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• MTI Film DRS NOVA v5 Automates and Accelerates Digital Film Restoration

• MTI Film Opens Data Centre Customised for Remote Television Post

• MTI Film Sees the Future in HDR

• MTI Film Shows True Colours for New Starz Series 'Vida'

• MTI Film Takes 'The Affair' from New York to LA in Colour and Light

• MTI Film Tells the 'Story of Us' in Living Colour

• MTI Film Updates CORTEX v5's Deliverables and QC, Lights Up an Indie Thriller

• MTI Film’s CORTEX v5.4 Updates DCP Packaging, Dolby Vision Mastering

• Mystery Box Refines HDR Production and Post with AJA HDR Image Analyzer

• NAB 2019 - Autodesk Flame 2020 Accelerates VFX Workflows with Machine Learning

• NAB 2019 - Avid NEXIS | Cloudspaces Expands Storage on Demand in the Azure Cloud

• National Film and Television School Upgrades Media Infrastructure on EditShare

• NBA Kings, Quantum and CatDV Capture NBA History with StorNext Archive

• Ncam and disguise Partner to Build Real Experiences in Virtual Worlds

• Ncam Appoints Mike Ruddell as a New Director for Sports and Broadcast

• Ncam Appoints Robin Shenfield as Chairman

• Ncam Reality 2021 Supports Virtual Production for Film, Broadcast and Live

• Ncam's On-set Pre-vis Cracks into 'The Nutcracker and the Four Realms'

• NetApp and ATTO Address Latency and Fibre Channel in Media Workflows

• Nevion Virtuoso Keeps Colours True for Remote Grading at a52 Color

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