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• Signiant Helps Aspyr Media Revive Classic Games on New Platforms

• Sony and Plateau Virtuel Develop Europe’s First Sony Crystal LED Virtual Studio

• Sony Crystal CAPRI Series Makes LED Displays More Affordable

• Sony Virtual Production Tool Set Aligns Pre-Production and On-Set Workflows

• Student Filmmakers’ VES Award-Winning Film Visualises a Life in the City

• Students Leap into LED Virtual Production with Pocket Cinema Camera 4K

• Survival, Disasters and Virtual Production on ‘No Way Up’

• SWR Deploys Sony VERONA LEDs and OCELLUS for Virtual Production Innovation

• Tashi Trieu Delivers on Post and Colour for ‘Avatar: The Way of Water’

• Technicolor Group Appoints David Conley as New MPC President

• The Connected Quantum Workflow from File Data to Object Storage to Cloud

• The Imaginarium Studios Names Maeve Russell Head of Production

• The Mill and Kawasaki Wear Mullets to the Super Bowl

• The TWIN Group to Specialise in Digital Character Development and Creation

• Tippett Studio Hires Marc Morissette as Visual Effects Supervisor

• Twinmotion 25.1 Brings New Realism and Control to 3D Environment Renders

• Union VFX Opens First International VFX Facility in Montréal

• Union VFX Reconstructs a Tragic World for ‘The Tattooist of Auschwitz’

• V-Ray 6 for 3ds Max, update 1, Enhances Artist Control and GPU Rendering

• V-Ray 6 for Houdini Advances with Solaris, Volumetrics and Lighting Developments

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