside the ‘Ghost in the Shell’
VFX supervisors Arundi Asregadoo and Axel Bonami at MPC talk about new FX their global team developed while completing over 1,000 shots for action adventure movie ‘Ghost in the Shell’.
April 06, 2017
In Depth
Union VFX Catches the Last Train for ‘T2 Trainspotting’
Union VFX Catches the Last Train for ‘T2 Trainspotting’ For ‘T2 Trainspotting’, based on Irvine Welsh’s novels ‘Porno’ and ‘Trainspotting’, Union VFX in London worked on major sequences to visually depict the writer’s style of fantasy on screen in a way that…
March 19, 2017
In Depth
Deluxe Toronto Takes on 4K Post for Resident Evil’s Last Stand
Deluxe Toronto Takes on 4K Post for Resident Evil’s Last Stand Deluxe Toronto took on most of the post-production services for the sixth and last movie in the sci-fi horror franchise, ‘Resident Evil: The Final Chapter’. The project pulled together many…
March 16, 2017
In Depth
Mettle Takes 360/VR from Experiential to Cinematic
Chris Bobotis from Mettle talks about helping to shape and advance the 360/VR medium by developing digital tools that address real challenges in the VR post production workflow.
February 14, 2017
In Depth
Cinema 4D Tames the Dragon at Adobe CC Launch in China
Cinema 4D Tames the Dragon at Adobe CC Launch in China Adobe Creative Cloud was launched in China for the first time in late 2016. Motion artists at two studios in Sydney, Never Sit Still and Luxx, collaborated on a special project for the event, and were…
February 13, 2017
In Depth
Glassworks Tells the Monster’s Tales in ‘A Monster Calls’
Glassworks Tells the Monster’s Tales in ‘A Monster Calls’ Glassworks in Barcelona created two beautiful animations telling powerful stories-inside-a-story to support the film ‘A Monster Calls’. The animations are based on fantastic tales the young protagonist…
February 09, 2017
In Depth
Syndrome Studio’s Motion Graphics Go Live at the People’s Choice Awards
Syndrome Studio’s Motion Graphics Go Live at the People’s Choice Awards Syndrome Studio, specializing in design and animation for major entertainment, advertising and brand clients, has just created an on-air and on-stage graphics package for the 2017…
February 03, 2017
In Depth
SPOV Looks Inside ‘Doctor Strange’
SPOV Looks Inside ‘Doctor Strange’ Among the many arresting looks on show in Marvel’s most recent film ‘Doctor Strange’ was some that were surprisingly down-to-earth - a series of highly realistic, accurate but always intriguing screen graphics and…
January 26, 2017
In Depth
Talking the Talk - Hybride Meets the Aliens on ‘Arrival’
Talking the Talk - Hybride Meets the Aliens on ‘Arrival’ The team at Hybride in Québec created 245 visual effects shots for science fiction film ‘Arrival’ serving as the main VFX vendor working with director Denis Villeneuve and production VFX supervisor…
January 18, 2017
In Depth
MPC Searches for Starlight in ‘Passengers’
MPC Searches for Starlight in ‘Passengers’ The recent deep space film ‘Passengers’ contains roughly 1,400 visual effects shots that aim to give viewers a vision of the interstellar environment far from our sun and solar system. As lead VFX vendor, MPC…
January 16, 2017
In Depth
Rodeo FX Uncovers ‘Fantastic Beasts’ and How to Build Them
Rodeo FX Uncovers ‘Fantastic Beasts’ and How to Build Them Rodeo FX worked on 126 visual effects shots for ‘Fantastic Beasts and Where to Find Them’. The work included environments around New York City in the 1920s, the magical reconstruction of a destroyed…
January 06, 2017
In Depth
ZERO VFX Moves Mountains behind ‘The Magnificent Seven’
ZERO VFX Moves Mountains behind ‘The Magnificent Seven’ The story of the most recent version of ‘The Magnificent Seven’, directed by Antoine Fuqua, unfolds surrounded by the sweeping mountain landscapes of New Mexico, but the production took place in the…
December 19, 2016
In Depth
One of Us Creates a Crowning Glory for ‘The Crown’
One of Us Creates a Crowning Glory for ‘The Crown’ ‘The Crown’ is a Netflix original series giving audiences a view of the life and world of Queen Elizabeth II as a 25-year-old newlywed, faced with the prospect of leading her country’s monarchy following…
December 09, 2016
In Depth
Ben Gervais Walks the Line for 120P 4K Master on ‘Billy Lynn’
Ben Gervais Walks the Line for 120P 4K Master on ‘Billy Lynn’ Director Ang Lee employed extreme cinematic techniques to tell the story of a soldier who returns to the USA psychologically and emotionally damaged by his time in Iraq. ‘Billy Lynn’s Long Halftime…
December 05, 2016
In Depth
Mocap Innovation Captures the Spirit of Ariel in ‘The Tempest’
Mocap Innovation Captures the Spirit of Ariel in ‘The Tempest’ The Royal Shakespeare Company (RSC) has been collaborating with The Imaginarium Studios and Intel on a new production of Shakespeare’s play ‘The Tempest’, which opened on 18 November 2016 and will…
December 02, 2016
In Depth
Iloura Fights Fire with Fire on 'Deepwater Horizon'
Iloura Fights Fire with Fire on 'Deepwater Horizon' In 2010, one of the world’s largest man-made disasters occurred on the Deepwater Horizon oil rig in the Gulf of Mexico. The film ‘Deepwater Horizon’ is a tribute to the people on board whose efforts saved…
November 23, 2016
In Depth
Hitting the Marks with Motion Graphics
Hitting the Marks with Motion Graphics Raoul Marks is an award winning motion artist who lives in Sydney, Australia and works for Elastic studio in Los Angeles. Raoul and his team, led by creative director Patrick Clair, are responsible for some of the most…
October 08, 2016
In Depth
Animatrik Sets Madness to Motion in ‘Suicide Squad’
Animatrik Sets Madness to Motion in ‘Suicide Squad’ ‘Suicide Squad’ may give audiences a view of the dark side of being a superhero, but it doesn’t lack for fast-paced fight scenes – albeit with an edgier tone than usual. While deciding who the bad guys…
October 06, 2016
In Depth
Framestore Catches Jungle Fever for ‘Tarzan’
Framestore Catches Jungle Fever for ‘Tarzan’ Framestore created jungle environments, digital doubles and detailed creature animation for over 700 shots on ‘The Legend of Tarzan’. The movie is based on the novel written in 1912 by Edgar Rice Burroughs, whose…
September 01, 2016
In Depth
VFX Photography Takes a New Angle with the Blackmagic URSA Mini 4.6K
VFX Photography Takes a New Angle with the Blackmagic URSA Mini 4.6K In this article, VFX supervisor Douglas Hans Smith contrasts the use of today’s high-resolution, wide dynamic range cameras and other modern techniques used to capture VFX elements, one of…
