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• DIT Kevin Shiramizu Bridges the Worlds of On-Set Production and Post

• DNEG Launches New DNEG 360 Division with Partners Dimension Studio

• dock10 and University of York Join on AI Research Project for Virtual Studios

• DP Tim Hawkins Selects Sony BURANO for Versatility and Cinematic Looks

• Dr Raphael Kiesel Appointed New Head of Quality Management at ARRI

• Dreamtek’s Blackmagic Workflow Handles Vercel’s Next JS Event in Record Time

• DuckoChan Projekt Captures Natural Beauty with Blackmagic Camera Workflow

• EditShare NVMe to Support High Bandwidth Resolve Workflows at TVC Soho

• EMG / Gravity Media Updates its Lens Stock with FUJINON Zooms

• EVS MediaCeption to Manage Live News Content across Five Al Jazeera Locations

• EVS Moves into Robotic Control with the Launch of Choreon at NAB

• EVS Neuron Multiviewer Improves Flexibility and Latency for Live Production

• EVS XtraMotion 2.0 Speeds Turnaround Times, Extends Production Flexibility

• Facing the Future of Broadcast Sports Audio

• Film Riot YouTube Channel and ATEM Mini Pro ISO Bring Filmmaking to Life

• FilmLight Colour Awards Winners Share Tips, Insights and Stories

• Filmmakers Take the Leap into Space with Blackmagic for 'When We Were Shuttle'

• Finding a Place for 'Here' in Light, VFX and Colour

• First Mile Technologies Develops Live Camera-to-Cloud Connectivity

• Flying Lap Media Uses Blackmagic RAW and Resolve to Capture Life on Track

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