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Baselight Team Tackles High Frame Rate, High-Res Finish for ‘Gemini Man’
'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve
'Paris ETC' DIT puts FilmLight's Prelight to Work on Set and Beyond
'Stage Mums' Gets a Good Look with URSA Mini 4.6K and DaVinci Resolve
‘Flesh and Blood’ Gets Close to the Bone with Blackmagic Design
‘Mary Poppins Returns’ Sings, Dances and Swims with VFX Magic
‘The Painted Bird’ Captures Drama of War in Black and White
‘Top Boy’ Returns to London with ALEXA LF and Cooke S7/i Prime Lenses
27-inch iMac Updates Bring Speed, SSDs, New AMD Graphics
3ds Max 2021 Adds PBR and Texture Workflows, Python 3 Integration
3ds Max 2021.3 Improves Remeshing Controls, Launches Retopology v1.0
A Close-up Review of the Apple Mac Pro
Academy Software Foundation Welcomes New Members, Adopts OpenVDB Project
Adam Dolniak Mixes Up Technical with Creative for Finishing and Colour
Adobe After Effects and Premiere Pro Get Smarter, More Efficient
Adobe Brings Speed, Agility and Intelligence to Creative Cloud 2019
Adobe CC Applications Gain New Video & Collaboration Workflows
Adobe CC Updates Graphics, Analytics & Audio for Video Editors
Adobe Creative Cloud Picks Up the Pace for Video Production
Adobe Creative Cloud Upgrades Colour, VR & Workflow Integrations
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