August 05, 2016
In Depth
‘Independence Day’ Resurges with Courageous VFX
‘Independence Day’ Resurges with Courageous VFX When audiences rejoin the INDEPENDENCE DAY story in ‘Resurgence’, countries around the world are at work on an immense defense program to protect the planet against the return of the alien invaders they drove…
July 11, 2016
In Depth
Mapping a New Face with CONNECTED COLORS
Mapping a New Face with CONNECTED COLORS In early 2016, visual design studio WOW in Tokyo produced ‘Connected Colors’, a project combining animated 3D graphics, projection mapping and live performance. The video was made for a global Intel promotion titled…
July 09, 2016
In Depth
Sarofsky Goes Wild on ‘Animal Kingdom’ Main Title
Sarofsky Goes Wild on ‘Animal Kingdom’ Main Title Production and design company Sarofsky has created the main title sequence for the new US family crime drama ‘Animal Kingdom’ for TNT, which debuted in mid-June. Five years earlier, designer and director Erin…
June 28, 2016
In Depth
Gramercy Park Creates a Smashing Campaign for Big Brother’s Return
Gramercy Park Creates a Smashing Campaign for Big Brother’s Return Channel 5 has partnered with Gramercy Park Studios (GPS) to create a series of VFX-driven promos for the return of reality TV show Big Brother. It stars the show’s presenters, Emma Willis and…
June 26, 2016
In Depth
Outpost VFX Reveals the Beauty within the Brain
Outpost VFX Reveals the Beauty within the Brain Outpost VFX in the UK has produced visual effects for the Netflix Original production, ‘My Beautiful Broken Brain’, released last month and currently showing on demand. The film is the story of Lotje Sodderland,…
June 20, 2016
In Depth
Cinesite Creates a Great Escape for X-Men: Apocalypse
Cinesite Creates a Great Escape for 'X-Men: Apocalypse' Cinesite’s VFX supervisor Nicolas Chevallier and a team of 20 artists were assigned a fast-paced chase sequence from Marvel's latest film 'X-Men: Apocalypse' in which the heroes escape from Alkali Lake,…
June 08, 2016
In Depth
RSP Turns Up the Speed for ‘X-Men: Apocalypse’
RSP’s VFX supervisors Tim Crosbie and Dennis Jones talk about their return to hyperspeed with Quicksilver and working with Cyclops in Marvel’s new film ‘X-Men: Apocalypse’.
June 03, 2016
In Depth
MPC Transforms Butterflies and Dalmations for Sky Arts
MPC and Sky worked together on a series of new idents for the Sky Arts channel’s rebrand that centres on the transforming power of colour, from ordinary to extraordinary.
May 09, 2016
In Depth
FuseFX Turns the Tide of Revolution for ‘TURN’
FuseFX VFX supervisor Jon Massey talks about the realistic and historically accurate visual effects their team created for American Revolutionary War drama ‘Turn: Washington’s Spies’.
April 08, 2016
In Depth
Framestore Races to the Finish for Channel 4’s F1 Coverage
For Channel 4’s new Formula 1 deal, the Design Studio at Framestore left traditional ideas about racing broadcast titles in the dust - but kept the speed, glamour and intense competition of F1.
March 30, 2016
In Depth
MPC Rides the Storm for ‘The Finest Hours’
MPC’s VFX supervisor Seth Maury and the team at MPC Vancouver created the massive seas and storm sequences driving the true story behind the film ‘The Finest Hours’.
February 25, 2016
In Depth
Rodeo FX Sets Sail ‘In the Heart of the Sea’
Francois Dumoulin talks about recreating 19th-century Nantucket for ‘In the Heart of the Sea’ with concept art, large scale set extensions, CG water and matte paintings for 260 VFX shots.
February 18, 2016
In Depth
Rushes’ Screen Graphics Monitor the World of SPECTRE
From pre-production to post, Rushes created motion graphics for more than 300 screens on set, appearing in 23 scenes ranging from Q’s lab at MI6 to inside the villain Oberhauser’s lair.
February 18, 2016
In Depth
Rushes’ Screen Graphics Monitor the World of SPECTRE
From pre-production to post, Rushes created motion graphicsfor more than 300 screens on set, appearing in 23 scenes rangingfrom Q’s lab at MI6 to inside the villain Oberhauser’s lair. Rushes’ Screen Graphics Monitor the World of SPECTRE A fascinating side of…
February 06, 2016
In Depth
From ‘Goosebumps’ to Dream Cars, MPC Creative Makes It Virtually Real
MPC Creative’s Mike Wigart and Dan Marsh tell what creating imagery for VR viewing means for production and post teams, and describe their approaches on two very different projects.
February 01, 2016
In Depth
Cinesite Puts Up a Fight for ‘The Revenant’
Cinesite VFX studio contributed to major sequences in ‘The Revenant’, helping the director build up the experiential nature of the film with perfect shot transitions and invisible effects.
January 17, 2016
In Depth
Sarofsky Scales up the Marvel Universe for ‘Ant-Man’ Titles
Sarofsky created and delivered the main titles sequence for ‘Ant-Man’ Sarofsky -Ant-Man6at 4K resolution, in 3D stereo and 2D versions, from high above Earth and descending down to the subatomic realm.
December 15, 2015
In Depth
IO Entertainment’s Previs Goes Undercover for ‘Spectre’
IO Entertainment worked with director Sam Mendes, DP Hoyte van Hoytema and crews working on VFX, SFX, production design, art, stunts and locations, as sole previs provider on ‘Spectre’.
December 04, 2015
In Depth
MPC LA Seizes Glory for ‘Call of Duty: Black Ops 3’ Trailer
Paul O’Shea at MPC LA describes working inside the world of Black Ops for the game’s new trailer, scouting elaborate sets, handling photoreal zombies and robots and choreographing FX.
November 23, 2015
In Depth
Gramercy Park Studios Takes Flight through the Louvre Museum
Gramercy Park Studios worked with film and installation artist Mark Lewis to deliver VFX and virtual camera moves for scenes inside the Louvre Museum in Paris in his film ‘Invention’.
November 21, 2015
In Depth
A Massive Team
a52 created VFX for a dramatic, slow-motion spot for FOX Sports 1, capturing the competitive spirit in performances of athletes on the field.
November 21, 2015
In Depth
Reach for the Stars
Eden FX created original digital sequences and animations for films displayed at the new Space Shuttle Atlantis attraction at Kennedy Space Centre.
November 21, 2015
In Depth
Placebo Live at RAK Studios
James Tonkin from Hangman Studios and director Charlie Target Adams shot and produced a live studio session of Placebo’s album ‘Loud Like Love’ at RAK Studios, London.
November 21, 2015
In Depth
A Hero’s Post
Nvizible VFX and Molinare post joined forces to give ‘Kick-Ass 2’ an exciting cinematic look and develop an efficient, new VFX-to-DI workflow.
