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• Pixotope Announces Major Hires in APAC Region

• Pixotope at 2020 Super Bowl

• Post Panic and KitBash3D Light Up ‘Free Fire’ Mobile Game Music Video

• Predicting Video Pathways in 2022 – Ncam, Digital Domain and Arcturus

• Prelight 5.0 Visualises Consistent Looks On-Set and into Post

• Preymaker Creates a Real-Time Animated Story without Boundaries

• Preymaker Expands Production Team

• Preymaker Pushes Cloud-based VFX and Colour Workflows to the Edge

• Preymaker Welcomes New Talent Julian Fitzpatrick and Will Mok

• Preymaker Welcomes Senior Creative Rob Petrie to its Lineup

• Preymaker Welcomes Top Talent to its Expanding Roster

• Preymaker Welcomes VFX Supervisor Ruben Vandebroek

• PRG and MADO XR Build Virtual Production Studio-xR in France

• Project Felix and V-Ray Bring Photorealistic Renders to Graphic Design

• Project Substance Alchemist Enters Beta, Source Goes into Orbit

• ProSiebenSat.1 Deploys EVS Live Content Workflows for Production and Replays

• Psyop Pushes ‘Clash of Clans’ into Virtual Reality with Qube!

• Psyop Welcomes Director and Visual Artist Christian Bevilacqua

• Psyop Welcomes Director and Visual Artist Shane Griffin

• Psyop’s David Chontos Brings CG Singers to the Stage

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