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• PFClean 2016 Gains a New Restoration Engine & Effects Workbench

• PFClean 2017 Updates Wet Gate Process & Colour Management

• Phase 3 Supports Editorial and Graphics Workflows on Archion Editstor

• Phase One iX Capture 3.0 Highlights Control and Processing for Aerial Shoots

• Phillip Youmans Wins Tribeca Award for Film Shot on URSA MiniPro 4.6K

• Pigmento Takes on DaVinci Resolve Studio for IMF and HDR Delivery

• Pinewood Digital Shines FilmLight’s Daylight on Near-Set Dailies

• PIX and CODEX to Unite under X2X Media Group

• pixitmedia Speeds Film Scanning Turnaround and Delivery at Cinelab London

• Pixmover Brings GPU-Acceleration to High-Res Storage & Transfer

• Pixspan Speeds 4K/HDR Data via NVIDIA & EMC Storage Workflows

• Pomfort SealVerify Manages Media Checksum and Seal Verification

• Post Op Group Integrates Asset Access and Archive with Spectra Logic

• Post Studio Ha-Mitcham Launches from Israel with Avid’s Cloud Workflow

• PPC Adopts EditShare’s New Networked Single-Node EFS 300 XStream

• Prelight 5.0 Visualises Consistent Looks On-Set and into Post

• Preymaker Expands Production Team

• Preymaker Welcomes VFX Supervisor Ruben Vandebroek

• Primestream Media IO Adds Cloud Integration for Remote Workflows

• Primestream Xchange Media Cloud Brings Continuity to Remote Workflows

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