November 21, 2015
In Depth
METALLICA - Heavier Metal
‘Metallica: Through the Never’ in 3D combines fantasy with a full Metallica concert. Opus VFX seized a chance to contribute particle and electrical effects.
November 21, 2015
In Depth
BLACK ANGEL
Athena Studios led a detailed digital restoration of ‘Black Angel’, a long lost short film made by ‘Star Wars’ art director Roger Christian. BLACK ANGEL A short film titled ‘Black Angel’ made in the late 1970s as the directorial debut of ‘Star Wars’ art…
November 21, 2015
In Depth
GRAVITY - Down to Earth
RSP’s all-CG shots for ‘Gravity’ bring astronaut Ryan Stone tumbling back down to earth in a glowing space capsule. Gravity - Down to Earth Rising Sun Picturescontributed two and a half minutes of entirely computer generated footage to the final sequence of…
November 21, 2015
In Depth
CAPTAIN PHILLIPS – A Pirate’s Life
Nvizible’s Adam Rowland and colourist Rob Pizzey talk about the subtle FX and grade that tell the story of the MV Maersk Alabama hijacking. CAPTAIN PHILLIPS – A Pirate’s Life Visual effects house Nvizible worked on over 180 shots for ‘Captain Phillips’, the…
November 21, 2015
In Depth
Documentary Post – An Activist’s Life
Documentary feature on civil rights activist Joachim Prinz required comprehensive handling in post across multiple formats. DOCUMENTARY POST – An Activist’s Life Documentary feature film‘Joachim Prinz: I Shall Not Be Silent’had its US premiere at the New…
November 21, 2015
In Depth
LAND OF QUATTRO
Director Yanni Kronenberg and digital production company Holler created a TV and online digital campaign for Audi Quattro in Australia. LAND OF QUATTRO Director Yanni Kronenberg and digital production companyHollerhave created a TV and online digital campaign…
November 21, 2015
In Depth
Racer’s Dream
To promote the super fast Maclaren P1 road-car, 76ltd's Dan Gifford directed a complex shoot and post at the famous Nürburgring race track. Racer’s Dream The new Maclaren P1 costs a million Euros, drives at 350kph and looks like a racer’s dream. Because…
November 21, 2015
In Depth
PLAYING WITH FIRE
Fuel VFX & Method Studios contribute to ‘The Hunger Games: Catching Fire’, producing key FX from elusive holographic characters to Katniss Everdeen’s fiery dress. PLAYING WITH FIRE Fuel VFX and Method Studios played active roles in ‘The Hunger Games: Catching…
November 21, 2015
In Depth
PENNY – Turn Back Time
Adam Haywood of Final Focus employs the Blackmagic Cinema Camera & DaVinci Resolve to bring 1950s looks to his film ‘Penny’ at Melbourne’s Dromana 3 Drive-In. PENNY – Turn Back Time Adam Haywood is an independent filmmaker and co-owner of Final Focus…
November 21, 2015
In Depth
Sky Divers
Cutting Edge’s TVC for the Sony A7 camera takes four cosmonauts high into the stratosphere to watch the earth, weightless, from a new perspective. Sky Divers Cutting Edge produced Sony China’s recent TVC for the A7 camera with agency M&C Saatchi, who asked…
November 21, 2015
In Depth
BEYOND ATLANTIS
Vine FX handled all FX and animation across the first series of the BBC’s new show ‘Atlantis’, building fantasy CG creatures and 3D environments in over 1,000 shots. BEYOND ATLANTIS Vine FX in London worked with producers at Urban Myths Films on the new BBC…
November 21, 2015
In Depth
Japanese Western
Nicolas Aithadi tells how the team at MPC created environments, a fiery ambush, digital assets and animated photoreal CG characters for ’47 Ronin’. Japanese Western VFX supervisor Nicolas Aithadi and his team at MPC became involved with ’47 Ronin’ in 2012,…
November 21, 2015
In Depth
Brunelleschi’s Dome
Fernando G Baptista describes the research & techniques behind his beautiful graphics for National Geographic’s feature on Brunelleschi’s Dome in Florence. Brunelleschi’s Dome National Geographic’s February cover featurereveals the history and design of…
November 21, 2015
In Depth
The DJ’s Journey
Director Anatoly Ivanov explored the world of a well-known Russian Techno DJ for his first full-length documentary, titled ‘Kvadrat’. The DJ’s Journey French/Russian directorAnatoly Ivanovexplored the world of a well-known Russian Techno DJ for his first…
November 21, 2015
In Depth
Cops and Robots
Framestore and Method Studios talk about disassembling & assembling RoboCop, exploring the future of television and staging a robotic siege. Cops and Robots In the world of ‘RoboCop’, the US multinational corporation OmniCorp designs and builds robots of…
November 21, 2015
In Depth
‘The Railway Man’ Stays on Track with DDP & Method Studios
DDP Studios handled on-set data and dailies management, colour, post andmastering for ‘The Railway Man’. Method Studios, the movie’s sole VFX vendor,completed almost 150 shots. ‘The Railway Man’ Stays on Track with DDP & Method Studios DDP Studios completed…
November 21, 2015
In Depth
Proof Visualizes ‘Captain America’ from Previs to Postvis
Proof visualisation studio carried out previs and postvis services for MarvelEntertainment’s ‘Captain America: The Winter Soldier’, planning the actionfor every major action and VFX scene. Proof Visualizes ‘Captain America’ from Previs to Postvis…
November 21, 2015
In Depth
LOOK Effects Takes a Trip to The Grand Budapest Hotel
LOOK produced environments, miniature integration, matte paintings,particle FX, stop-motion animation and 3D projections to bring real magicand fantasy to ‘The Grand Budapest Hotel ‘. LOOK Effects Takes a Trip to The Grand Budapest Hotel LOOK produced some…
November 21, 2015
In Depth
Sony Pictures’ Colorworks Builds a 4K Workflow for Spider-Man 2
THE AMAZING SPIDER-MAN 2 came to life after a close collaboration betweenvisual effects, sound and post production teams from Sony Pictures Entertainment.
