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Blackmagic Design
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  • Baselight Team Tackles High Frame Rate, High-Res Finish for ‘Gemini Man’

  • 'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve

  • 'Paris ETC' DIT puts FilmLight's Prelight to Work on Set and Beyond

  • 'Stage Mums' Gets a Good Look with URSA Mini 4.6K and DaVinci Resolve

  • ‘Flesh and Blood’ Gets Close to the Bone with Blackmagic Design

  • ‘Mary Poppins Returns’ Sings, Dances and Swims with VFX Magic

  • ‘The Painted Bird’ Captures Drama of War in Black and White

  • ‘Top Boy’ Returns to London with ALEXA LF and Cooke S7/i Prime Lenses

  • 27-inch iMac Updates Bring Speed, SSDs, New AMD Graphics

  • 3ds Max 2021 Adds PBR and Texture Workflows, Python 3 Integration

  • 3ds Max 2021.3 Improves Remeshing Controls, Launches Retopology v1.0

  • A Close-up Review of the Apple Mac Pro

  • Academy Software Foundation Welcomes New Members, Adopts OpenVDB Project

  • Adam Dolniak Mixes Up Technical with Creative for Finishing and Colour

  • Adobe After Effects and Premiere Pro Get Smarter, More Efficient

  • Adobe Brings Speed, Agility and Intelligence to Creative Cloud 2019

  • Adobe CC Applications Gain New Video & Collaboration Workflows

  • Adobe CC Updates Graphics, Analytics & Audio for Video Editors

  • Adobe Creative Cloud Picks Up the Pace for Video Production

  • Adobe Creative Cloud Upgrades Colour, VR & Workflow Integrations

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