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• HDR Delivers the Future of Mobile Video – from Creator to Viewer

• Hitsujibungaku Records a New Music Video on the Blackmagic Camera App

• Ikegami Brings HDR Imaging and Custom HFR Workflows to Motorsport Broadcast

• Ikegami Integrates intoPIX JPEG XS into IPX-100 for IP Production

• Indie Production Captures the Depths of Bedlam with URSA Cine 17K 65

• Innovative Production Services Invests in Panasonic for Live and Studio Projects

• IPA-Prod Deploys Blackmagic for ISU Grand Prix Acquisition and Live Production

• James Tonkin Selects URSA Cine 12K’s Large Format for The Yardbirds Retrospective

• JVC Adds NDI|HX3 to KY-PZ510N PTZ Connected Cameras

• Leader T&M Supports Global Broadcast of Pope Leo’s Visit to Sagrada Família

• Leostream Manages and Secures Digital Workspace on Agora’s Global Network

• Light Sail VR Takes On Blackmagic’s Immersive Storytelling from Capture to Post

• Lightcraft Spark Story Makes Previs Interactive, Fast and Accurate

• LiveU and Sony Expand Collaboration through Direct File Workflow Integration

• LUMIX S5IIX / S5II Support High Bit-Rate Video Options and Phase Hybrid AF

• Mediahaus Live Streams the Mountain Attack with SRT, 5G and URSA Broadcast G2

• Mistika VR Supports Neurological Recovery Through Visualisation

• Mo-Sys Works with Assimilate on StarTracker Integration with Live FX

• Mo-Sys’ James Uren Launches OpenTrackIO Protocol at SMPTE 2024 Summit

• Movie People Deploys Sony Cameras, LEDs and Tools for Virtual Production

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