November 21, 2015
In Depth
CG Artist Alex Scollay Makes ‘Vicki’s Wish’ Come True
Alex Scollay, a CG and VFX artist, has developed a series of storyboardsas a graphic novel with CG imagery and cinema production values using3ds Max, V-Ray, Nuke and Thinkbox software. CG Artist Alex Scollay Makes ‘Vicki’s Wish’ Come True AlthoughAlex…
November 21, 2015
In Depth
Cantina Creative & Bandito Brothers Accelerate a True VFX/Editorial Workflow
Due to tight, creative collaboration with Bandito Brothers’ editorial team,Cantina Creative was able to complete 1,000 VFX shots for ‘Need for Speed’in only six months with a team of ten. Cantina Creative & Bandito Brothers Accelerate a True VFX/Editorial…
November 21, 2015
In Depth
Gramercy Park Raises the Stakes on Betfair’s Supercharged Horses
VFX artists at Gramercy Park Studios give racing a new twist forBetfair by putting race horses behind the wheel of a pair of rallycars splashing down a country road. Gramercy Park Raises the Stakes on Betfair’s Supercharged Horses Gramercy Park Studios and…
November 21, 2015
In Depth
Cinematographer John Seale Rolls Down ‘Fury Road’
John Seale ASC ACS and his intrepid crew followed Furiosa’s War Rigacross the Namibian desert to capture ‘Mad Max: Fury Road’ with 6ARRI ALEXA cameras and 11 Codex onboard recorders. Cinematographer John Seale Rolls Down ‘Fury Road’ ‘Mad Max: Fury Road’, the…
November 21, 2015
In Depth
Performance Capture Pioneers Collaborate on New Mocap Experience
Motion capture companies Animatrik Film Design and DimensionalImaging talk about working together to bring specialist facialperformance capture services to VFX and game productions. Performance Capture Pioneers Collaborate on New Mocap Experience Motion…
November 21, 2015
In Depth
WORLD WAR Z: Between Two Worlds
Cinesite sets loose a swarm of animated CG zombies into a photoreal Philadelphia cityscape in ‘World War Z’, wreaking havoc in the streets.
November 21, 2015
In Depth
Art Director Steve Lumley Takes 'Hotel Transylvania 2' to the Suburbs
Steve Lumley, Art Director on ‘Hotel Transylvania 2’, talks about his work with the team at Sony Pictures Animation to introduce some Transylvanian magic to the California suburbs.
November 21, 2015
In Depth
GRAVITY - Every Way is Up
Framestore’s VFX team ventures into space with new techniques for lighting, virtual cinema and photo-real CG. GRAVITY - Every Way is Up A primary challenge of making ‘Gravity’ was the director Alfonso Cuarón’s intention to tell an action story about human…
November 21, 2014
In Depth
Dvein - The Vein 'Magma'
'Magma' is Dvein studio's very first music video, made for The Vein's new single. It also won the Gold Music Video Award at the 2013 AEAF.
November 21, 2014
In Depth
Digital Domain Captures Pixie Dust for ‘Maleficent’
VFX supervisor Kelly Port and digital FX supervisor Darren Hendlershare details of animating pixies, building a fairy’s wings and flyingthrough clouds for Disney’s fantasy, ‘Maleficent’. Digital Domain Captures Pixie Dust for ‘Maleficent’ Digital…
November 21, 2014
In Depth
MPC Makes Worlds Collide for ‘Maleficent’
VFX supervisor Seth Maury at MPC Vancouver reveals the inner magic thatmakes the two worlds of ‘Maleficent’, their fairies, creatures and enchantedeffects all come to life. MPC Makes Worlds Collide for ‘Maleficent’ MPC handled a huge range of tasks for…
October 08, 2014
In Depth
Double Negative Builds Legendary Creatures for ‘Hercules’
Ryan Cook and Julian Foddy from Double Negative’s VFX team talk aboutwrangling the heroic beasts of the 'Hercules' legend, refining their in-housetools, creature FX and animation. Double Negative Builds Legendary Creatures for ‘Hercules’ Double Negative’s…
September 30, 2014
In Depth
Concept Artist Richard Anderson Brings Studios’ Visions to the Screen
Richard Anderson’s experience as a concept artist spans games, featurefilm pre-production and visual effects. Here, he talks about building hiscareer within this competitive industry. Concept Artist Richard Anderson Brings Studios’ Visions to the Screen…
August 21, 2014
In Depth
Nvizible Takes a Leap for ‘Kingsman: The Secret Service’
VFX supervisor Matt Kasmir of Nvizible shares the challenges of creatingand animating the legs of the graceful but deadly Gazelle in excitingfight sequences for ‘Kingsman: The Secret Service’. Nvizible Takes a Leap for ‘Kingsman: The Secret Service’ Among the…
August 21, 2014
In Depth
Method Touches the Stars for ‘Jupiter Ascending’
Method Studios’ Simon Carr and VFX team tell about building vast newworlds, robotic characters and zero gravity FX for sci-fi fantasy feature‘Jupiter Ascending’. Method Touches the Stars for ‘Jupiter Ascending’ Contributing to the science fiction fantasy…
August 21, 2014
In Depth
Framestore Brings Light, Life & Motion to 'Jupiter Ascending'
Framestore’s motion capture and light played fascinating roles in theproduction and post of the science fiction fantasy ‘Jupiter Ascending’. Framestore Brings Light, Life & Motion to 'Jupiter Ascending' Framestore's London and Montreal teams delivered over…
August 21, 2014
In Depth
Framestore Brings Light, Life & Motion to 'Jupiter Ascending'
Framestore’s motion capture and light played fascinating roles in theproduction and post of the science fiction fantasy ‘Jupiter Ascending’. Framestore Brings Light, Life & Motion to 'Jupiter Ascending' Framestore's London and Montreal teams delivered over…
August 21, 2014
In Depth
SpongeBob Squarepants Jumps to Life in 3D with Iloura
For ‘The Spongebob Movie: Sponge Out of Water’, animators and VFXartists at Iloura re-created and animated SpongeBob and his friends as3D CG characters in a live action world. SpongeBob Squarepants Jumps to Life in 3D with Iloura AEAF ENTRY View in Online…
August 21, 2014
In Depth
Fixafilm and Digital Vision’s Nucoda Rescue Phoenix from the Ashes
Fixafilm post in Warsaw has re-constructed and digitally restored AndrzejWajda’s classic film ‘The Ashes’ with Digital Vision’s Nucoda Film Mastergrading system and DVO restoration tools. Fixafilm and Digital Vision’s Nucoda Rescue Phoenix from the Ashes…
August 21, 2014
In Depth
Planetarium Studio Powers Renders for Digital Dome Visualisations
