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• Azimuth Takes a New Angle on Colour Finishing with Baselight ONE

• Bannister Lake Releases Chameleon 10, Stars at FIA Gran Turismo

• Barstool Sports Centralises and Automates Production on Editshare

• Baselight X Seizes a HDR Look for Netflix Thriller 'Mindhunter'

• BBC Street and Youngster Modernise Colour with New Baselight Workflows

• Ben Allan Final Cut Pro X 10.4 Review

• Bethel Media Connects Video Production and Post Workflows on Facilis

• Black Box Optimises Emerald KVM Extenders for Precise HD Video

• Blackmagic Cintel Helps TBS SPARKLE Archive Japan’s Broadcast History

• Blackmagic DaVinci Resolve 16.2 Gets Updated to the Speed of Sound

• Blackmagic Design & Goldcrest Post Set the Pace on ‘Jason Bourne’

• Blackmagic eGPU Optimises Performance for Resolve, Games and VR

• Blackmagic RAW 1.5 and Video Assist 12G Update Capture and Compression

• Blackmagic RAW and URSA Mini Pro Capture a Country Mix for Diplo

• Blackmagic RAW Energises Colour, Saves Time on Live and Studio Productions

• Blackmagic Scales Down Switching, Streaming, Playback for Broadcast

• Blackmagic Set-to-Post Workflow Produces Genius for eLearning Projects

• Blackmagic URSA & DaVinci Resolve Workflow Rearranges a Marriage

• Blackmagic URSA Mini Pro G2 Gains New Super 35 4.6K HDR Sensor

• Blue Lucy Manages BAFTA's Content Catalogue in the Cloud

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