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• Jellyfish Welcomes Senior VFX Artists Nicolas Hernandez and Kevin Hoppe

• Jerad Marantz Walks with Creatures from Dreams to Vision

• Jin-ho Park Communicates and Innovates with Colour

• Jogger Studios Blooms in London from Production to Colour

• Johannes Sambs to Lead Framestore’s CG Team in London

• John Seale Uses FUJINON Premista to Capture ‘Three Thousand Years of Longing’

• Join Chaos Group in Australia this May and June

• Join the Eizo Video Creation Roadshow

• Josh Van Zuylen Masters a Cyberpunk Universe from the Inside Out

• Julien von Schultzendorff Pushes Colour Boundaries at nhb studios

• Karma XPU Gathers Speed as SideFX’s Hybrid GPU/CPU Renderer

• Katana 3.0 Shines a New Light with 3Delight Render Plug-in

• Katana 3.1 Updates 3Delight and Hydra Viewer Performance and Quality

• Katana 3.2 Updates Material Creation UX, 3Delight Rendering and USD

• Katana 3.5 Brings USD Pipelines and Interactive Renders to Light

• Katana 3.6 Updates Material Editing, Ships with 3Delight NSI 2.0

• Katana 4.0 Focusses on Interactive Renders, Lighting UX and USD

• Katana 5.0 Extends Lighting and Look Development Through the 3D Pipeline

• Katana 5.0 Focusses on Nuke Interoperability and Render Upgrades

• Katana 6.0 Improves Look Dev with Visibility into Materials and Scene Processing

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