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• Twinmotion 25.1 Brings New Realism and Control to 3D Environment Renders

• Union VFX Moves its CG Pipeline to USD Format

• Union VFX Opens First International VFX Facility in Montréal

• Union VFX Reconstructs a Tragic World for ‘The Tattooist of Auschwitz’

• V-Ray 6 for Houdini Advances with Solaris, Volumetrics and Lighting Developments

• V-Ray 7 for 3ds Max Supports 3D Gaussian Splats, Virtual Tours and Luminaires

• V-Ray 7 for Maya and Houdini Supports Gaussian Splats, Volumetric Shading

• Vizrt Develops Native NDI Bridge Multi-Channel Video Conversion Tool

• Western Digital’s New Fast, Super Capacity SSDs Keep Productions Moving

• Wētā FX Appoints New Chief Executive Officer Daniel Seah

• Whiskeytree Creates a Wartime World for ‘Masters of the Air’

• Whisper Invests in New EditShare Network to Extend Documentary Services

• Wild Capture Joins Human & Digital Talent Registry Beta for Rights Management

• Wounded Buffalo Studio Specialises in Natural History Soundscapes on Avid

• ZEISS Camera Tracking Supports a Wider Array of Cine and Broadcast Lenses

• ZEISS Develops One-Click Approach to Virtual Lenses for VFX and Compositing

• ZibraVDB for Houdini Supports Real-time Volumetric VFX Workflows

• zweiB Upgrades to R&S CLIPSTER 6 MK 2 for Precise, Consistent Mastering

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