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• Church Uses Blackmagic ATEM to Customise Global Live Streaming Workflows

• Cinegy Capture 24.1 Captures and Encodes Multiple SDI/IP Streams

• Cinegy Capture CAPTURES ENVY’s New Remote Workflow Service

• Colombia’s Canal 1 Acquires Production-to-Post Workflow from Blackmagic Design

• Colour Grade in DaVinci Resolve Studio Tells a Civil War Story in The Damned

• Colourist Pankaj Bajpai Changes the Colour of Historical Drama for ‘Bridgerton’

• Colourist Sam Chynoweth Walks the Line from Memory to Life for Black Mirror

• Company 3 and Baselight Align on the Colour Grade for ‘The Gentlemen’

• CP Communications Takes 2023 TCS New York City Marathon to the Cloud

• Creating a Supernatural Colour Grade for ‘Salt Along the Tongue’

• Cricket Australia Adopts Dalet Flex to Enhance Monetisation and Fan Experience

• Cuez Unifies Production of Three Live Shows as One at ITV Studios

• Czech Philharmonic Harmonises UHD Production Workflows on EditShare EFS

• Dalet Flex LTS Enhances Media Intelligence from Ingest to Distribution

• Dalet Flex LTS Update Focusses on Faster Workflows, Security and Collaboration

• Dalet Flex LTS Upgrades Searching, Editing and AI Services for Media Workflows 

• Dalet Flex Optimises Monetisation with Fast Deployment and Scalability

• Dalet Pyramid Updates and Expands News and Editorial Systems at RNZ

• Dalet Transforms Italy’s Premier Football League into a Sports Media Enterprise

• Dante AV Synchronises Audio and Video Content for Iyuno’s Localisation Services

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