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• Panasonic Projects Powerful Images at 20th Biennale of Sydney

• Papertown Shoots Inside a Virtual Hangar Using Mo-Sys Onset VP Services

• Park Road Post Team Brings Soldiers’ Lives to Life for a New Generation

• Passion Animation Scales Up Talent and Capacity on AWS Cloud

• Passion Pictures and FableFX Illuminate Entries at AEAF

• Patrick Smith Heads Visualisation at Technicolor’s Pre-Production Studio

• Per-Anders Edwards to Recieve Sci-Tech Award for Cinema 4D’s MoGraph

• Peraso Develops High-Performance Wireless VR for Viewers and Enterprise

• PFClean 2017 Updates Wet Gate Process & Colour Management

• PFTrack 2017 Improves Camera and Texture Extraction Support

• Phoenix FD 3 for Maya Splashes Out with New FLIP, Smoke & Fire Solvers

• Phoenix FD 3.0 for 3ds Max Accelerates Realistic Fluids & Fire FX

• Phosphene Traces History for 'The Looming Tower'

• pic4 Collective Gets Immersed in Worlds of Extended Reality

• Pictures in my Head - Nik Hill

• PipelineFX Qube! 6.10 Supports Cloud Rendering and Automation

• PIX and CODEX to Unite under X2X Media Group

• Pixomondo To Open London Virtual Production Studio, Hires Alex Webster

• Pixotope at 2020 Super Bowl

• Prelight 5.0 Visualises Consistent Looks On-Set and into Post

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