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• ATEME Demonstrates Open Caching APIs and Interoperability

• Atomos Monitor Recorders Support Hi-Res HFR/HDR Workflows

• Auto Tone Gives Adobe Premiere Pro Editors a Head Start in Colour

• Autodesk Flame 2021.2 Refines Keying, Timeline Navigation, Search

• Autodesk Flame Continues AI Integration for Colour, Finishing and VFX

• Autodesk Flame Speeds up 4K/UHD, Conform and HDR Workflows

• Avid NEXIS | F2 Fast, Scalable Storage Brings Flexibility to High-Resolution Post

• Award-Winning Colourist Natasha Leonnet Joins Picture Shop

• Azimuth Takes a New Angle on Colour Finishing with Baselight ONE

• Baselight 5.0 Adds Colour Control & Post Tools for Colourists

• Baselight 5.3 Upgrades Colour Control and Processing for Artists

• Baselight Streamlines True Colours for ‘Big Little Lies’ at Technicolour

• Baselight X Recreates 1930s Hollywood in Black and White for ‘Mank’

• Baselight X Seizes a HDR Look for Netflix Thriller 'Mindhunter'

• BBC Street and Youngster Modernise Colour with New Baselight Workflows

• Beau Leon Makes the Grade at Framestore LA with Baselight

• Ben Allan Final Cut Pro X 10.4 Review

• Ben Gervais Walks the Line for 120P 4K Master on ‘Billy Lynn’

• Bending the Rules for ‘Tales from the Loop’

• Black Box Live’s Blackmagic Design Workflow Keeps Regional Theatre Alive

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