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• Jellyfish Pictures Shifts to All-Virtual for VFX and Animation

• Jellyfish Pictures Virtualises VFX Studios on PC-over-IP Infrastructure

• Jellyfish Welcomes Senior VFX Artists Nicolas Hernandez and Kevin Hoppe

• Jérôme Cloutier Captures Filmmakers’ Vision in Colour

• Jigsaw24 Uses EditShare EFSv to Expand Via24 Cloud Media Services

• Jin Young Park Builds a Cold World of Colour for 'The Fortress'

• Jin-ho Park Communicates and Innovates with Colour

• Jogger Studios Blooms in London from Production to Colour

• John Seale Uses FUJINON Premista to Capture ‘Three Thousand Years of Longing’

• Julien von Schultzendorff Pushes Colour Boundaries at nhb studios

• Ka-boom Colours Period Dramas with Modern Baselight Workflows

• Katana 3.1 Updates 3Delight and Hydra Viewer Performance and Quality

• Katana 3.2 Updates Material Creation UX, 3Delight Rendering and USD

• Katana 3.5 Brings USD Pipelines and Interactive Renders to Light

• Katana 3.6 Updates Material Editing, Ships with 3Delight NSI 2.0

• Katana 4.0 Focusses on Interactive Renders, Lighting UX and USD

• Katana 5.0 Extends Lighting and Look Development Through the 3D Pipeline

• KeenTools Adds FACS Blendshapes and New Topology for Facial Animators

• KeenTools Builds and Tracks Faces for Nuke and Blender Artists

• KeenTools FaceBuilder Automates Camera Set-Up for 3D Head Modelling

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