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Blackmagic Design
  • DNEG Speeds through Time and a Wormhole for 'The Adam Project'

  • DNEG Takes ‘Bullet Train’ Through Immersive Environments to an Explosive End

  • DNEG Takes Home the VFX Oscar for ‘First Man’

  • DNEG to Launch xSTUDIO as Open Source Playback and Review Application

  • Dolby Laboratories Receives IBC2017 International Honour for Excellence

  • Dome Productions Acquires Sony PVM-X Monitors for 4K / HDR Production

  • Doug Delaney Grades the Divergent looks of Love, Death + Robots, Volume 2

  • DP Amanda Treyz Delivers a Supernatural Twist to ‘Treehouse’ with Blackmagic

  • DP Captures Dynamic Mercedes Campaign with Pocket Cinema Camera 6K

  • DP Joel Devlin Brings Colour & Light to ‘Broken’ on VariCam 35

  • DP Lara Damiani Goes the Extra Mile for Video with a Conscience

  • DP Mark Toia Takes Filmmaking to the Edge for ‘Monsters of Man’

  • DP, Colourist and Mikros Image Catch the Look for ‘Lupin’ in Baselight

  • DPG Media Moves up to Fast, Accurate AI Tools in RT Software’s Tactic Pro

  • DPP and SMPTE Publish Major Updates to IMF Documentation

  • DreamWorks Animation Releases MoonRay as Open Source Software

  • Duplitech Brings Old and New Film Projects to Life with Cintel Scanner 2

  • E-on PlantCatalog Cultivates 3D Procedural Vegetation for 3D Artists

  • e.d. films Helps Artists Create 3D Scenes from Photoshop Files

  • Editors Build Style, Voice and Storytelling Skills with Avid Media Composer

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