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• ArsenalCreative Adds Colour with Colourist Derek Hansen from The Mill

• ArsenalFX Color Expands Team with an Eye Towards VFX

• Arte Video Upgrades OTT and IMF Deliverables Processing with Marquise

• Artjail Mixes Up Colour and VFX in the Baselight Grading Suite

• Artyficial Builds Moscow’s Colour Community on FilmLight Pipeline

• Atomos Monitor Recorders Support Hi-Res HFR/HDR Workflows

• Autodesk Flame 2021.2 Refines Keying, Timeline Navigation, Search

• Autodesk Flame Continues AI Integration for Colour, Finishing and VFX

• Azimuth Takes a New Angle on Colour Finishing with Baselight ONE

• Baselight 5.0 Adds Colour Control & Post Tools for Colourists

• Baselight 5.3 Upgrades Colour Control and Processing for Artists

• Baselight Streamlines True Colours for ‘Big Little Lies’ at Technicolour

• Baselight X Recreates 1930s Hollywood in Black and White for ‘Mank’

• Baselight X Seizes a HDR Look for Netflix Thriller 'Mindhunter'

• BBC Street and Youngster Modernise Colour with New Baselight Workflows

• Beau Leon Makes the Grade at Framestore LA with Baselight

• Ben Allan Final Cut Pro X 10.4 Review

• Ben Gervais Walks the Line for 120P 4K Master on ‘Billy Lynn’

• Bending the Rules for ‘Tales from the Loop’

• Blackmagic ATEM Helps Live Stream MMOG & Pop Concert Experiences

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