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• VFX Students at AIE Get Hands-on with Virtual Production

• VFX Students from RSP Devote Talents to a Girl and her Robot

• VFX Studio Kevin Welcomes Mike Dalzell, Theo Maniatis and Carl Loeffler

• VFX Supervisor Artemis Oikonomopoulou Joins Cinesite London

• VFX Supervisor Josh Simmonds to Speak on ‘Aquaman’ at AEAF

• VFX Veteran Bryan Godwin Joins Pixomondo as Head of LA Studio

• Vicon and Rokoko Develop Smarter, Simpler Systems for VR Experiences

• Vicon Launches Vertex Camera and Finger Tracking for VR

• Vicon Shōgun 1.3 Brings Real-Time Body Tracking Down to the Fingertips

• Vine FX Creates Future Motion Graphics FX for AMC’s ‘Soulmates’

• Vine FX Shifts Time and Place with Authentic VFX for ‘The Serpent’

• ViSo Video Uses Ultimatte 12 for AR Productions inside Virtual Sets

• Vizrt Manages Adobe Creative Cloud Workflows for Broadcast

• Vortechs FX Eddy Simulates Fluid Effects in Nuke’s 3D Space

• VR and Unreal Turn 3D Model into Look Development Tool at Theia Interactive

• VR Test Centres Open to Rock the World of Virtual Reality

• VRIF Publishes Industry Guidelines for Volumetric Video Streaming

• VRscans Library Grows to 400 Photoreal 3D Rendered Materials

• Wacom Cintiq Pro 24 Tunes Colour Accuracy and Pressure Sensitivity

• Wacom MobileStudio Pro Takes High Performance 3D Modelling on the Road

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