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• EditShare Opens the Way to Flexible Post Workflows at Azimuth

• Elodie Ichter Builds a Look from History on Baselight for FX’s ‘Shōgun’

• Fifty Frames Enlists AJA Gear to Control and Elevate Live Event Production

• FilmLight Colour Awards Winners Share Tips, Insights and Stories

• Filmmakers Take the Leap into Space with Blackmagic for 'When We Were Shuttle'

• Flanders Scientific XMP310 Monitor Supports SDR/HDR Set-to-Post Production

• Framefloor Builds Creative Post Workflows on AJA Gear

• Fujairah TV Studio Upgrade Features Grass Valley Live Production Systems

• FUJINON 4K Zooms at Gravity Media Capture Repco Supercars for Broadcast

• Fusion Studio Makes a Smart Option for Compositing in 'Dumb Money'

• Grass Valley AMPP SaaS Delivers G20 Summit from New Delhi to the World

• Grass Valley Live Systems Help Modernise SBA’s Channel Saudi One

• Grass Valley Shows New RF and 5G Cameras and Framelight X Upgrades at NAB

• Grass Valley to Launch Software-based Maverik X Switcher for AMPP at NAB

• Grass Valley Wins Two Awards at NAB Show 2024

• Grass Valley's LDX 135 Modernizes Camera Fleet at Mediaset in Italy

• Harbor Expands with Dedicated Dailies Facility at Shepperton Studios

• HD BROADCAST Meets Sports Production Demands on EVS XT-VIA Network

• HDR Over HD Emerges as a Brilliantly Effective Format for Streaming Services

• Imagine Selenio Network Processor Takes On HD/UHD Master Control at NAB

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