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• Baselight Team Tackles High Frame Rate, High-Res Finish for ‘Gemini Man’

• 'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve

• ‘Top Boy’ Returns to London with ALEXA LF and Cooke S7/i Prime Lenses

• AJA FS-HDR Delivers Simultaneous HDR / SDR for FA Cup Final at Arena

• Al Kass Sports Adopts Nevion for Media Exchange and Migration to IP

• Andy Elliott Colours True Stories at Directors Cut Films

• Anevia, Intel and NVIDIA Optimise Performance and Cost of OTT Video Encoding

• ARRI Stellar Adds Live Sync and iCloud Backup for Lighting Controls

• Aximmetry Launches Virtual Studio Software for Unreal Engine Users

• b>com and EVS Use Adaptive HDR Conversions to Improve Video QoE

• BBC Street and Youngster Modernise Colour with New Baselight Workflows

• Bending the Rules for ‘Tales from the Loop’

• Blackmagic RAW 1.5 and Video Assist 12G Update Capture and Compression

• Blackmagic RAW Workflow Takes ‘Classmates’ from Set to Post

• Blackmagic URSA Mini Pro 12K Upgrades RAW and Colour Performance

• Blue Post Upgrades to Quantum Xcellis Storage for Fast 4K/HDR Post

• CHEAT Gears Up for HDR and Dolby Vision with Resolve R&D Workflow

• Cinematographer Martin Ruhe Captures Life and Death with Cooke and ARRI

• Codex HDE Pushes ‘I Am Woman’ to Large Format RAW capture on ALEXA 65

• Colorfront Develops Near Real-time ACES Pipeline for HDR Production

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