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• DNEG Speeds through Time and a Wormhole for 'The Adam Project'

• DNEG Takes ‘Bullet Train’ Through Immersive Environments to an Explosive End

• DNEG Takes Home the VFX Oscar for ‘First Man’

• DNEG to Launch xSTUDIO as Open Source Playback and Review Application

• Dolby Laboratories Receives IBC2017 International Honour for Excellence

• Dome Productions Acquires Sony PVM-X Monitors for 4K / HDR Production

• Doug Delaney Grades the Divergent looks of Love, Death + Robots, Volume 2

• DP Amanda Treyz Delivers a Supernatural Twist to ‘Treehouse’ with Blackmagic

• DP Captures Dynamic Mercedes Campaign with Pocket Cinema Camera 6K

• DP Joel Devlin Brings Colour & Light to ‘Broken’ on VariCam 35

• DP Lara Damiani Goes the Extra Mile for Video with a Conscience

• DP Mark Toia Takes Filmmaking to the Edge for ‘Monsters of Man’

• DP, Colourist and Mikros Image Catch the Look for ‘Lupin’ in Baselight

• DPG Media Moves up to Fast, Accurate AI Tools in RT Software’s Tactic Pro

• DPP and SMPTE Publish Major Updates to IMF Documentation

• DreamWorks Animation Releases MoonRay as Open Source Software

• Duplitech Brings Old and New Film Projects to Life with Cintel Scanner 2

• E-on PlantCatalog Cultivates 3D Procedural Vegetation for 3D Artists

• e.d. films Helps Artists Create 3D Scenes from Photoshop Files

• Editors Build Style, Voice and Storytelling Skills with Avid Media Composer

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