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• EditShare Renovates Storage and Asset Management for This Old House

• EditShare Ultimate and FLOW Move Media Faster to More Locations

• EditShare Wiredrive Keeps Stories on Track at Offroad Films

• EditShare’s Storage Enhances 4K and Remote Workflows at EGG Post & VFX

• EIZO Brings SDI I/O to Colour Management Monitoring for Broadcast and Video

• EIZO’s 31.5-inch 4K Monitor Supports Consistent, Precise Colour Workflows

• Elite Media Selects Interra’s BATON for File-Based QC from Post to Delivery

• Elodie Ichter Builds a Look from History on Baselight for FX’s ‘Shōgun’

• Élodie Ichter Joins Light Iron as Senior Colourist

• EngineLab and AWS Support Studios on the Way to Cloud-Based Production

• ETC Adopts FilmLight FLUX Store for Flexible Post Storage Management

• Eurotape Media Upgrades R&S Clipster and Storage Network for Faster Mastering

• EVS Develops New Generative AI Replay Effects with XtraMotion 3.0

• EVS Keeps Media Moving into Broadcast Asset Management Workflows

• FilmLight Baselight Software is Now Ready to Run on macOS Systems

• FilmLight Colour Awards Winners Share Tips, Insights and Stories

• FilmLight Looks Back on 2024 Award Winners

• FilmLight Nara Connects Creative Teams with Native Media Decodes and Playback

• FilmLight Nara Simplifies Access to Data and Project Management

• FilmLight REMOTE Delivers High-Quality, Low-Latency Remote Grading

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