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METexpo25
  • Harbor Expands with Dedicated Dailies Facility at Shepperton Studios

  • Harbor to Join the Avant-garde with Colourist Karim El Katari from France

  • Harbor Upgrades UK Advertising and LA Studio with Top New Hires

  • Innervision Selects Sony Projector for Cinema Colour Grading Suite

  • James Tonkin Selects URSA Cine 12K’s Large Format for The Yardbirds Retrospective

  • John Daro Masters the Power of Colour from Science to Storytelling

  • José Francisco Neto Unravels the Colourist’s Role at FilmLight Colour Awards

  • Light Iron Chooses Nara to Unify Media Access, Streaming and Indexing

  • Light Iron Integrates Nara for Secure, Efficient Post Workflows

  • Light Iron Welcomes Andrew Geary as Senior Colourist

  • LucidLink and Magicbox Partner on Live, Remote Virtual Production Workflow

  • LUMIX S5IIX / S5II Support High Bit-Rate Video Options and Phase Hybrid AF

  • Maxon One Speeds Up 3D and Animation, Design and Post Workflows

  • Maxon One Spring 2024 Brings Particle Simulations and Non-Photoeal Renders

  • Molinare Welcomes Carlotta Rio to its Colourist Team

  • Molinare’s Ross Baker Brings a Love of Colour to Television and Film

  • MSI Prestige 16 Studio Wraps Up RTX Graphics, Accurate Colour with Portability

  • MTI Cortex v5.5 Adds New AI Tools for Frame Rate Conversion and Up Resolution

  • Panasonic’s LUMIX GH7 Records Apple ProRes RAW, Adds ARRI LogC3 Profile

  • Pebble and NVIDIA Collaborate to Align PRIMA with NVIDIA Holoscan for Media

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