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• DNEG Makes a Bigger Splash for 'The Meg'

• DNEG ReDefines VFX Services for Expanding International Markets

• DNEG Takes Home the VFX Oscar for ‘First Man’

• Dolby Laboratories Receives IBC2017 International Honour for Excellence

• DP Amanda Treyz Delivers a Supernatural Twist to ‘Treehouse’ with Blackmagic

• DP Captures Dynamic Mercedes Campaign with Pocket Cinema Camera 6K

• DP Joel Devlin Brings Colour & Light to ‘Broken’ on VariCam 35

• DP Lara Damiani Goes the Extra Mile for Video with a Conscience

• Duplitech Brings Old and New Film Projects to Life with Cintel Scanner 2

• E-on PlantCatalog Cultivates 3D Procedural Vegetation for 3D Artists

• e.d. films Helps Artists Create 3D Scenes from Photoshop Files

• Editors Build Style, Voice and Storytelling Skills with Avid Media Composer

• EditShare Academy is Now Open for Registration

• EditShare and Adobe Editors Collaborate on Remote Productions

• EditShare and Helmut Extend Automation and Control for Premiere Pro Workflows

• EditShare Develops Auditing for XStream EFS; Software-only Flow MAM

• EditShare EFSv Platform Virtualises Collaborative Editing in the Cloud

• EditShare Lightworks v14.0 Adds Social Media Formats and FX Tools

• EditShare QScan 3.3 Automates QC with Better Visibility, More Speed

• EditShare QScan Updates Simplify IMF and Dolby HDR Compliance

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