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Fujifilm
  • URSA Mini Pro Prevents Panic! At the Disco with Blackmagic RAW Codec

  • V-Ray 5 for 3ds Max Moves into Post-Render Compositing and Lighting

  • V-Ray 5 for Cinema 4D Improves Lights, Materials and GPU Rendering

  • V-Ray for Unreal Supports Native Materials for Real-time Raytracing

  • V-Ray Next for Maya Develops Scene Intelligence, Faster Interactivity

  • V-Ray Next for SketchUp Accelerates Photoreal Renders for Designers

  • Varicam 35 Captures 4K Video for BBC’s New Hybrid Kids’ TV Series

  • VFX and Animation Studios Iloura and Method Merge in Australia

  • VFX Artists Touch Heaven and Earth for 'Thor: Ragnarok'

  • VFX Photography Takes a New Angle with the Blackmagic URSA Mini 4.6K

  • VFX Students at AIE Get Hands-on with Virtual Production

  • VFX Studio Kevin Welcomes Mike Dalzell, Theo Maniatis and Carl Loeffler

  • VFX Supervisor Artemis Oikonomopoulou Joins Cinesite London

  • Vicon Shōgun 1.3 Brings Real-Time Body Tracking Down to the Fingertips

  • Videohouse Brings Subtitles in Line with PBT EU SubtitleNEXT

  • Vine FX Creates Future Motion Graphics FX for AMC’s ‘Soulmates’

  • Vine FX Shifts Time and Place with Authentic VFX for ‘The Serpent’

  • ViSo Video Uses Ultimatte 12 for AR Productions inside Virtual Sets

  • Voxx Studios Localises Film and TV with Facilis HUB Storage

  • VR Test Centres Open to Rock the World of Virtual Reality

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