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Baselight Team Tackles High Frame Rate, High-Res Finish for ‘Gemini Man’
'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve
‘Top Boy’ Returns to London with ALEXA LF and Cooke S7/i Prime Lenses
4K Garden Advances 4K HDR Production with AJA Analysis and Processing
AJA FS-HDR Delivers Simultaneous HDR / SDR for FA Cup Final at Arena
AJA T-TAP Pro and Desktop Software v16 Increase Compatibility, Connectivity
AJA Updates FS-HDR with New BBC HLG LUTs and Colorfront Engine Mode
Al Kass Sports Adopts Nevion for Media Exchange and Migration to IP
Aljoscha Hoffmann Charts New Territory in Colour on Baselight
Andy Elliott Colours True Stories at Directors Cut Films
Anevia, Intel and NVIDIA Optimise Performance and Cost of OTT Video Encoding
ARRI Stellar Adds Live Sync and iCloud Backup for Lighting Controls
ATEME and The Explorers Launch First OTT Channel via VVC, Naturally
Aximmetry Launches Virtual Studio Software for Unreal Engine Users
b>com and EVS Use Adaptive HDR Conversions to Improve Video QoE
Baselight 5.3 Upgrades Colour Control and Processing for Artists
Baselight X Recreates 1930s Hollywood in Black and White for ‘Mank’
BBC Street and Youngster Modernise Colour with New Baselight Workflows
Bending the Rules for ‘Tales from the Loop’
Blackmagic RAW 1.5 and Video Assist 12G Update Capture and Compression
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