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HD BROADCAST Meets Sports Production Demands on EVS XT-VIA Network
HDR Over HD Emerges as a Brilliantly Effective Format for Streaming Services
Imagine Selenio Network Processor Takes On HD/UHD Master Control at NAB
IMAX’s New Live Streaming Optimisation Tool Lowers Bitrate, Preserves Quality
Innervision Selects Sony Projector for Cinema Colour Grading Suite
James Tonkin Selects URSA Cine 12K’s Large Format for The Yardbirds Retrospective
John Daro Masters the Power of Colour from Science to Storytelling
Molinare’s Ross Baker Brings a Love of Colour to Television and Film
NEP UK Chooses Sony’s New HDC Cameras for Live Productions in Europe
ORION-CONVERT Pipeline and AJA ColorBox Simplify Colour for Live Productions
Panasonic’s LUMIX S1RII Supports 8K Video, New Codecs and Faster Workflows
PHABRIX Develops Waveform Monitoring for Qx and QxL Rasterizers
PHABRIX QxL Rasterizer Supports Wider Expertise in IP/UHD at Q3 Media Training
QTAKE Pro 2.2 Adds On-set Dolby Vision and Forensic Watermarking Workflows
RecodeXR Selects Brompton LED Processing for Full Virtual Production Services
Reuters Equips Worldwide Video Journalist Team with Sony Cameras
RTVE Renews Broadcast Training Studios with Sony Mixers and Cameras
Shirin David’s Tour Gets Cinematic Treatment from ARRI and Fujinon
SMPTE Paper Investigates Dynamic Tone Mapping for HDR/SDR Production
Sony BRC-AM7 4K 60p PTZ Camera Features AI Tracking and Auto Framing
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