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• Baselight Team Tackles High Frame Rate, High-Res Finish for ‘Gemini Man’

• IBC 2019 Highlights Media Developments from Esports to 5G

• 'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve

• ‘Flesh and Blood’ Gets Close to the Bone with Blackmagic Design

• ‘Mary Poppins Returns’ Sings, Dances and Swims with VFX Magic

• ‘Nufonia Must Fall’ Plays Live on Stage & Screen with Blackmagic

• ‘The Expanse’ Reveals Dramatic In-Camera Visuals with Cooke 5/i Primes

• ‘The Painted Bird’ Captures Drama of War in Black and White

• ‘Top Boy’ Returns to London with ALEXA LF and Cooke S7/i Prime Lenses

• 23lunes Creates the Doll Who Changed the Game

• 4K Cameras Reveal the Real Life of the Minke Whale

• A Close-up Review of the Apple Mac Pro

• Abe Joffe Illuminates 4K for Documentary in ‘Tales by Light 2’

• Adobe Brings Speed, Agility and Intelligence to Creative Cloud 2019

• Adobe Project Aero Set to Link Physical and Digital Worlds for Artists

• Adobe Pushes Creative Cloud 2019 Functionality to Mobile Devices

• Adobe Pushes UI/UX Design Ahead with Free Software, Funding, Updates

• AEAF Shows Off Beautiful Work for TV, Film, Digital – and Beyond

• Aftonbladet TV Uses EVS Dyvi for Intelligent Live Newsroom Switching

• AFTRS Appoints Eight New Heads of Discipline

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