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METexpo25
  • Pomfort Upgrades Livegrade with Remote 3D LUT Control for Virtual Production

  • Preymaker Welcomes Colourist Mark Sanna to its Creative Team

  • Qumulo and HPE GreenLake Scale the Post Environment at Origo Studios

  • Racoon Adds Baselight TWO, Blackboard and a new Senior Colourist to the Team

  • Reaktor Post Grades ‘Érase Una Vez En El Caribe’ on Baselight 6.0

  • Renderboxes Photon Makes 3D Workstations Portable

  • Rodeo FX Adds Colour Grading with Baselight, Hires Ana Ecorse

  • Sonny Sheridan Lives a Life for Colour

  • Sony BVM-HX3110 Reference Monitor Keeps Arsenal FX Color Ahead in Post

  • Sony Cine Line Cameras Take Russell Crowe’s Indoor Garden Party on Tour

  • Supervising Colourist Peter Doyle Joins Picture Shop

  • Tashi Trieu Delivers on Post and Colour for ‘Avatar: The Way of Water’

  • The Finish Line Completes UHD / HDR Picture Post for ‘I Am a Killer’

  • The Rebel Fleet Works On Set with AJA for Assist, DIT and Dailies Workflows

  • Time in Pixels and AJA Push Ahead with Video Analysis for Post

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