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• Panasonic’s LUMIX GH7 Records Apple ProRes RAW, Adds ARRI LogC3 Profile

• Pebble’s Automation and Integrated Channel Manage Playout for SRF Facility

• Pebble’s Prima Platform Refines Playout, Workflows and Control for Broadcast

• Perifery and ERA Join on Cloud-Based Media Archive and Object Storage Services

• Picture Shop’s Mark Kueper Uses DaVinci Resolve Studio to Capture Billy the Kid

• Projective and LucidLink's Integration Enables Cloud Post-Production at Scale

• Qumulo Puts PFX in Control of Studio Storage Capacity, Performance and Scale

• Qvest Integrates Avid MediaCentral at rt1.tv to Optimise Media Workflows

• Rapid Blue Works with EditShare for TV Post and Distribution

• Raúl Lavado on Dedicating a Career to Colour, Art and Technology

• RE:Vision Effects Twixtor Frame-Rate Conversion Plug-ins Are Now Standalone

• Reaktor Post Grades ‘Érase Una Vez En El Caribe’ on Baselight 6.0

• Reuters Equips Worldwide Video Journalist Team with Sony Cameras

• RT Software’s Tactic Telestrator Analyses Finland’s National Sport, Pesäpallo

• RT’s Swift Studio Integrates Unreal’s Dynamic Fields for Virtual Studios and AR

• RTÉ Chooses Dalet to Manage and Deliver Ireland’s Content to Viewers

• Signiant Makes Complex File Movement Simple and Fast at Blazing Griffin

• Signiant Shows Camera-to-Any-Cloud Workflow at NAB 2025

• Sinclair Speeds News Gathering via Avid, Sony, Marquis Production Partnership

• SMPTE and Avid Publish New ST 2067-70 Standard for the VC-3 Codec in IMF

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