Rendering high resolution content for the Academy of Sciences Planetarium’sall-digital dome requires hundreds of render nodes and high-speed storagewithin a dedicated IT infrastructure. Planetarium Studio Powers Renders for Digital Dome Visualisations…
August 21, 2014
In Depth
Performance Capture Pioneers Collaborate on New Mocap Experience
Motion capture companies Animatrik Film Design and DimensionalImaging talk about working together to bring specialist facialperformance capture services to VFX and game productions. Performance Capture Pioneers Collaborate on New Mocap Experience Motion…
August 21, 2014
In Depth
Art Director Steve Lumley Takes 'Hotel Transylvania 2' to the Suburbs
Steve Lumley, Art Director on ‘Hotel Transylvania 2’, talks about hiswork with the team at Sony Pictures Animation to introduce someTransylvanian magic to the California suburbs. Art Director Steve Lumley Takes 'Hotel Transylvania 2' to the Suburbs WhenSteve…
August 21, 2014
In Depth
One of Us Reaches the Summit for ‘Everest’
One of Us completed two sequences at the summit of ‘Everest’, extendinga huge 360° green screen set, and creating atmospheric particle effectsand dramatic storm cloud environments.. One of Us Reaches the Summit for ‘Everest’ One of Usworked on two sequences…
June 21, 2014
In Depth
Cinesite Builds a Robotic Boot Camp on ‘Edge of Tomorrow’
Cinesite built robotic aliens and a training range where the hero of ‘Edgeof Tomorrow’ hones his battle skills, and created a time slice shot combiningmotion control and post camera moves. Cinesite Builds a Robotic Boot Camp on ‘Edge of Tomorrow’ As the pace…
June 21, 2014
In Depth
Shane Hurlbut ASC Captures Movie Action, Light and Looks
Cinematographer Shane Hurlbut, ASC, talks about cameras and whathe has been learning from his experiences shooting and lighting forfeature films, working both on film and digitally. Shane Hurlbut ASC Captures Movie Action, Light and Looks Cinematographer…
June 21, 2014
In Depth
Proof’s Previs & Postvis Charts the Galaxy for Marvel’s Guardians
Proof visualisation house created previs and postvis services for someof the most complex and exciting action sequences in Marvel’s galacticadventure ‘Guardians of the Galaxy’. Proof’s Previs & Postvis Charts the Galaxy for Marvel’s Guardians…
June 21, 2014
In Depth
Rodeo FX Takes Lucy on a Collision Course
Rodeo FX staged a harrowing car chase through Paris with director LucBesson’sfearless heroine ‘Lucy’ at the wheel, visualising her gifts ofx-ray vision and ability to see mobile device signals. Rodeo FX Takes Lucy on a Collision Course VFX studioRodeo FXin…
June 21, 2014
In Depth
Concept Artist Richard Anderson Brings Studios’ Visions to the Screen
Richard Anderson’s experience as a concept artist spans games, featurefilm pre-production and visual effects. Here, he talks about building hiscareer within this competitive industry. Concept Artist Richard Anderson Brings Studios’ Visions to the Screen…
June 21, 2014
In Depth
Double Negative Builds Legendary Creatures for ‘Hercules’
Ryan Cook and Julian Foddy from Double Negative’s VFX team talk aboutwrangling the heroic beasts of the 'Hercules' legend, refining their in-housetools, creature FX and animation. Double Negative Builds Legendary Creatures for ‘Hercules’ Double Negative’s…
February 21, 2014
In Depth
Method Unravels the Maze with a New Creature Pipeline
VFX supervisor Sue Rowe and animation director Erik de Boer atMethod Studios take on environments, complex simulations andvicious Grievers for ‘The Maze Runner’. Method Unravels the Maze with a New Creature Pipeline Method Studios’ Vancouver studio handled…
Spin VFX Makes a Splash with Water, Light & Creature FX for ‘Dolphin Tale 2’
Feb 21, 2014
VFX supervisor Colin Davies from Spin VFX talks about building andanimating photoreal 3D…
Réka Bucsi Animates Oscar-shortlisted Film ‘Symphony no. 42’
Feb 21, 2014
Réka Bucsi is the creator and director of ‘Symphony no. 42’, one of10 animated short…
Framestore Finds the Creature within for ‘Dracula Untold’
Feb 21, 2014
Framestore’s Glen Pratt in London and JP Li in Montreal talk about buildingTransylvania,…
BlueBolt Plays ‘The Imitation Game’
Feb 21, 2014
BlueBolt worked as the sole visual effects vendor on ‘The Imitation Game’,creating…
Proof’s Previs Artists Spend a Night at the Museum
Feb 21, 2014
Proof Inc created previs and postvis services for ‘Night at the Museum:Secret of the…
Athena Studios Animates Stop-Motion Adventure, ‘Auntie Claus’
Feb 21, 2014
Jon Peters of Athena Studios tells about their upcoming project, a 90-minute,stop-motion…
3D character Artist Piotr Rusnarczyk in Poland talks about freelancin
Feb 21, 2014
MPC takes viewers on a fast paced, first-person POV ride with anambitious Virgin Atlantic…
3D Character Artist Changes the Game with Light & Inspiration
Feb 21, 2014
3D character Artist Piotr Rusnarczyk in Poland talks about freelancingfor games studios,…
MAN OF STEEL: Heart of Steel
Nov 21, 2013
MPC’s VFX team come eye to eye with Superman in ‘Man of Steel’, taking flight with the…
The Great Gatsby – Dream Team
Oct 21, 2013
The Bazmark internal VFX team describe techniques and processes that brought the world of…
The Great Gatsby – Deconstructing New York
Oct 21, 2013
Animal Logic brought The Great Gatsby’s New York City to life, from Times Square to…
WORLD WAR Z - Crowd Source
Jul 12, 2013
VFX supervisor Jessica Norman describes how MPC’s team created and animated vicious…
THE GREAT GATSBY in Living Colour
Jul 10, 2013
Cutting Edge carried out the DI colour grade and traditional film-style opticals for ‘The…
SPARTACUS
Jul 03, 2013
Cause+FX handled compositing and shot finalling on ‘Spartacus’, working with all vendors…
OBLIVION: MOTION GRAPHICS
Jun 24, 2013
A team of motion graphics artists created the expressive, intuitive HUDs and Light Table…
IRON MAN 3: Brave New World
Jun 11, 2013
Cinesite, Method LA and Cantina Creative populated Iron Man Tony Stark’s new world with…
IRON MAN 3: MAN MACHINE
Jun 11, 2013
Framestore and Trixter talk about work on ‘Iron Man 3’, perfecting the new Mark 42 suit…
AEON – A Life in a Day
May 21, 2013
The DMCI’s AEON follows a lifetime of seasons using 3D animation and light at TEDxSydney.…
