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• Colourist Olivier Fontenay Tames Colour and Looks for ‘Lion’

• Colourist Yvan Lucas Grades through Three Decades of Cinema

• Coming Events - 4K and HDR in the Real World for Broadcast and Post

• Commercial Grading Goes On Set with DaVinci Resolve Micro Panel

• Company 3 Welcomes Steven J Scott and Expands in Hollywood

• Comprimato – Fast, Efficient Compression Preserves Quality & Space

• Comprimato Expands into San Francisco’s Video Compression Market

• Comprimato Generates 4K, 8K & VR Format for Realtime Editing

• Coney Island Returns in 'Wonder Wheel' with Integrated Colour

• ContentAgent v3.6 Turns Up LUT and DNxHR Format Support

• Cooke Anamorphic/i Metadata Gives TV Series ‘Valkyrien’ a New Life

• Cooke Anamorphic/i SF Brings Big Screen Looks to Star Trek: Picard

• Cooke Anamorphic/i SF Lenses Capture Precision Metadata for ‘Pinocchio’ VFX

• Corona Renderer 5 for 3ds Max Optimises Memory, Caustics, Geometry

• Corona Renderer Makes Cinema 4D Visualisations Fast and Interactive

• Cospective cineSync 4.0 Tightens Security, Gains iOS App

• Cream VR Captures Curious Minds in VR with Micro Studio Camera 4K

• Dalet Equips AmberFin for Dolby Vision and Hardware Acceleration

• Dalet Expands Automated Quality Control Support with Interra Partnership

• Dalet Galaxy Manages and Customises Large Scale IMF Operations

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