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Fujifilm
  • Baselight Team Tackles High Frame Rate, High-Res Finish for ‘Gemini Man’

  • 'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve

  • ‘Top Boy’ Returns to London with ALEXA LF and Cooke S7/i Prime Lenses

  • 4K Garden Advances 4K HDR Production with AJA Analysis and Processing

  • AJA FS-HDR Delivers Simultaneous HDR / SDR for FA Cup Final at Arena

  • AJA T-TAP Pro and Desktop Software v16 Increase Compatibility, Connectivity

  • AJA Updates FS-HDR with New BBC HLG LUTs and Colorfront Engine Mode

  • Al Kass Sports Adopts Nevion for Media Exchange and Migration to IP

  • Aljoscha Hoffmann Charts New Territory in Colour on Baselight

  • Andy Elliott Colours True Stories at Directors Cut Films

  • Anevia, Intel and NVIDIA Optimise Performance and Cost of OTT Video Encoding

  • ARRI Stellar Adds Live Sync and iCloud Backup for Lighting Controls

  • ATEME and The Explorers Launch First OTT Channel via VVC, Naturally

  • Aximmetry Launches Virtual Studio Software for Unreal Engine Users

  • b>com and EVS Use Adaptive HDR Conversions to Improve Video QoE

  • Baselight 5.3 Upgrades Colour Control and Processing for Artists

  • Baselight X Recreates 1930s Hollywood in Black and White for ‘Mank’

  • BBC Street and Youngster Modernise Colour with New Baselight Workflows

  • Bending the Rules for ‘Tales from the Loop’

  • Blackmagic RAW 1.5 and Video Assist 12G Update Capture and Compression

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