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• Adobe Creative Cloud Gets Smarter, Moves Closer to the Cloud

• Baselight Team Tackles High Frame Rate, High-Res Finish for ‘Gemini Man’

• Lenovo Upgrades ThinkStation P620 with AMD’s New Ryzen Threadripper PRO Processor

• Unreal Engine 4.27 Advances In-Camera VFX and Cloud Workflows

• Vicon Origin Puts Live VR Avatars into VR Worlds in Real Time

• 'Audio Creatures' Make a Splash of Sound, Light and Motion

• 'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve

• 'Everest' Returns to Large-Screen Cinemas in a New 16K Restoration

• 'Moon Garden’ Returns to Reality Using Cintel Scanner and DaVinci Resolve Studio

• 'Paris ETC' DIT puts FilmLight's Prelight to Work on Set and Beyond

• ‘Independence Day’ Resurges with Courageous VFX

• ‘Mary Poppins Returns’ Sings, Dances and Swims with VFX Magic

• ‘Peter Rabbit 2’ Gets a Dolby Atmos Sound Mix at Sony Pictures Post

• ‘Rogue One’ and ‘Game of Thrones’ Lead Nominees for 15th VES Awards

• ‘Shin Ultraman’ Keeps its Classic Look with Resolve’s Management and FX Tools

• ‘The Expanse’ Reveals Dramatic In-Camera Visuals with Cooke 5/i Primes

• ‘The Painted Bird’ Captures Drama of War in Black and White

• 23lunes Creates the Doll Who Changed the Game

• 27-inch iMac Updates Bring Speed, SSDs, New AMD Graphics

• 3500 Kelvin Works with Brompton Processing for Dynamic LED Environments

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