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Blackmagic Design
  • ATEME Demonstrates Open Caching APIs and Interoperability

  • Atomos Monitor Recorders Support Hi-Res HFR/HDR Workflows

  • Auto Tone Gives Adobe Premiere Pro Editors a Head Start in Colour

  • Autodesk Flame 2021.2 Refines Keying, Timeline Navigation, Search

  • Autodesk Flame Continues AI Integration for Colour, Finishing and VFX

  • Autodesk Flame Speeds up 4K/UHD, Conform and HDR Workflows

  • Avid NEXIS | F2 Fast, Scalable Storage Brings Flexibility to High-Resolution Post

  • Award-Winning Colourist Natasha Leonnet Joins Picture Shop

  • Azimuth Takes a New Angle on Colour Finishing with Baselight ONE

  • Baselight 5.0 Adds Colour Control & Post Tools for Colourists

  • Baselight 5.3 Upgrades Colour Control and Processing for Artists

  • Baselight Streamlines True Colours for ‘Big Little Lies’ at Technicolour

  • Baselight X Recreates 1930s Hollywood in Black and White for ‘Mank’

  • Baselight X Seizes a HDR Look for Netflix Thriller 'Mindhunter'

  • BBC Street and Youngster Modernise Colour with New Baselight Workflows

  • Beau Leon Makes the Grade at Framestore LA with Baselight

  • Ben Allan Final Cut Pro X 10.4 Review

  • Ben Gervais Walks the Line for 120P 4K Master on ‘Billy Lynn’

  • Bending the Rules for ‘Tales from the Loop’

  • Black Box Live’s Blackmagic Design Workflow Keeps Regional Theatre Alive

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