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  • DNEG Makes a Bigger Splash for 'The Meg'

  • DNEG ReDefines VFX Services for Expanding International Markets

  • DNEG Takes Home the VFX Oscar for ‘First Man’

  • Dolby Laboratories Receives IBC2017 International Honour for Excellence

  • DP Amanda Treyz Delivers a Supernatural Twist to ‘Treehouse’ with Blackmagic

  • DP Captures Dynamic Mercedes Campaign with Pocket Cinema Camera 6K

  • DP Joel Devlin Brings Colour & Light to ‘Broken’ on VariCam 35

  • DP Lara Damiani Goes the Extra Mile for Video with a Conscience

  • Duplitech Brings Old and New Film Projects to Life with Cintel Scanner 2

  • E-on PlantCatalog Cultivates 3D Procedural Vegetation for 3D Artists

  • e.d. films Helps Artists Create 3D Scenes from Photoshop Files

  • Editors Build Style, Voice and Storytelling Skills with Avid Media Composer

  • EditShare Academy is Now Open for Registration

  • EditShare and Adobe Editors Collaborate on Remote Productions

  • EditShare and Helmut Extend Automation and Control for Premiere Pro Workflows

  • EditShare Develops Auditing for XStream EFS; Software-only Flow MAM

  • EditShare EFSv Platform Virtualises Collaborative Editing in the Cloud

  • EditShare Lightworks v14.0 Adds Social Media Formats and FX Tools

  • EditShare QScan 3.3 Automates QC with Better Visibility, More Speed

  • EditShare QScan Updates Simplify IMF and Dolby HDR Compliance

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