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• VFX Veteran Bryan Godwin Joins Pixomondo as Head of LA Studio

• Vicon and Rokoko Develop Smarter, Simpler Systems for VR Experiences

• Vicon Launches Vertex Camera and Finger Tracking for VR

• Vicon Shōgun 1.3 Brings Real-Time Body Tracking Down to the Fingertips

• Vine FX Shifts Time and Place with Authentic VFX for ‘The Serpent’

• ViSo Video Uses Ultimatte 12 for AR Productions inside Virtual Sets

• Vizrt Manages Adobe Creative Cloud Workflows for Broadcast

• Vortechs FX Eddy Simulates Fluid Effects in Nuke’s 3D Space

• VR Test Centres Open to Rock the World of Virtual Reality

• VRscans Library Grows to 400 Photoreal 3D Rendered Materials

• Wacom Cintiq Pro 24 Tunes Colour Accuracy and Pressure Sensitivity

• Wacom MobileStudio Pro Takes High Performance 3D Modelling on the Road

• Wacom Pro Pen 3D Puts 3D Modelling and Design at Your Fingertips

• Weta Digital and 2n Design Dazzle PHAROS Festival with Interactive Graphics

• Weta Digital Launches ‘Weta Animated’ to Produce Original Content

• Weta Digital's VFX Supervisor Matt Aitken Joins AEAF Speaker Program

• What’s New in Autodesk 3ds Max and Maya - Webinar

• Win Free Tickets to AEAF

• Windmill Lane Sees the World in Colour with FilmLight

• WSP | Parsons Brinckerhoff Accelerates Project Visualisation with Deadline

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