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• URSA Mini Pro Prevents Panic! At the Disco with Blackmagic RAW Codec

• V-Ray 5 for 3ds Max Moves into Post-Render Compositing and Lighting

• V-Ray 5 for Cinema 4D Improves Lights, Materials and GPU Rendering

• V-Ray for Unreal Supports Native Materials for Real-time Raytracing

• V-Ray Next for Maya Develops Scene Intelligence, Faster Interactivity

• V-Ray Next for SketchUp Accelerates Photoreal Renders for Designers

• Varicam 35 Captures 4K Video for BBC’s New Hybrid Kids’ TV Series

• VFX and Animation Studios Iloura and Method Merge in Australia

• VFX Artists Touch Heaven and Earth for 'Thor: Ragnarok'

• VFX Photography Takes a New Angle with the Blackmagic URSA Mini 4.6K

• VFX Students at AIE Get Hands-on with Virtual Production

• VFX Studio Kevin Welcomes Mike Dalzell, Theo Maniatis and Carl Loeffler

• VFX Supervisor Artemis Oikonomopoulou Joins Cinesite London

• Vicon Shōgun 1.3 Brings Real-Time Body Tracking Down to the Fingertips

• Videohouse Brings Subtitles in Line with PBT EU SubtitleNEXT

• Vine FX Creates Future Motion Graphics FX for AMC’s ‘Soulmates’

• Vine FX Shifts Time and Place with Authentic VFX for ‘The Serpent’

• ViSo Video Uses Ultimatte 12 for AR Productions inside Virtual Sets

• Voxx Studios Localises Film and TV with Facilis HUB Storage

• VR Test Centres Open to Rock the World of Virtual Reality

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