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• Harbor Expands with Dedicated Dailies Facility at Shepperton Studios

• Harbor to Join the Avant-garde with Colourist Karim El Katari from France

• Harbor Upgrades UK Advertising and LA Studio with Top New Hires

• Innervision Selects Sony Projector for Cinema Colour Grading Suite

• James Tonkin Selects URSA Cine 12K’s Large Format for The Yardbirds Retrospective

• John Daro Masters the Power of Colour from Science to Storytelling

• José Francisco Neto Unravels the Colourist’s Role at FilmLight Colour Awards

• Light Iron Chooses Nara to Unify Media Access, Streaming and Indexing

• Light Iron Integrates Nara for Secure, Efficient Post Workflows

• Light Iron Welcomes Andrew Geary as Senior Colourist

• LucidLink and Magicbox Partner on Live, Remote Virtual Production Workflow

• LUMIX S5IIX / S5II Support High Bit-Rate Video Options and Phase Hybrid AF

• Maxon One Speeds Up 3D and Animation, Design and Post Workflows

• Maxon One Spring 2024 Brings Particle Simulations and Non-Photoeal Renders

• Molinare Welcomes Carlotta Rio to its Colourist Team

• Molinare’s Ross Baker Brings a Love of Colour to Television and Film

• MSI Prestige 16 Studio Wraps Up RTX Graphics, Accurate Colour with Portability

• MTI Cortex v5.5 Adds New AI Tools for Frame Rate Conversion and Up Resolution

• Panasonic’s LUMIX GH7 Records Apple ProRes RAW, Adds ARRI LogC3 Profile

• Pebble and NVIDIA Collaborate to Align PRIMA with NVIDIA Holoscan for Media

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