Christy Anzelmo Takes Foundry’s Software into the Future
Christy Anzelmo is now CPO of Foundry’s M&E and Digital Design software portfolio. Here, she talks about building the company’s vision and roadmap for upcoming challenges in VFX.
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Production
Colvin Theatrical Captures Live Theatre…
Colvin Theatrical completed the filming and post production of 11 community theatre plays as part of the AACTFest 2021,…
Broadcast
Pebble Prepares to Grow with New Appointments
Pebble automation, content management and integrated channel specialist, has made key appointments of new staff members…
Broadcast
Zoom Rooms’ Latest Release Now Supports NDI
NDI is now supported in Zoom Rooms for Windows. The move follows the adoption of NDI by Zoom for MacOS and Microsoft…
VFX
Framestore Backs Two New Machine Learning…
VFX and studio Framestore and Bournemouth University are seeking two research fellows to embark on two-year research…
Post
Preymaker Welcomes Senior Creative Rob Petrie…
Creative studio Preymaker has signed Rob Petrie to its team, bringing experience in Creative Direction from The Mill,…
VFX
Adobe Adds Speech to Text Workflow to Premiere…
Adobe released updates across the Creative Cloud applications Premiere Pro and After Effects, Substance 3D, Mixamo and…
Broadcast
Broadcasters Engage with Fans to Capitalise on…
The 2021 summer of sport is finally here and, after a lengthy delay due to the onset of the Covid-19 pandemic, fans are…
Editing
Digital Nirvana Automates Metadata Generation…
Digital Nirvana has developed MetadataIQ, a new metadata automation tool for content producers using Avid media…
VFX
Corona Renderer 7 for 3ds Max Updates Sky Model…
Corona PRG Clear Sky Model Corona Renderer 7 for 3ds Max makes updates to the Corona Physical Material and Corona Sky,…
Broadcast
NEP and Signiant Move Files Faster for Sports…
NEP OB van interior File-based workflows have become a standard feature of live event production for NEP Group, a…
Storage
Spectra Logic and StorMagic Join Forces on…
Spectra Logic and StorMagic developed an active archive system combining video data management, NAS and tape libraries…
Cameras
John Seale Uses FUJINON Premista to Capture…
Australian cinematographer John Seale, AM ACS ASC, used a FUJINON Premista 19-45mm wide-angle zoom lens in the…
In Depth
Stephen Anderson on Creating Animation,…
'Monsters at Work' Image Courtesy of Disney Television Animation Animation director and story artist Stephen Anderson…
Disrupt
LiveU’s Multi-Camera Remote Delivery Brings…
For the first time, Japanese sports broadcaster J SPORTS has made its live OTT service, J SPORTS On Demand, available…
VFX
Framestore Welcomes VFX Supervisor Damien Stumpf
Framestore is pleased to announce that Damien Stumpf has been hired as VFX Supervisor to join its rapidly expanding…
Post
MTI Film’s CORTEX v5.4 Updates DCP Packaging,…
MTI Film has released an updated version of CORTEX, its software suite for managing media from the set to the screen.…
Broadcast
SRT Plugfest Demonstrates Global Reach and…
Haivision and the SRT Alliance held the SRT InterOp Summer 2021 Plugfest in the last week of June 2021. It included a…
Disrupt
Taking the ATSC 3.0 Opportunity – Quality of…
Since their introduction in the 1990s, ATSC standards have become an integral part of the broadcasting industry. ATSC…
H-Ware
Lenovo ThinkStation P350 Desktops Support…
Lenovo’s new generation of entry-level desktop workstations – the ThinkStation P350 Tower, Small Form Factor (SFF) and…
Broadcast
Imagine Nexio NewsCraft Integrates Newsroom…
Imagine Communications is launching Nexio NewsCraft, a new approach to content access, management and multiplatform…
Post
NIM 5.0 Helps Studios Track Performance as the…
Sequence shot in NIM 5.0 NIM 5.0 updates NIM Labs’ studio management platform, developed to help post production houses…
Storage
Quantum Software Powers and Scales EFD…
EFD International in Mexico City, a supplier of cameras, lenses, lights, cranes and other production gear for over 20…
Disrupt
Sony PTZ Cameras Deliver a Visual Radio…
HD RTL Belgium is creating a visual radio experience for worldwide audiences, reaching over 1.5 million listeners…
Broadcast
Dalet CubeNG Supports Interactivity for Live…
Dalet CubeNG updates include work spaces that can be customised with triggers for real-time graphics inteaction, plus…
Post
‘Peter Rabbit 2’ Gets a Dolby Atmos Sound Mix…
‘Peter Rabbit 2: The Runaway’ is the sequel to the 2018 movie about a loveable rabbit with a talent for mischief, and…
Virtual Production Research Hub Builds Pipeline on Blackmagic Cameras
