The winners of the first FilmLight Colour Awards were announced at a special ceremony as part of the 2021 EnergaCAMERIMAGE at Toruń, Poland on 14 November.

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Dior Spring Summer 2021 Collection

The winners of the first FilmLight Colour Awards were announced at a special ceremony as part of the 2021 EnergaCAMERIMAGE at Toruń, Poland on 14 November. The ceremony included a panel discussion with several of the winners in attendance and others joining in online, in a hybrid presentation watched live around the world.

The award for the grading of a theatrical feature went to Eric Weidt, who worked with DoP Erik Messerschmidt on ‘Mank’. Shot on an 8K RED camera, the movie is striking for its 1930s Hollywood look combined with extremely sharp resolution.

The top two entries for the television series/episodic category could not be separated, and so each was awarded a trophy. The Fargo episode ‘East/West’ was an homage to the classic movie The Wizard of Oz. Colourist Tony D’Amore of Picture Shop made use of tools available to track mattes used to blend monochrome and colour, with beautiful footage shot by DoP Dana Gonzales.

Filmlight awards fargo


Placed alongside Fargo was Damien Vandercruyssen’s work at HARBOR on the series Lisey’s Story, episode ‘Lisey’s Story’, shot by DoP Darius Khondji. The storyline blended reality and dreams, and the grade emphasised the contrasting environments, including startling marbleised faces.

Tim Masick at Company 3 took the award for best grading in a commercial, with a spot for the Dior Spring Summer 2021 Collection, shot by DoP Benoit Delhomme. The striking commercial used chiaroscuro, putting strong skin tones in sharp contrast with the moody settings in the style of the painter Caravaggio.

There was also a fourth award, for the most innovative use of Baselight as the grading platform. Gilles Granier, Fabien Napoli and Arnaud Caréo from Le Labo, Paris worked in partnership on MISS to establish the highly individual look of the movie, and together they developed their own gamut manipulation toolbox within Baselight.

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Both Eric Weidt and the team from Le Labo were in attendance for the presentation at EnergaCAMERIMAGE, while the other winners took part from their home countries. DP Benoit Delhomme also made an online appearance to discuss his photography on the Dior Spring Summer 2021 Collection and his collaboration with colourist Tim Masick, and also DP Dana Gonzales discussing his work with colourist Tony D’Amore on Fargo.

“All of us at FilmLight are excited by the reception the industry has given the first Colour Awards, and by the extraordinary work the finalists and winners presented,” said Jacqueline Loran, Director at FilmLight. “We are very grateful to our partner bodies and of course to the judging panel, but we are even more honoured by the response we saw from colourists across the world. We recognise the desire to celebrate the amazing art of the colourist in every respect, and we have plans to make the 2022 edition even more exciting.”

The awards were organised in conjunction with EnergaCAMERIMAGE, the American Society of Cinematographers, Imago (the International Federation of Cinematographers) and CSI (Colorist Society International). They were judged by an international panel of well-known directors, DoPs and colourists.

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