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• Finding the Perfect Finish for 'Furiosa: A Mad Max Saga'

• FOLKS VFX Builds Worlds Inside Worlds for TV Series ‘Dark Matter’

• Foundry Extends USD Workflows in Katana, Develops 2D Mode for Mari

• Foundry Flix 6.5 Upgrades Secure Permissions and Versioning for Storytelling

• Foundry Launches Annual Subscription for Nuke Software

• Framestore Company 3 Group Announces its first Group CTO Lincoln Wallen

• Freefolk Announces Return of Futurefolk Internship Scheme

• FuseFX Extends a Stop-Motion Universe for ‘Wendell and Wild’

• FuseFX Virtual Production Real-time Alliance Welcomes DNE

• Fusion Studio Makes a Smart Option for Compositing in 'Dumb Money'

• Golaem 9 Improves Hero Character Quality, Control and Animation

• Heckler Introduces a New VFX Supervisor, Two Studios and a New Website

• Impossible Objects Visualises Mexico’s Sport Heritage for UFC at Sphere Las Vegas

• Katana 6.0 Improves Look Dev with Visibility into Materials and Scene Processing

• Lakepointe Church Introduces Imagine’s IP Infrastructure to Worship Operations

• Lenovo Builds Performance and Speed Into New ThinkStation PX, P7 and P5

• Mari 6.0 Makes Texturing Pipelines USD-ready, Adds Teleport Node

• Maxon One Integrates Redshift with ZBrush, Optimises Trapcode Particles

• Maxon One Spring 2024 Brings Particle Simulations and Non-Photoeal Renders

• Maxon One Update Introduces New Maxon Capsules and Redshift Shaders

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