Production
Sheridan College’s Screen Industries Research and Training (SIRT) Centre has built a new Virtual Production Innovation Hub that aims to help the…
MPC’s VFX Team Gets First In, Best Dressed for Disney’s Cruella
In Depth
The Disney movie ‘Cruella’ introduces the world to the vengeful young fashion designer Cruella de Vil, descending on 1970s London as the punk rock…
EditShare Upgrades EFS and FLOW for Media and Storage Management
Storage
FLOW Control web user interface. EditShare has upgraded its EFS storage and FLOW media management software. Working as an intelligent media control…
ATEME TITAN Live Transcoder Supports Dolby Vision and Dolby Atmos
Disrupt
ATEME has integrated Dolby Vision HDR and Dolby Atmos immersive audio into TITAN Live, making it the first transcoder on the market to encode and…
Red Bee Media Adopts R&S PRISMON Multiviewer for its All-IP Future
Broadcast
R&S PRISMON with the Scalable Distributed Multiviewer option. Media services company Red Bee Media operates a complete delivery outsourcing service…
Broadpeak Updates BkA100 Video Delivery Analytics to Tune Video QoE
Broadcast
Broadpeak's BkA100 video delivery analytics system now has a redesigned, more accessible interface, dashboard customisation tools and A/B testing…
Spectra Logic Automates File Management, Recall and Archive at Colortime
Storage
ColorTime post-production studio in North Hollywood specialises in digital media, content creation, and management and distribution for TV producers.…
Brompton and disguise Build a Theatrical LED Experience for Aida
Production
Opera Australia (OA) is one of Australia’s largest performing arts companies and presents more than 600 performances around the country every year.…
Polygon and Unreal Engine Connect at News12 for Centralised Graphics
Disrupt
News12 Networks are a group of seven local cable news channels in the New York metropolitan area, owned by cable television provider Altice USA. All…
Automating QC to Improve Audio Dubbing Quality
Broadcast
Netflix now streams in 190 different countries, which means that video services are no longer specific to a certain region. Their reach is global.…
V-Ray 5 for Maya and Houdini Supports USD Format and Workflows
VFX
Chaos Group has completed the first steps of its support for Universal Scene Description (USD) in V-Ray 5 for Maya and V-Ray 5 for Houdini as a…
Evertz Mediator-X Supports Channel One’s Transition to IP in Russia
Broadcast
Channel One, Russia’s premier television broadcaster, has changed its operations from HD-SDI to full IP at its Ostankino Technical Centre in Moscow.…
Projective Skies Pushes the Limits on Post-Production Workflows
Post
Post-production companies have been managing remote work challenges in various ways, including shipping external hard drives to remote desktop…
Leostream Scales and Secures a Cloud-based Studio for Nice Shoes
Disrupt
Nice Shoes, a creative studio recognised for its commercial finishing and post-production services, recently expanded into film and episodic VFX with…
GV STRATUS and EDIUS Support Remote News Teams at India’s ETV Bharat
Broadcast
ETV Bharat in India produces news content delivered via news and information services to mobile apps and web portals. From its production facility in…
Cintel Scanner Takes on Film Archiving and Restoration at Athénée Français
Post
Athénée Français Cultural Centre in Tokyo originated from a French language school with more than 100 years of history. The Cultural Centre was…
Doug Delaney Grades the Divergent looks of Love, Death + Robots, Volume 2
Post
Launched in March of 2019 on Netflix, the first series of Love, Death + Robots brought together a variety of animation styles and stories, crossing…
ARRI’s UK Virtual Production Facility is First to Adopt Mo-Sys VP Pro XR
Production
ARRI Rental has become the first facility to adopt Mo-Sys Engineering’s new VP Pro XR extended reality server. They are using the VP Pro XR system…
Digistor to Run Colour Certified Courses in Blackmagic DaVinci Resolve
Training
Digistor is running courses in September to help you and your team develop knowledge and expertise in Blackmagic DaVinci Resolve. Booking early will…
Dejero and Dazzl Produce Alpine Races Live in the Cloud for TV8 Mont-Blanc
Disrupt
Dejero and Dazzl have formed a partnership that aims to simplify cloud-based live production. So far, the companies have delivered two projects.…
RenderMan 24 Upgrades Render Architecture and Shading for Animation and VFX
VFX
Pixar RenderMan v24 releases with a new render architecture for animation and VFX, able to use both the CPU and GPU, and a new shading system for…
