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• Maxine Gervais Joins Harbor as Senior Colourist

• 424 Post and Harbor Unite to Launch HDR Theatrical Post Studio

• Adam Dolniak Finds the Colour of Amazing for ‘The Amazing Maurice’ 

• Adobe Premiere Pro and After Effects Gain Speed and Intelligence for Video Post

• Adobe Updates Premiere Pro Colour Management and After Effects 3D Workspace

• AJA ColorBox Unifies Looks for ProAV Live Events at Immersive Design Studios

• AJA ColorBox v2.1 Updates Support for New 4K/UHD and HDR Workflows

• AJA Helps Miraikan Museum Visualise Global Environmental Change in 8K HDR

• AJA Launches Io X3 Thunderbolt 3 Video I/O, Updates Desktop Software to v16.2

• Aljoscha Hoffmann Tells the Story in Colour for ‘Dear Mr Führer’

• Aljoscha Hoffmann Tells the Story in Colour for ‘Dear Mr Führer’

• AMD Radeon PRO W7000 GPUs Accelerate Performance for Extreme Workloads

• AMD’s Ryzen Desktop Processors Power AI PCs for Content Creation and Gaming

• Anime Series LUPIN ZERO Gets a Perfect Cut and Finish in DaVinci Resolve Studio

• ARRI 265 Delivers Large Sensor 65mm Cinematography in a Compact Design

• ARRI Impression V Filters Expand Creative Looks and Uses for Signature Lenses

• Avid NEXIS | F2 Fast, Scalable Storage Brings Flexibility to High-Resolution Post

• Award-Winning Colourist Natasha Leonnet Joins Picture Shop

• Baselight Colour Grade Brings Cinematic Realism to ‘A Piece of Sky’

• Baselight v6.0 Opens the World of Machine Learning to Colourists

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