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• RSP and DNEG Build an Amazon Adventure for ‘Jungle Cruise’

• RSP Turns Up the Speed for ‘X-Men: Apocalypse’

• Saddington Baynes Captures Full-Body 3D Simulations in a Fiery Fight

• Sam Mason and Team Take Bifrost on a Surreal 3D Journey through Dreamland

• Scripps Networks Shifts 3D Renders to AWS Cloud with Thinkbox Deadline

• Shining a Brighter Light on Apple Pro Display XDR

• SIGGRAPH 2016 Previews New Technical Papers

• Skyhouse Scales Cloud Rendering on Digistor’s Onboarding Package

• SMPTE’s New IMF App for Broadcast Will Soon Join IMF Family

• Software Defines the Future of Broadcast Production

• Sony Pictures Entertainment Acquires Pixomondo

• Sony’s New 3LCD Adaptable Laser Projectors Preserve Colour and Clarity

• StarTrackerVFX Visualises Composites with Dual-Render Workflow

• Straightface Studios Renders NUKE On Demand via Thinkbox Store

• Substance Designer Gains PBR Render Node, Updates Python API

• Substance Painter Adds UI Access to Source Textures and New Content

• Substance Painter Refines Dynamic Brushes, Material Blending and Sculpting

• Substance Plugin for 3ds Max Goes Standalone, Integrates Source Textures

• Sydney Opera House Blooms with Animation at VIVID Sydney

• Telescope Animation Builds a Real-time Pipeline for Multiplatform Production

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