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  • AFTRS Open Day and Postgraduate Evening Are Coming to Sydney

  • Baselight Team Tackles High Frame Rate, High-Res Finish for ‘Gemini Man’

  • 'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve

  • 'Paris ETC' DIT puts FilmLight's Prelight to Work on Set and Beyond

  • 'Stage Mums' Gets a Good Look with URSA Mini 4.6K and DaVinci Resolve

  • ‘The Painted Bird’ Captures Drama of War in Black and White

  • Adam Dolniak Mixes Up Technical with Creative for Finishing and Colour

  • Adobe Works with Partners on IMF Mastering, VoIP, Colour and 4K HDR I/O

  • AJA Io 4K Plus Thunderbolt 3 Powers 4K/UHD, HDR, Audio Workflows

  • AJA Delivers Colour Accurate Video On Set for DIT Sam Petrov

  • AJA FS-HDR v3.0 Firmware Evolves HDR Standards Support

  • AJA Updates FS-HDR with New BBC HLG LUTs and Colorfront Engine Mode

  • Aljoscha Hoffmann Charts New Territory in Colour on Baselight

  • Andy Elliott Colours True Stories at Directors Cut Films

  • Anthony Raffaele Brings Expert Colour to Technicolor PostWorks NY

  • Archion EditStor Increases Shared Storage Performance and Functionality

  • Areia Creations Defines K-Pop Video with Blackmagic URSA Mini

  • Arsenal FX Color Supports Upcoming Colourists for Television

  • ArsenalCreative Adds Colour with Colourist Derek Hansen from The Mill

  • Arte Video Upgrades OTT and IMF Deliverables Processing with Marquise

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