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• CBS Sports Digital Shifts to Blackbird’s Live Cloud Video Editing

• CHEAT and DaVinci Resolve Colour and Conform the World's End

• ChiliCake Films Tackles Music Video Post with Kyno

• ChyronHego CAMIO 4.4 Graphics Renderer Unifies Linear and OTT Delivery

• ChyronHego PRIME 2.0 Powers Dynamic, Flexible Broadcast Graphics

• ChyronHego PRIME Graphics 3.6 Supports Real-time AR and LyricX Mode

• ChyronHego TRACAB Gen5 Updates Tracking Algorithms, Adds AI Recognition

• Cinedeck's CineX API Streamlines Mastering Pipeline at ENVY Post

• Cinedeck’s cineXinsert Tunes Up File-Based Post in Hollywood

• Cinegy Capture 14 Unifies Ingest and Transcode for Video Workflows

• Cinegy Capture PRO Supports Live Broadcasts to Brazil from Tokyo Games

• Cinegy Daniel2 Codec Beta GPU-Accelerates 8K Post Workflows

• Cinegy Expands Playout and Automation at Turkuvaz Media Group

• Cinegy Moves to Software-Defined TV with Cloud, UHD, HDR Support

• Cinema 4D S24 Reveals 3D Asset Control, Animation Workflows, Scene Nodes

• Cintel Scanner and Resolve Scan and Restore Classic Films in Mexico

• CMM Adopts Quantum StorNext to Manage Fast-Growing Video Content

• Collaborating with Premiere Pro Productions and LucidLink Cloud NAS

• Color Finale Transcoder Speeds RAW Media Imports into FCP

• Colorfront 2017 Pushes Ahead on UHD/HDR and IMF Workflows

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