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• TV Anhanguera Customises Channel Playout through Pebble Automation

• TV Bahia and TVU Deliver Top Level Football across Brazil, Live from the Cloud

• TV SKYLINE Chooses Grass Valley’s LDX 135 to Expand Live Production Services

• TVU and MediaLuso Produce Live Remote Commentary for Pan American Games

• Twinmotion 25.1 Brings New Realism and Control to 3D Environment Renders

• Two Wheels Motor Racing and Harmonic Partner to Distribute Live Racing in Asia

• UK’s NFTS Expands Shared Storage with EditShare’s NVMe and Review Workflows

• Ultimatte 12 4K Accelerates Green Screen Virtual Productions at CoPilotXR

• Union VFX Reconstructs a Tragic World for ‘The Tattooist of Auschwitz’

• University Station Upgrades Master Control to Nverzion Server and Automation

• URSA Cine 17K 65 Captures Charleston’s Beauty and Heritage in Tourism Campaign

• V-Ray 7 for 3ds Max Supports 3D Gaussian Splats, Virtual Tours and Luminaires

• V-Ray 7 for Maya and Houdini Supports Gaussian Splats, Volumetric Shading

• Vatican City Reaches Out Worldwide in Sony’s Cinematic Live Broadcast Mode

• Veritone’s Ask Veri Extracts Fresh Insights from Data for Dynamic Workflows

• Versos AI Platform Prepares and Licenses Video Training Data for AI

• Viaplay Selects Viz Mosart to Automate Premier League Live Content Production

• Vicki Matich on Colour Grading for Authenticity in TV and Film

• Videe Moves Ahead in Live Production using a Sony 5G Workflow

• Videocraft Upgrades to FUJINON 4K Lenses for Broadcast, Sport and Live Events

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