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Blackmagic Design
  • Adobe Creative Cloud Gets Smarter, Moves Closer to the Cloud

  • Baselight Team Tackles High Frame Rate, High-Res Finish for ‘Gemini Man’

  • IBC 2019 Highlights Media Developments from Esports to 5G

  • Unreal Engine 4.27 Advances In-Camera VFX and Cloud Workflows

  • 'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve

  • 'Everest' Returns to Large-Screen Cinemas in a New 16K Restoration

  • ‘Flesh and Blood’ Gets Close to the Bone with Blackmagic Design

  • ‘Mary Poppins Returns’ Sings, Dances and Swims with VFX Magic

  • ‘Nufonia Must Fall’ Plays Live on Stage & Screen with Blackmagic

  • ‘Peter Rabbit 2’ Gets a Dolby Atmos Sound Mix at Sony Pictures Post

  • ‘Shin Ultraman’ Keeps its Classic Look with Resolve’s Management and FX Tools

  • ‘The Expanse’ Reveals Dramatic In-Camera Visuals with Cooke 5/i Primes

  • ‘The Painted Bird’ Captures Drama of War in Black and White

  • ‘Top Boy’ Returns to London with ALEXA LF and Cooke S7/i Prime Lenses

  • 12field Animation and Digistor Design Remote 2D Production Pipeline

  • 23lunes Creates the Doll Who Changed the Game

  • 3500 Kelvin Works with Brompton Processing for Dynamic LED Environments

  • 3ds Max and Arnold Bring Interactivity and More Speed to 3D Workflows

  • 4K Cameras Reveal the Real Life of the Minke Whale

  • 4K Garden Advances 4K HDR Production with AJA Analysis and Processing

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