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• ViSo Video Uses Ultimatte 12 for AR Productions inside Virtual Sets

• Voxx Studios Localises Film and TV with Facilis HUB Storage

• VR Test Centres Open to Rock the World of Virtual Reality

• VSI Paris / Chinkel SA Automates Post Workflows on Telestream’s Vantage

• Wacom Cintiq Pro 24 Tunes Colour Accuracy and Pressure Sensitivity

• Wacom Pro Pen 3D Puts 3D Modelling and Design at Your Fingertips

• WCPMedia Handles Cloud-Based Dailies, Transcodes & Viewing for ‘The Young Pope’

• What’s New in Autodesk 3ds Max and Maya - Webinar

• Windmill Lane Adopts EditShare EFS Tiered Storage for Post

• Windmill Lane Sees the World in Colour with FilmLight

• Z CAM and ASSIMILATE Develop an Integrated Set-to-Post VR Workflow

• ZBrush 2019 Gains Precision, Adds Artistic Renders to 3D Sculpting

• ZERO VFX Breaks Down Invisible VFX for ‘Black Mass’

• ZERO VFX Moves Mountains behind ‘The Magnificent Seven’

• Ziva Dynamics Controls Precise Animations for Cartoons and Digidoubles

• Ziva VFX 1.4 Brings Real-World Physics to Creature FX

• Ziva VFX 1.5 Makes Secondary Creature FX Fast and Lively

• Ziva VFX 1.5 Secondary Dynamics

• Ziva VFX 1.6 Automates Creature-to-Mesh Anatomy Transfers

• Ziva VFX 1.7 Art Directable Rest Shapes

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