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• Maxon One Spring 2024 Brings Particle Simulations and Non-Photoeal Renders

• Maxon One Update Introduces New Maxon Capsules and Redshift Shaders

• Maxon One Upgrades from 3D Modelling to Motion Design to Unreal Integration

• Maxon Releases ZBrush for iPad, Enhances Precision, Speed, Control for All Tools

• Maxon Studio Accelerates New Graphics Looks and Animations for After Effects

• Maxon Winter Release Updates Boolean Generator, Contour Renders, ZBrush

• Michael Cliett Brings Realism, Drama and Beauty to ‘Shōgun’

• Milk VFX and Lola Post Expand Leadership Team with Key Strategic Hires

• Mistika VR Supports Neurological Recovery Through Visualisation

• Mo-Sys Works with Assimilate on StarTracker Integration with Live FX

• Mo-Sys’ James Uren Launches OpenTrackIO Protocol at SMPTE 2024 Summit

• Movie People Deploys Sony Cameras, LEDs and Tools for Virtual Production

• MovieLabs Forms Industry Forum Leadership Council to Support Global Media Innovation

• MPC and Mikros Animation Welcome Senior Technology Officer Doug Bloom

• MPC Builds a Lion’s World for ‘Mufasa: The Lion King’

• MPC Creates VFX and Surreal Dreams for Alejandro Iñárritu’s ‘Bardo’

• MPC Welcomes Lucinda Keeler as Head of Production for London

• MSI Creator Z16P Pushes Performance and Graphics Memory for Virtual Creators

• MSI Prestige 16 Studio Wraps Up RTX Graphics, Accurate Colour with Portability

• MSI RTX 40 Laptops Feature NVIDIA Ada Lovelace Architecture at CES

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