MPC – Still Life Animation
May 15, 2013
MPC animated a decomposing classical still life painting in real-time, recreating a Dutch…
Psyop Battles Toxic Trash
May 08, 2013
Psyop applied their 3D animation skill to a PSA raising awareness and encouraging the…
STARFLIGHT: Phasers On Stun
Apr 29, 2013
Daniel James Cox talks about directing, art directing and designing VFX for Starflight’s…
WARM BODIES – Good to the Bone
Mar 28, 2013
200Look-Effects-warm-bodies1 LOOK Effects created frightening animation for the Boneys in…
BEAUTIFUL CREATURES
Mar 20, 2013
Method Studios' effects for ‘Beautiful Creatures’, from magical to photoreal, include a…
THE IMPOSTER – Colour of Deception
Mar 14, 2013
Colourist Rob Pizzey of Company 3 talks about grading ‘The Imposter’ to combine elements…
Alternate Universe
Mar 06, 2013
MPC integrated hybrid and full-CG characters into live action footage to bring a graphic…
Les Misérables – REBEL SONGS
Feb 18, 2013
VFX teams at The Mill and Double Negative created environments and enhanced camera work…
STEALING SECRETS
Feb 13, 2013
Framestore visualised the dramatic internet activity behind WikiLeaks, creating rendered…
High Frame Rates
Feb 05, 2013
David Stump ASC talks about high frame rate shooting for movies, and Qube Cinema’s CTO…
EYE OF THE STORM
Jan 22, 2013
‘Life of Pi’ was a chance for MPC in Vancouver to design two massive storms from the…
THE GUARDIAN EFFECT
Jan 05, 2013
‘Rise of the Guardians’ gave DreamWorks’ FX team a fantastic chance to help character…
SKYFALL STATION
Dec 14, 2012
NEW IMAGESCinesite’s VFX team takes 007 on a chase through the London Underground and…
Convenient Education – SBS Interactive
Dec 12, 2012
Convention Education is an interactive, online documentary on Australia’s international…
SKYFALL RENDEZVOUS
Nov 29, 2012
MPC took over 007’s fiery showdown at Skyfall, with a helicopter crashlanding, night…
The Wolverine Lives Forever
Nov 21, 2012
Three Australian studios – Rising Sun Pictures, Method Studios and Iloura - put an array…
Prime Focus Handles Stereo Conversion for Edge of Tomorrow
Nov 21, 2012
Senior stereo supervisor Richard Baker Talks about the challenges thePrime Focus World…
TOTAL RECALL - Tomorrow’s Memories
Oct 12, 2012
The Senate VFX and LipSync Post talk about their creative designs and FX behind the…
KON-TIKI – Crossing the Pacific
Oct 08, 2012
Fido visual effects studio in Stockholm has brought realism and natural wonder to…
Betting On McLean’s Money
Oct 02, 2012
Cinematographer Ben Allan ACS shows how a well-designed workflow and his own…
Ted – The Bear Essentials
Sep 22, 2012
Teams from Tippett Studio and Iloura skilfully coordinated efforts to create and animate…
The Borgias – Tale of Treachery
Sep 10, 2012
SPIN VFX in Toronto is contributing major 2D and 3D environmental work to all three…
Prometheus - Highway to the Stars
Aug 21, 2012
Fuel VFX put their expert design skills to work on the Orrery, the star spangled 3D…
THE GATE – A RISKY BUSINESS
Aug 20, 2012
AEAF WINNER - SHORT FILMDirector, writer and digital artist Matt Westrup talks about…
PROMETHEUS – ENGINEER’S PLANET
Aug 15, 2012
AEAF WINNER - FEATURE FILM VFXMPC’s VFX supervisors Charley Henley and Richard Stammers…
Snow White: Dark Magic
Jul 28, 2012
Double Negative’s team battled the Dark Fairies with intensive R&D and ventured into the…
Snow White - Mirror Man
Jul 27, 2012
The Mill developed an elegant simulation, precise witness camera system and subtle…
Men in Black 3: Uneasy Riders
Jul 13, 2012
Animation Supervisor Spencer Cook led the team at SPI animating treacherous aliens,…
Men in Black 3 – The Sky’s the Limit
Jul 02, 2012
Digital effects supervisor Ken Hahn tells how SPI’s digital teams sent Agents J and K…
Titanic Rules the Waves
Jun 28, 2012
‘Titanic’, a four part TV series, was created to mark the 100th anniversary of the…
Killer Elite - Classic Thrills
Jun 13, 2012
With a shoot spanning three continents, ‘Killer Elite’ was an 18-month production and…
Hunger Games - Playing To Win
Jun 07, 2012
Rising Sun Pictures took on major action sequences and environments in ‘The Hunger…
WRATH OF THE TITANS
Jun 06, 2012
Visual effects supervisor Olivier Dumont coordinated the work of Method in London and LA…
John Carter: Martian Chronicles
Jun 05, 2012
To span the tremendous scope of work Cinesite were charged with on ‘John Carter of Mars’,…
Method of Invisibility – ‘J Edgar’ and ‘Dragon Tattoo’
Jun 04, 2012
Method Studios artists in Vancouver and LA have developed VFX techniques that work…
John Carter and the Creatures of Mars
Apr 07, 2012
‘John Carter of Mars’ is the largest creature project Double Negative has ever…
JOURNEY 2 – ISLAND OF DREAMS
Mar 07, 2012
'Journey 2' takes a trip through a hurricane to an island no one has ever seen but surely…
HUGO’S MIGHTY MINIATURES
Feb 29, 2012
VFX supervisor Matthew Gratzner at New Deal Studios in Los Angeles led his practical…
SUPER BOWL 2012 - SUPER TVCs PLAY TO WIN
Feb 24, 2012
The Super Bowl’s 2012 broadcast featured fantastic TVCs that competed with gridiron…
CHICO & RITA INTEGRATES SEVEN STUDIOS
Feb 22, 2012
‘Chico & Rita’, 2012 Academy Award Best Animated Feature Nominee, was completed at…
DIGITAL PULSE DAZZLES 12TH ARAB GAMES WITH INTERACTIVE ANIMATION
Feb 15, 2012
Australian digital design and production specialists Digital Pulse in Sydney has…
UNDERWORLD AWAKENS
Feb 15, 2012
‘Underworld: Awakening’, the fourth film from the dark and dangerous realm of…
WAR HORSE -FRAMESTORE GOES TO BATTLE
Feb 09, 2012
VFX supervisor Ben Morris leads the Framestore team to create invisible effects, 3D CG…
BARTON DAMER – PERPETUAL MOTION
Feb 08, 2012
Barton Damer, motion designer, digital artist and first-prize winner of Veer’s Creative…
Yanyuwa Countrylines Online
Feb 04, 2012
A venture between Monash University’s Faculty of Arts and Faculty of Information…
LEADER OF THE PACK
Jan 26, 2012
Tippett studio’s shots in ‘Twilight Saga: Breaking Dawn Part 1’ were at the heart of two…
PUSS TAKES THE SPOTLIGHT
Jan 23, 2012
Head of Lighting for ‘Puss in Boots’, Mark Fattibene describes his team’s work on the…
The Cup - AGAINST THE ODDS
Jan 02, 2012
