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Élodie Ichter Joins Light Iron as Senior Colourist
ETC Adopts FilmLight FLUX Store for Flexible Post Storage Management
Eurotape Media Upgrades R&S Clipster and Storage Network for Faster Mastering
EVS Develops New Generative AI Replay Effects with XtraMotion 3.0
EVS Launches IPD-VIA Create for Fast Web-based Editing
FilmLight Colour Awards Winners Share Tips, Insights and Stories
FilmLight Nara Connects Creative Teams with Native Media Decodes and Playback
FilmLight Nara Simplifies Access to Data and Project Management
FilmLight REMOTE Delivers High-Quality, Low-Latency Remote Grading
Filmmakers Take the Leap into Space with Blackmagic for 'When We Were Shuttle'
Finding the Perfect Finish for 'Furiosa: A Mad Max Saga'
Flanders Scientific XMP310 Monitor Supports SDR/HDR Set-to-Post Production
Florida Panthers Extend to the Cloud with EditShare for Remote Video Workflows
FOLKS Expands with the Launch of FOLKS USA
FOLKS VFX Builds Worlds Inside Worlds for TV Series ‘Dark Matter’
Foundry Extends USD Workflows in Katana, Develops 2D Mode for Mari
Foundry Flix 6.5 Upgrades Secure Permissions and Versioning for Storytelling
Foundry Flix 7.0 Improves Team Collaboration and Workflow Customisation
Foundry Launches Annual Subscription for Nuke Software
Framefloor Builds Creative Post Workflows on AJA Gear
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