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• Broadcast Management Group Deploys JVC for News, Sports and Entertainment

• Brompton Illuminates a Sci-fi Journey at CUBE Studio for Afterglow Short Film

• Brompton Processing to Power AIE Film School’s New Virtual Production LED Wall

• Brompton Tessera v3.3 Optimises LED Panel Performance Live and On-Set

• Butcher Bird Studios and Ultimatte 12 Expand Virtual Production Pipeline

• Canon Develops New Firmware and Applications for 4K Remote PTZ Cameras

• Canon EOS C400 Adds RF Mount and Connectivity for Cinema, Live and Virtual

• Canon EOS R50 V Camera Captures Cinematic Video for Professional Livestreams

• Canon EOS R8 System Camera Captures Full Frame Video Up to 4K 60p

• Canon Launches Auto Tracking and Auto Loop Apps for PTZ Camera

• Canon to Push Ahead with EOS R1 as Top of the Line for EOS R SYSTEM

• Canon’s New EOS C80 Compact Cinema Camera Features 6K Sensor and RF Mount

• Canon’s New EOS R Cameras Focus on Fast-paced Action and Accurate Tracking

• Canon’s New RF Hybrid Lenses for EOS R Expand Options for Video and Stills

• Canon’s Optical Unit for Box Lenses Delivers Broadcast Drama and Expression

• Cinematographer Chooses ZEISS and Sony VENICE to Capture ‘Barbarian’

• Cinematographer Keeps Video Conferencing Quality on Track with AJA U-TAP

• Cloudbass Adopts Grass Valley for New IP Remote Production Vehicles

• Colombia’s Canal 1 Acquires Production-to-Post Workflow from Blackmagic Design

• Colorfront Brings Dolby Vision, AI and New Colorfront Engine Features to NAB

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