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Blackmagic Cameras Go Storm Chasing in China for Documentary ‘Soul of Storm’
Blackmagic Cloud Collaborative Workflow Brings RKM Studios’ Vision to the Screen
Blackmagic DaVinci Resolve 19 Updates Colour, VFX, Editorial, Sound Workflows
Blackmagic Pocket 4K Camera Tells an Athlete’s Story in ‘Simone vs Herself’
Brompton LED Processors and Assimilate Integrate to Ease Virtual Production
Cinematographer Mandy Walker to Judge at FilmLight Colour Awards
Colorfront Brings Dolby Vision, AI and New Colorfront Engine Features to NAB
Colour and Cinematography Push Time and Place on TV Series Eric
Colour Grade Brings History, Mythology and Drama to Life for Thangalaan
Colourist Pankaj Bajpai Changes the Colour of Historical Drama for ‘Bridgerton’
Colourist Sean Dunckley Joins Goldcrest Post's Senior Creative Team
Company 3 and Baselight Align on the Colour Grade for ‘The Gentlemen’
Damien Vandercruyssen Defines the Colour of Dreams for 'Bardo'
DaVinci Resolve and Blackmagic Cloud Support Frida’s Remote Post Workflow
DaVinci Resolve Brings Indian Spectacle ‘Kantara’ to Worldwide Audience
DaVinci Resolve Studio and Blackmagic Cloud Solve 4K Picture Post at BSQUARED
DaVinci Resolve Studio Handles Complete Picture Finishing for BBC Series ‘Vigil'
DaVinci Resolve Studio Tames the Colour Grade for ‘Godzilla Minus One’
Dirty Looks Bring Authenticity to 'The Zone of Interest' with Naturalistic Colour
Elodie Ichter Builds a Look from History on Baselight for FX’s ‘Shōgun’
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