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• Rapid Blue Works with EditShare for TV Post and Distribution

• Raúl Lavado on Dedicating a Career to Colour, Art and Technology

• Reaktor Post Grades ‘Érase Una Vez En El Caribe’ on Baselight 6.0

• Reuters Equips Worldwide Video Journalist Team with Sony Cameras

• RT Software’s Tactic Telestrator Analyses Finland’s National Sport, Pesäpallo

• RT’s Swift Studio Integrates Unreal’s Dynamic Fields for Virtual Studios and AR

• Signiant Makes Complex File Movement Simple and Fast at Blazing Griffin

• Sinclair Speeds News Gathering via Avid, Sony, Marquis Production Partnership

• SMPTE and Avid Publish New ST 2067-70 Standard for the VC-3 Codec in IMF

• SMPTE, EBU and ETC Release Engineering Report on AI and the Media

• Sohonet Acquires Exchange Communications to Connect Productions

• Sony BVM-HX3110 Reference Monitor Keeps Arsenal FX Color Ahead in Post

• Spectra Logic and Wasabi Optimise Data Across Cloud and Hybrid Environments 

• Survival, Disasters and Virtual Production on ‘No Way Up’

• Tashi Trieu Delivers on Post and Colour for ‘Avatar: The Way of Water’

• Telkom Indonesia and Magna Systems Design and Build New SEA Today Channel

• The Finish Line Completes UHD / HDR Picture Post for ‘I Am a Killer’

• Ultimatte 12 4K Accelerates Green Screen Virtual Productions at CoPilotXR

• Viz Flowics Builds Agility, Speed and Collaboration for Amu TV’s Remote News

• Viz Libero 8.3 Automates Sports Video Cropping for Social Media

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