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• Park Jin-ho Pulls a Story from Colour and Contrast in 'No Other Choice'

• Peak Uplink Selects Appear X Platform for Live Sports Contribution Encoding

• Pebble and NVIDIA Collaborate to Align PRIMA with NVIDIA Holoscan for Media

• Pebble Assures the Future of Playout at Canal Sur

• Pebble Shows Flexible, Secure, Stable Playout Automation at BroadcastAsia

• Pebble’s Automation and Integrated Channel Manage Playout for SRF Facility

• Perifery and ERA Join on Cloud-Based Media Archive and Object Storage Services

• Perifery and pixitmedia Partner to Advance Media Workflow Automation

• Perifery’s ICE Searches and Manages Media Assets without Metadata

• Peter Barber Joins Atomos as Executive Director

• PFX Balances Nostalgia, Comedy and VFX Precision for The Naked Gun

• PHABRIX Develops Waveform Monitoring for Qx and QxL Rasterizers

• Phantom Media Group Launches to Unite VFX and Animation Talent

• Picture Shop’s Mark Kueper Uses DaVinci Resolve Studio to Capture Billy the Kid

• Pixel Power and ITV Launch Dynamic, Automated New Channel Identity

• Pixotope Announces Major Hires in APAC Region

• Pixotope Integrates Unreal Motion Design, Updates Animation, Tracking, Colour

• Preymaker Opens Cape Town Studio, Launches Recruitment and Scholarship

• Preymaker Welcomes Colourist Mark Sanna to its Creative Team

• Preymaker Welcomes Producers Clairellen Wallin and Mike Pullan 

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