In 2002, Damien Oliver lost his brother in a tragic racing accident. Only one week later…
ANONYMOUS
Dec 27, 2011
Director Roland Emmerich’s decision to accurately reveal London as it was at…
MONSTER OF NIX - BRAVE NEW WORLD
Dec 27, 2011
The people and creatures of ‘The Monster of Nix’ inhabit a world governed by its own laws…
THE THREE MUSKETEERS
Dec 26, 2011
Mr X met a formidable visual FX challenge in ‘The Three Musketeers’, building assets with…
DIGITAL AND FILM CINEMATOGRAPHY
Nov 23, 2011
An important part of cinematography is choosing media for projects. The advent of digital…
UNDERBELLY - COLOUR OF CRIME
Nov 16, 2011
VFX Supervisor Soren Jensen and Colourist Dwaine Hyde from Digital Pictures joined forces…
THE SORCERER’S APPRENTICE - REAL MAGIC
Nov 16, 2011
The sorcerers have descended on New York, and suddenly no one knows what will happen…
CAPTAIN AMERICA JOINS UP
Nov 08, 2011
Thirteen visual effects teams and VFX Supervisor Chris Townsend were recruited for…
THE BIRTHDAY GIFT
Oct 22, 2011
Director and producer Di He at AIVFX in Canada explains the value of computer science and…
SALT - SALT OF THE EARTH
Oct 22, 2011
‘Salt’ made an exciting debut into feature films for Framestore’s New York facility.…
TREE OF LIFE
Oct 10, 2011
Director Terrence Malick uses the visual effects in ‘Tree of Life’ to express his ideas…
HANNA - YOUNG & DEADLY
Oct 10, 2011
Mr X provided invisible effects for the exotic sci-fi thriller ‘Hanna’, giving the young…
HARRY POTTER AND THE Deathly Hallows Part 2
Oct 07, 2011
Through to this final film, the world of Harry Potter has been a magic place for VFX…
Harry Potter and the Deathly Hallows THE TALE OF THE THREE BROTHERS
Oct 07, 2011
Interview with FRAMESTORE’S DALE NEWTON. The full feature article is in the latest isue…
INCEPTION - Architecture of Dreams
Oct 06, 2011
Double Negative created all of the visual effects for ‘Inception’, roughly 500 shots in…
Cinesite’s Antony Hunt Looks Back at Harry Potter – and Beyond
Sep 20, 2011
Cinesite’s Managing Director Antony Hunt has served as Executive Producer on all eight…
I.E. Effects Gets Immersed in the World of Harry Potter
Sep 20, 2011
‘Harry Potter and the Deathly Hallows Part 2’ is the only film in the Potter franchise to…
Cinesite’s Antony Hunt Looks Back at Harry Potter – and Beyond
Sep 20, 2011
Cinesite’s Managing Director Antony Hunt has served as Executive Producer on all eight…
SOUTH SOLITARY - SOUTHERLY BUSTER
Sep 14, 2011
The post production team on ‘South Solitary’ faced technical challenges when the weather…
Griff The Invisible - INVINCIBLY INVISIBLE
Sep 09, 2011
Before ‘Griff The Invisible’, FSM’s effects work on feature films has been the seamless,…
KUNG FU PANDA’S WORLD
Sep 09, 2011
Head of lighting and digital effects supervisor at DreamWorks, Dave Walvoord came to…
TOY STORY 3 - TOYS ON THE LOOSE
Sep 07, 2011
The third film in the Toy Story series may be the last, but it bursts with new…
Framestore Prepares for the New Harry Potter Generation
Sep 06, 2011
As the Harry Potter series comes to an end, Framestore’s team takes a magical splash into…
Pirates of the Caribbean: On Stranger Tides
Sep 05, 2011
The team at Cinesite opens ‘Pirates of the Caribbean: On Stranger Tides’ with a thrilling…
Baseblack Brings Ghostly Magic to Harry Potter
Sep 04, 2011
Baseblack produced intriguing and beautiful effects in ‘Harry Potter and the Deathly…
PAUL - THE ALIEN WITHIN
Sep 02, 2011
For such a small, affable personality, Paul was a surprisingly challenging characterfor…
SPARTACUS - GODS OF THE ARENA
Sep 02, 2011
VFX Art Director Daniel James Cox talks about the look development process behind cinema…
PRINCE OF PERSIA
Aug 17, 2011
Jumping from Ubisoft’s video game, the characters and creatures in 'Prince of Persia'…
Nightmare on Elm Street - Only a Dream
Aug 03, 2011
Freddy Krueger’s infamous face has now become even spookier 16 years after the original…
THOR - WHEN WORLDS COLLIDE
Aug 01, 2011
When Thor is banished from heaven, he leaves behind a world of monsters, magic and…
ROBIN HOOD - REBEL WARRIORS
Jul 27, 2011
Ridley Scott’s ‘Robin Hood’ brings the legendary hero with his band of rebels homefrom…
SUCKER PUNCH - TOMORROW’S GIRLS
Jul 25, 2011
Baby Doll built her imaginary worlds from nightmares, memories and fantasies. It took…
CLASH OF THE TITANS - CREATURE CLASH
Jul 13, 2011
‘Clash of the Titans’ tells a tale based on classical Greek mythology. Artists from…
KICK ASS - ALIVE AND KICKING
Jul 08, 2011
Although ‘Kick-Ass’ is fast-paced and stylish, its visual effects rely mainly on 2D…
IRON MAN - HEAVY METAL
Jun 29, 2011
The visual effects team at Double Negative completed a complex sequence set in Monaco on…
EXIT - NO WAY OUT
Jun 28, 2011
‘EXIT’ is the first feature film by director Marek Polgar. The film has been shot over…
NANNY MCPHEE IF PIGS COULD SWIM
Jun 22, 2011
The CG animals that VFX Supervisor Christian Manz and his team at Framestore created for…
OSCAR WINNING SHORTS
Jun 20, 2011
Short filmmakers have only a limited time to tell their story and make an impact. All…
HOW TO TRAIN YOUR DRAGON
Jun 15, 2011
Simon Otto, Animator Simon Otto worked for three and a half years on ‘How to Train Your…
RANGO GOES WEST
Jun 05, 2011
From ILM Singapore, Creature Simulation Supervisor Eric Wong and Compositing Supervisor…
BATTLE LOS ANGELES - city under seige
May 30, 2011
VFX Supervisor Ben Shepherd led his team at Cinesite into ‘Battle Los Angeles’ to create…
GRADING - THE COLOUR CHALLENGE
May 03, 2011
New developments in DI and colour grading have been emerging at two Australian facilities…
SANCTUM - GOING UNDERGROUND
Apr 18, 2011
The effects team at Iloura built a cavernous underground world for 'Sanctum', Producer…
RED HILL - FIRE ON THE MOUNTAIN
Apr 06, 2011
Director Patrick Hughes started production on ‘Red Hill’ with no distributor, a small…
BACK TO NARNIA
Mar 15, 2011
Narnia is a place where stars fall to earth to share their magic, mice are fencing…
SCOTT PILGRIM - IF LOOKS COULD KILL
Feb 22, 2011
Bringing Scott Pilgrim’s story from comic book to screen demanded effects from complex…
GREEN LANTERN - HEROES UNDER THE SKIN
Jan 22, 2011
Several characters in ‘Green Lantern’ have been created from mixture of CG and live…
