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• NIM Labs NIM 7.0 Visualises Production Scheduling for Studios

• NVIZ Expands Senior Team to Launch a New Phase of Development

• PFX Balances Nostalgia, Comedy and VFX Precision for The Naked Gun

• Phantom Media Group Launches to Unite VFX and Animation Talent

• Pitch Black Appoints New Vice President of Operations

• Pixotope Integrates Unreal Motion Design, Updates Animation, Tracking, Colour

• Preymaker Opens Cape Town Studio, Launches Recruitment and Scholarship

• Preymaker Welcomes Producers Clairellen Wallin and Mike Pullan 

• Projective and LucidLink's Integration Enables Cloud Post-Production at Scale

• Qumulo and HPE GreenLake Scale the Post Environment at Origo Studios

• Qumulo Private Availability Launches its Cloud Native File System on AWS

• REALTIME Launches New Virtual Production and Development Division

• ReDefine Builds Crowds with Heart for ‘I Wanna Dance with Somebody’

• Renderboxes Photon Makes 3D Workstations Portable

• Residence Expands its Creative Network with Leadership Transformation

• Riedel Acquires Inmotio’s LPM Tracking System

• Rising Sun Pictures Takes to the Open Sea for Manga Series ‘One Piece’

• RIST and SipRadius Update libRIST Library for Secure Internet Interconnectivity

• Rose Hancock Joins Axis Studios as VFX Executive Producer

• Scholar Creates Bite-Sized Spots for the Bigger World of ExtraMile

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