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Adobe Creative Cloud Gets Smarter, Moves Closer to the Cloud
AFTRS Open Day and Postgraduate Evening Are Coming to Sydney
Baselight Team Tackles High Frame Rate, High-Res Finish for ‘Gemini Man’
'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve
'Paris ETC' DIT puts FilmLight's Prelight to Work on Set and Beyond
'Stage Mums' Gets a Good Look with URSA Mini 4.6K and DaVinci Resolve
‘Shin Ultraman’ Keeps its Classic Look with Resolve’s Management and FX Tools
‘The Painted Bird’ Captures Drama of War in Black and White
Adam Dolniak Finds the Colour of Amazing for ‘The Amazing Maurice’
Adam Dolniak Mixes Up Technical with Creative for Finishing and Colour
Adobe Premiere Pro and After Effects Gain Speed and Intelligence for Video Post
Adobe Works with Partners on IMF Mastering, VoIP, Colour and 4K HDR I/O
AJA Io 4K Plus Thunderbolt 3 Powers 4K/UHD, HDR, Audio Workflows
AJA 12G-SDI Upgrades Commercial Post to 4K/UHD at ADK Creative One
AJA ColorBox v2.0 Adds TV and Live Modes, Plus New LUT-based Conversions
AJA Delivers Colour Accurate Video On Set for DIT Sam Petrov
AJA FS-HDR v3.0 Firmware Evolves HDR Standards Support
AJA Helps Miraikan Museum Visualise Global Environmental Change in 8K HDR
AJA Launches Io X3 Thunderbolt 3 Video I/O, Updates Desktop Software to v16.2
AJA T-TAP Pro and Desktop Software v16 Increase Compatibility, Connectivity
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