SAVING ENYO’S PLANET
Jan 18, 2011
‘Legend of Enyo’ is an animated television adventure series for children aged 8 to 12,…
TRON - 21ST CENTURY TRON
Jan 18, 2011
Pulling together the many layers of assets, lights, explosions and visual effects that…
POST PRODUCTION SPECIAL
Jan 18, 2011
Post production facilities across Australia have had an active year, taking on…
DAWN TREADER INSIDE OUT
Jan 18, 2011
Art Director Jacinta Leong’s renders, drawings and animations communicate set designs…
HARRY POTTER - A MAGICAL ENDING
Jan 18, 2011
For the effects teams involved with the Harry Potter films, each new film has to shine a…
DIRTGIRL’S WORLD
Jan 18, 2011
Dirtgirlworld, a TV series for children, combines live-action and animation to create…
WHITE TIGER LEGEND
Jan 11, 2011
Visual effects artist Kory Juul is directing, producing and performing in his animated…
LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE’
Dec 21, 2010
Animal Logic flew into new territory for this project, thierfirst animated…
Harry Potter and the Deathly Hallows THE TALE OF THE THREE BROTHERS
Dec 17, 2010
Interview with FRAMESTORE’S DALE NEWTON. The full feature article is in the latest isue…
THE LOST THING - LOST AND FOUND
Dec 14, 2010
A small, dedicated team headed by Lead 2D/CG Artist & CG Supervisor Tom Bryant and…
LET ME IN
Dec 14, 2010
‘Let Me In’ shows the power of visual effects over an audience’s response to characters.…
BENEATH HILL 60 - GOING UNDERGROUND
Jun 08, 2010
'Beneath Hill 60’ is the exciting story behind the Battle of Messines Ridge in 1916…
THE PRICE OF HAPPINESS $9.99
Jun 08, 2010
When Director Tatia Rosenthal captured a story with her special stop motion technique,the…
DORIAN GRAY - MORAL DECAY
Jun 07, 2010
MPC provided essential post-production work and visual effects for the film ‘Dorian…
MPC: FROM BABIES TO BOOT CAMP
Jun 07, 2010
The Moving Picture Company post production studio in London has recentlycreated some…
MOON
Jun 07, 2010
Usually, ‘seamless’ describes effects that are invisible to viewers and result…
MEN WHO STARE AT GOATS
Jun 07, 2010
While covering the Iraq War, reporter Bob Wilton meets Special Forces officer Lyn Cassady…
DEAD BORING - Drama in Stereo 3D
Jun 01, 2010
Director Dave Edwards with DP Rob Morton have produced a live action dramatic short film…
THE WOLFMAN - Company of Wolves
Jun 01, 2010
‘The Wolfman’, a remake of the 1941 horror film, brings a classic character back to…
SHUTTER ISLAND - ISLAND MAGIC
Jun 01, 2010
New Deal created over 120 shots featuring miniatures, additional photography and digital…
Alice in Wonderland - Alice's Animals
May 17, 2010
Some of the most memorable characters in Tim Burton’s ‘Alice in Wonderland’ are…
LAW ABIDING CITIZEN - CRIMES OF PASSION
May 04, 2010
The detailed, gruesomely realistic VFX required for ‘Law Abiding Citizen’ weredivided…
The Road - End of the Road
Apr 18, 2010
The director of ‘The Road’, John Hillcock, originally expected Dive Visualwould have to…
3d Cane Toads:The Conquest
Apr 08, 2010
Filmmaker and director Mark Lewis of Radio Pictures in Mullumbimby NSWhas produced one of…
OUT OF THE BOX
Apr 07, 2010
Although ‘The Box’ presents viewers with a tough moral question, their biggest…
STAR TREK RISES AGAIN
Mar 30, 2010
Matte painter Max Gabl worked with CBS Digital over nearly two years to restoreand update…
2012 - CHOREOGRAPHY OF CHAOS
Mar 24, 2010
VFXSupervisors Marc Weigert and Volker Engel orchestrated their effects in‘2012’ with…
9 - BUILDING THE WORLD OF 9
Mar 19, 2010
After four years spent developing concept, designing and animating his short film, ‘9’…
SHERLOCK HOLMES EXPLODES
Mar 15, 2010
The number of effects shots in ‘Sherlock Holmes’ is surprising for a movie that…
The Hurt Locker - Digital War Zone
Mar 08, 2010
The Hurt Locker from Director Kathryn Bigelow portrays the tense reality of life for…
AVATAR - Pandora’s Tool Box
Mar 05, 2010
James Cameron’s Avatar has sparked new ways of thinking about software, hardwareand…
Phill Tippett Talks CG Wolves
Feb 23, 2010
Phil Tippett and Susan MacLeod reveal how ‘New Moon’ delivers its mix of romanceand…
ZEKE’S PAD’ DRAWS AFI NOMINATION
Feb 15, 2010
Avrill Stark Entertainment was recently nominated for an AFI Award for the 3Danimated TV…
HOUDINI 10’S PYRO FX: FIRE CONTROL
Feb 09, 2010
In this series of software reviews, Allan McKay has been comparing industry-proven…
AWAKEN - WAKE UP CALL
Feb 09, 2010
‘Awaken’, an animated short, was filmmaker David Gould’s first screenplay and is…
Sweeney Todd - VFX Team Adds Fire
Sep 09, 2009
As sole VFX vendor, London’s Moving Picture Company made award-winning use of their…
Storyboard Part 1 Director’s Roadmap
Aug 09, 2009
What is the biggest star of any production? According to storyboard artistDavid Russell,…
INSEPARABLE COIL Part 2
Aug 07, 2009
Apart from writing and directing, David was art director, script supervisor and set…
Gallipoli 1916 - The ANZACS First Day
Jul 02, 2009
In November last year, faced with a deadline of April 2009, Creative Directorand Producer…
Kids Stuff
Jun 09, 2009
Whether or not you are a Muppets fan, the most recent addition to their ranks, Sid the…
UP UP and AWAY
Jun 07, 2009
Scott Clark at Pixar headed the character animators working on the forms andfaces for…
COLOUR AND LIGHT FOR ‘BEAUTIFUL KATE’
Jun 07, 2009
One of Australia’s most successful films this year, ‘Beautiful Kate’ was shot onFujifilm…
DISTRICT 9 - WALKING WITH ALIENS
Jun 07, 2009
Trent Opaloch’s first feature as DOP sent him to South Africa with nine RED ONE cameras…
Sixty40 -Battlestar Pioneers Low-Fi 3D
Jun 07, 2009
Sixty40 Production Studio has produced a music video for recording artist Harmonic 313…
Drag Me to Hell - To Hell and Back
Jun 07, 2009
Australians are preparing to be horrified in July when Sam Raimi’s latest movie ‘Drag Me…
Primevil - Magical Menagerie
Jun 06, 2009
‘Primeval’, ITV's hit adventure series, returned to UK audiences at the end of March. The…
Aliens Mix it with HP’s Monsters
Jun 05, 2009
As ‘Monsters vs Aliens’ opens at cinemas worldwide, HP technology and DreamWorks’…
Resin Production Studio
Mar 07, 2009
Resin production studio in Adelaide integrates live action production and direction, 3D,…
