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• Baselight Team Tackles High Frame Rate, High-Res Finish for ‘Gemini Man’

• Vicon Origin Puts Live VR Avatars into VR Worlds in Real Time

• 'Audio Creatures' Make a Splash of Sound, Light and Motion

• 'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve

• 'Paris ETC' DIT puts FilmLight's Prelight to Work on Set and Beyond

• ‘Independence Day’ Resurges with Courageous VFX

• ‘Mary Poppins Returns’ Sings, Dances and Swims with VFX Magic

• ‘Rogue One’ and ‘Game of Thrones’ Lead Nominees for 15th VES Awards

• ‘The Expanse’ Reveals Dramatic In-Camera Visuals with Cooke 5/i Primes

• 23lunes Creates the Doll Who Changed the Game

• 3D Studio Coffee & TV Gives Jack’s Beanstalk a New Twist

• 99designs' Adobe Stock Integration Accesses Millions of Images

• Aardman Nathan Love Create a SuperHero for Kool Keith and MF Doom

• Academy Honours Ten Achievements with Scientific and Technical Awards

• Academy Software Foundation Welcomes New Members, Adopts OpenVDB Project

• Adam Dolniak Mixes Up Technical with Creative for Finishing and Colour

• Adobe Acquires Allegorithmic 3D Texturing and Materials Authoring

• Adobe After Effects and Premiere Pro Get Smarter, More Efficient

• Adobe Brings Speed, Agility and Intelligence to Creative Cloud 2019

• Adobe CC 2018 Crosses Devices, Gets Smarter and More Immersive

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