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• Perifery’s ICE Searches and Manages Media Assets without Metadata

• Peter Barber Joins Atomos as Executive Director

• PFX Balances Nostalgia, Comedy and VFX Precision for The Naked Gun

• PHABRIX Develops Waveform Monitoring for Qx and QxL Rasterizers

• Phantom Media Group Launches to Unite VFX and Animation Talent

• Picture Shop’s Mark Kueper Uses DaVinci Resolve Studio to Capture Billy the Kid

• Pioneering Colour Chart Developer DSC Labs Revives With a New Owner in LA

• Pixotope Announces Major Hires in APAC Region

• Pixotope Integrates Unreal Motion Design, Updates Animation, Tracking, Colour

• Preymaker Opens Cape Town Studio, Launches Recruitment and Scholarship

• Preymaker Welcomes Colourist Mark Sanna to its Creative Team

• Preymaker Welcomes Producers Clairellen Wallin and Mike Pullan 

• Pro Volleyball Federation Teams with LTN on Live Production and Distribution

• Projective and LucidLink's Integration Enables Cloud Post-Production at Scale

• PSSI Adopts Appear X Platform to Increase Flexibility and Security in Live Sports

• PSSI Increases Investments in Appear Video Transmission for Live Broadcast

• Putting Automated Workflows at the Centre of Agile Media Operations

• Quicklink Studio Connects 80 Countries During MTA’s Jalsa Salana UK Broadcast

• Qumulo Develops Global Data Supply Chain for AI Engine Training and Deployment

• Qumulo Private Availability Launches its Cloud Native File System on AWS

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