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• Managing Media in the New Filmmaking Age

• Marcus Taormina Opens Up on Visual Effects in ‘Bird Box’

• Mari 4.6 Adds Geo-Channels and Procedural Nodes for Texture Workflows

• Marquise Rushes to Advance HDR / IMF Mastering and Versioning at NAB

• Marquise Technologies Advances IMF ProRes Workflows at IBC

• Marquise Technologies Demos Mastering Workflows in HDR and IMF

• Marquise Technologies Integrates Photon for IMF Validation

• Marquise Upgrades IMF Mastering for HDR and Immersive Audio

• Masstech Kumulate Opens New Access Panel for Premiere Pro Editors

• Masstech Tackles Federated Searching and Hybrid Cloud at Broadcast Asia

• Matthew Troughton on Mixing Up Creative, Technical and Business Magic

• Mavericks VFX Tells ‘The Handmaid’s Tale’ with Fire and Destruction

• MAX Post Keeps it Real for Original Productions with Cinedeck

• Maxine Gervais and Baselight X Take On Marvel's 'Black Panther'

• Maxine Gervais Creates the Look of a Miracle for 'Sully'

• Maxon and Red Giant to Merge for Content Creation

• Maya 2019 Speeds Playback and Look Development for Animators

• Maya 2020 and Arnold 6 Upgrade Animation, Bifrost and Arnold GPU

• Media Workflow Storage Shifts Gear Toward Archive-as-a-Service

• Meeting the Demand for Localised Film, TV and Online Content

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