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• Telescope Animation Builds a Real-time Pipeline for Multiplatform Production

• Territory Studio Creates at the Crossroads – Story and Design in Motion

• The Artery Welcomes Ronen Tanchum to Lead New VR/AR Division

• The Digi Monsters Jump into a Bigger Game

• The Embassy & Alter Ego Battle the Snowmen with FilmLight BLGs

• The Finish Line Adds Colour and Emotion to Worldwide Motorcycle Treks

• The Foundry KATANA 2.5 Supports Windows & Three New Renderers

• The Foundry Opens Up MARI to Learning and Development

• The Foundry User Conference Comes to Sydney

• The Foundry’s MODO Now Integrates V-Ray into Native Workflows

• The Fuse Group Announces New CEO Sébastien Bergeron

• The Future Group Runs Free Virtual Production Workshops Online

• The Hardy Boys S2 Gets a New Look on Mistika at Eggplant Picture & Sound

• The LEGO Batman Movie Packs a Punch with FilmLight’s Baselight

• The Mill Merges VFX and Colour with FilmLight BLG for Flame

• The Mill New York Co-Founder Launches Cloud Native Preymaker Studio

• The Mill, MPC and Mr X Undergo Business Transformations at Technicolor

• The Molecule’s VFX Artists Stay Connected with AWS Virtual Workstations

• The Pulse Creates Long Form VR Sci-Fi Series, Now Streaming in 4K

• The Pulse Takes Drivers on a VR Experience with INFINITI QX50

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